A huge bird swoops down and kidnaps Princess Indumati. The army's scoured the whole area and the neighboring kingdoms but there's no trace of Princess Indumati. The only thing Bheem finds was strange bird-feathers from the land of Incas. Bheem and team starts searching in the forests of Mexico where Dholu-Bholu fall off into a river. Bheem and others jump in to save them but are soon carried off by the rivers currents to the shores of a desolate valley. The valley is covered with heaps and heaps of ashes all around one such mound lie near the princess bangles. The sun rises and the mounds of ashes takes the shape of humans. The Incas where they meet Princess Indumati.
Jada is 7 years old. Jada lives alone on Venice Beach. By following her through a day in her life, the story of who she is, why she is there, and who the man is that has come looking for her unfolds.
Ni Sisi tells the story of a typical Kenyan village, a harmonious muddle of tribes, intermarriages and extended families, in the context of post-election violence. The characters explore issues of corruption, political bribery, racism and gossip. Friends who have lived and worked together all their lives are consumed by rumors and mistrust. However, horrific consequences are avoided when the community pulls together to avert further violence. The hopeful and empowering message of Ni Sisi is one of personal responsibility; that both individuals and communities have the power to control what happens to them and that racist attitudes and negative stereotypes of other tribes can be overcome. Ni Sisi enables the audience to discuss the 2008 post election violence and understand the futility of violence.
Omar is trying to reclaim the inheritance of his father from his uncle. He uses his colleague Rauof, who turns out to be a crook and then flees to Lebanon and Omar goes to jail. Lina the Lebanese girl falls in love with Raouf, and they agree to marry, but he escapes to Cairo.
Through the stories of Assaad Shaftari, a former high-ranking militia officer, and Maryam Saiidi, the mother of a missing communist fighter, the film digs into war wounds and poses the question of whether or not redemption and forgiveness are possible.