On the day of his Uncle's ascendance into the Hall of Fame, Daniel is forced to embark on a journey through time that sees him restore his family's legacy and rewrite baseball history.
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| Production | Jonathan Coria | Producer |
| Production | Pete Bollinger | Executive Producer |
| Costume & Make-Up | Ashley Gianni | Wardrobe Supervisor |
| Directing | David G. Carrascal | First Assistant Director |
| Production | Danielle McRae Spisso | Casting |
| Art | Elizabeth Mae Alan | Art Direction |
| Production | Eric Rafael Ibarra | Line Producer |
| Crew | Kathleen Keefe | Additional Writing |
| Camera | Andrey Misyutin | First Assistant Camera |
| Camera | Chris Corpuz | First Assistant Camera |
| Camera | Yale Apter | First Assistant Camera |
| Sound | Andres R. Barrientos | Production Sound Mixer |
| Costume & Make-Up | Lian Uritsky | Makeup Department Head |
| Production | David G. Carrascal | Producer |
| Production | Trevor Wilson | Producer |
| Production | Dylan Bouscher | Associate Producer |
| Production | Danielle McRae Spisso | Associate Producer |
| Production | Alex Regalado | Producer |
| Production | Joe A. Castro Jr. | Extras Casting |
| Crew | Stephen Vanderpool | Drone Operator |
| Production | Eric Rafael Ibarra | Producer |
| Editing | Stephanie Sheffield | Editor |
| Sound | Lionel Cohen | Original Music Composer |
| Camera | Dylan Bouscher | Still Photographer |
| Directing | Jonathan Coria | Director |
| Writing | Eduardo Nikandros Organista | Screenplay |
| Writing | Pete Bollinger | Story |
| Production | Luis Soto | Co-Executive Producer |
| Camera | Nicolette Hogan | Second Assistant Camera |
| Art | Elizabeth Mae Alan | Property Master |
| Writing | Trevor Wilson | Story |
| Costume & Make-Up | Megan Hartung | Set Costumer |
| Camera | Christopher Sheffield | "B" Camera Operator |
| Camera | Kiel Phillips | Still Photographer |
| Costume & Make-Up | Lian Uritsky | Key Hair Stylist |
| Production | Abigail Soto | Production Coordinator |
| Writing | Jonathan Coria | Story |
| Crew | Trevor Wilson | Drone Operator |
| Art | Elizabeth Mae Alan | Graphic Designer |
| Directing | Trevor Wilson | Director |
| Production | Daniel Saldivar | Producer |
| Camera | Stephen Vanderpool | First Assistant Camera |
| Writing | David G. Carrascal | Story |
| Writing | Alex Regalado | Story |
| Production | Johana Muñoz | Co-Executive Producer |
| Production | Joe A. Castro Jr. | Associate Producer |
| Lighting | Christopher Sheffield | Gaffer |
| Camera | Stephen Vanderpool | "B" Camera Operator |
| Art | Pete Schwartz | Set Decoration |
| Camera | Trevor Wilson | Director of Photography |
| Camera | Joel Camacho | Key Grip |
| Art | Pete Schwartz | Property Master |
| Sound | Andres R. Barrientos | Sound Designer |
| Visual Effects | Nathaniel Westveer | VFX Artist |
| Visual Effects | Eduardo Pozo | VFX Artist |
| Crew | Joel Camacho | Drone Operator |
| Editing | Jeremy Johnson | Digital Intermediate Colorist |
| Editing | Andrey Misyutin | Digital Intermediate Colorist |
| Visual Effects | Daniel Saldivar | Visual Effects Supervisor |
| Visual Effects | Cristian Urzua Lagos | VFX Artist |
| Visual Effects | Arturo Perales | VFX Artist |
| Visual Effects | Punit Sharma | VFX Artist |
| Visual Effects | Zach Brinkerhoff | Visual Effects |
| Sound | Matt Brandseth | Sound Re-Recording Mixer |
| Crew | Alex Regalado | Post Production Supervisor |
| Sound | Matt Brandseth | Sound Editor |
| Visual Effects | Megan Becerra | Visual Effects Coordinator |
| Visual Effects | Jitin Sharma | VFX Artist |
| Visual Effects | Christopher McCullough | VFX Artist |
| Visual Effects | Christopher James | Visual Effects |
