16-year-old Yuguo, who has a passion for Eastern European romantic poetry, makes a pilgrimage from his home in China to the foothills of Romania’s Carpathian Mountains.
FOR OUR CHILDREN unites maternal voices of resilience and solidarity in a poignant cinematic journey. Directed, produced and co-written by Débora Souza Silva, this emotional documentary chronicles the powerful convergence of two mothers, Reverend Wanda Johnson and Angela Williams, whose lives were forever altered by the scourge of police brutality against their Black sons.
Colleagues, friends, and other close acquaintances all give their account of the man who led strife-torn Yugoslavia from German occupation in World War II and walked her down a political tightrope for 40 years, begrudgingly gaining the respect and admiration of both the Soviet and Western superpowers.
On October 23, 1992, there was an improvised performance in the small auditorium of Washington in St. Louis, USA, without a separate stage and fancy equipment or effects. With the front floor of the small auditorium as the stage, there are only small lights, props, and various lines that illuminate the stage in front with a chair and an amplifier.
Virgilio Martinez is much more than a chef, he is an artist. Although his Central restaurant in Lima, Peru, is considered to be the best of the decade in Latin America and number 2 in the world, and his wife Pía León is considered to be the world's best female chef, his inspiration, research and creative work goes much further than these recognitions. Virgilio is an explorer of Peru's different regions, giving its origin to the revolutionary concept of the "World in Altitudes", based on the elevations of the earth that forever changed the way local gastronomy is seen in today's world.
When the slave ships docked in North America, Brazil, and the Caribbean, hundreds of cultures, traditions, and religions landed with the Africans on board, one transcended slavery beyond imagination and remains alive till this day in the New World: the Yoruba culture.
'Pedro', Liora Spilk's debut feature, paints a humorous and emotional portrait of Pedro Friedeberg, a Mexican plastic artist who became famous in the sixties for the creation of the hand chair.
Between grumblings, ironies, reflections on art and disagreements, 'Pedro' achieves an endearing portrait of Friedeberg, and at the same time presents a tribute to friendship and creation.
Ruth de Souza inaugurates the existence of black actresses on stage, television and cinema in Brazil. She carries within her the genesis of an important part of the achievements for black women over almost a century of life. At the age of 95, surpassing 70 in her career, amidst reflections and memories, a dialogue was born between two generations of black artists, Ruth and the director.
Einstein proposed that time might not flow linearly, suggesting that spacetime bends and warps under powerful matter, seen as gravity's fluctuations. During the pandemic, people experienced this concept firsthand: shrinking horizons made time seem to both stand still and race forward. Daniel Cockburn’s video Ahead of the Curve reflects this surreal period when norms vanished, and internet rabbit holes drew people in—either as black holes for doomscrolling or wormholes to discovery. Through a darkly comic narrative, Cockburn spins a tale full of unexpected twists, linking past and present with disorienting shifts in tone, setting, and tempo, offering hints of what might lie ahead.
The New Americans is a visceral, meme-driven journey at the intersection of finance, media, and extremism, which uncovers the connection between the Gamestop squeeze and the Jan 6th Insurrection and reveals explosive possibilities of our digital future.