Navy Lt. Tom Farrell meets a young woman, Susan Atwell , and they share a passionate fling. Farrell then finds out that his superior, Defense Secretary David Brice, is also romantically involved with Atwell. When the young woman turns up dead, Farrell is put in charge of the murder investigation. He begins to uncover shocking clues about the case, but when details of his encounter with Susan surface, he becomes a suspect as well.
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| Writing | Robert Garland | Screenplay |
| Editing | Neil Travis | Editor |
| Camera | John Alcott | Director of Photography |
| Production | Robert Garland | Producer |
| Production | Mace Neufeld | Executive Producer |
| Editing | William Hoy | Editor |
| Directing | Roger Donaldson | Director |
| Sound | Maurice Jarre | Original Music Composer |
| Production | Laura Ziskin | Producer |
| Writing | Kenneth Fearing | Novel |
| Writing | Robert Garland | Screenstory |
| Crew | Steve Kelso | Stunts |
| Directing | Brad Yacobian | Second Assistant Director |
| Crew | Diamond Farnsworth | Stunts |
| Crew | Michael Adams | Stunts |
| Directing | Herb Adelman | First Assistant Director |
| Directing | Jim Charleston | Second Assistant Director |
| Lighting | Michael Arvanitis | Electrician |
| Sound | Paul Wolfe | Boom Operator |
| Camera | Gemma La Mana | Still Photographer |
| Lighting | Bobby Burton | Gaffer |
| Camera | R. Scott Goodrich | Second Assistant Camera |
| Art | Richard McKenzie | Set Designer |
| Art | Dave Newhouse | Greensman |
| Camera | Mike Benson | Camera Operator |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Camera | David L. Merrill | Dolly Grip |
| Camera | Billy Clevenger | First Assistant Camera |
| Camera | David Fay | Key Grip |
| Costume & Make-Up | Lynda Gurasich | Hairstylist |
| Art | Henry Alberti | Set Designer |
| Sound | Jack Solomon | Sound Mixer |
| Production | Richard Liebegott | Production Coordinator |
| Crew | Jack Monroe | Special Effects |
| Editing | Chip Masamitsu | Assistant Editor |
| Art | Horst Grandt | Property Master |
| Lighting | Charles Smock | Electrician |
| Camera | Gary J. Jensen | Grip |
| Art | Bruce A. Gibeson | Set Decoration |
| Art | Cal DiValerio | Construction Coordinator |
| Crew | Russell McEntyre | Transportation Coordinator |
| Sound | Jim Harrison | Music Editor |
| Production | Sam Bernstein | Production Accountant |
| Crew | Diamond Farnsworth | Stunt Coordinator |
| Crew | Terry D. Frazee | Special Effects |
| Sound | Eric Lindemann | Sound Effects Editor |
| Camera | Stephen St. John | Steadicam Operator |
| Crew | Wayne Stone | Transportation Captain |
| Sound | Richard D. Rogers | Sound Re-Recording Mixer |
| Sound | Warren Chadwick | Dialogue Editor |
| Crew | Anthony DiMarco | Post Production Supervisor |
| Sound | John Wilkinson | Sound Re-Recording Mixer |
| Lighting | Peter Davidian | Rigging Gaffer |
| Directing | Doris Grau | Script Supervisor |
| Editing | Ron South | Assistant Editor |
| Sound | Bob Cornett | Sound Effects Editor |
| Sound | Allan Schultz | Foley Editor |
| Sound | Jeff Carson | Music Editor |
| Art | Pablo Ferro | Title Designer |
| Sound | Charles Grenzbach | Sound Re-Recording Mixer |
| Sound | Richard Raderman | Sound Effects Editor |
| Production | Stuart Neumann | Location Manager |
| Production | Robert Lansing Parker | Extras Casting |
| Production | Glenn Neufeld | Associate Producer |
| Production | Ilene Starger | Casting |
| Art | J. Dennis Washington | Production Design |
| Art | Anthony Brockliss | Art Direction |
| Production | Mel Dellar | Unit Production Manager |
| Crew | Donna Evans | Stunts |
