Cecilia is a waitress in New Jersey, living a dreary life during the Great Depression. Her only escape from her mundane reality is the movie theatre. After losing her job, Cecilia goes to see 'The Purple Rose of Cairo' in hopes of raising her spirits, where she watches dashing archaeologist Tom Baxter time and again.
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| Production | Charles H. Joffe | Executive Producer |
| Production | Robert Greenhut | Producer |
| Directing | Woody Allen | Director |
| Camera | Gordon Willis | Director of Photography |
| Production | Jack Rollins | Executive Producer |
| Sound | Dick Hyman | Original Music Composer |
| Editing | Susan E. Morse | Editor |
| Writing | Woody Allen | Screenplay |
| Production | Michael Peyser | Associate Producer |
| Production | Helen Robin | Production Coordinator |
| Art | W. Steven Graham | Assistant Art Director |
| Art | Kevin McCarthy | Set Dresser |
| Production | Gail Sicilia | Associate Producer |
| Camera | Brian Hamill | Still Photographer |
| Art | Justin Scoppa Jr. | Additional Set Dresser |
| Production | Juliet Taylor | Casting |
| Crew | James Sorice | Key Scenic Artist |
| Art | Ron Petagna | Head Carpenter |
| Directing | Kay Chapin | Script Supervisor |
| Directing | Thomas A. Reilly | First Assistant Director |
| Camera | Dick Mingalone | Camera Operator |
| Directing | Jim Chory | Second Assistant Director |
| Camera | Bob Paone | Second Assistant Camera |
| Art | Dave Weinman | Lead Set Dresser |
| Sound | James Sabat | Production Sound Mixer |
| Lighting | Ray Quinlan | Gaffer |
| Costume & Make-Up | Isis Mussenden | Costume Assistant |
| Costume & Make-Up | Patricia Eiben | Wardrobe Supervisor |
| Sound | Roy B. Yokelson | Sound Engineer |
| Art | James Mazzola | Property Master |
| Production | Michael Peyser | Production Manager |
| Production | Jonathan Filley | Location Manager |
| Sound | Joe Malin | Music Coordinator |
| Sound | Louis Sabat | Boom Operator |
| Camera | Robert Ward | Key Grip |
| Camera | Douglas C. Hart | Assistant Camera |
| Costume & Make-Up | Fern Buchner | Makeup Designer |
| Crew | Cosmo Sorice | Scenic Artist |
| Lighting | James Fitzpatrick | Best Boy Electric |
| Camera | Ronald Burke | Grip |
| Costume & Make-Up | Romaine Greene | Hair Designer |
| Sound | Frank Graziadei | Sound Recordist |
| Art | James V. Gartland | Construction Grip |
| Costume & Make-Up | Bill Christians | Wardrobe Supervisor |
| Art | Dana Robin | Location Scout |
| Editing | Richard Nord | Assistant Editor |
| Art | Prudence Farrow | Art Department Coordinator |
| Art | Barry Strugatz | Location Scout |
| Production | Ellen Lewis | Casting Assistant |
| Production | Todd M. Thaler | Additional Casting |
| Crew | Harry J. Leavey | Transportation Captain |
| Crew | Carl Turnquest | Projection |
| Sound | Kathleen Earle Killeen | Apprentice Sound Editor |
| Sound | Marty Levenstein | Assistant Sound Editor |
| Crew | Fred Astaire | Thanks |
| Sound | Stuart Lieberman | Assistant Sound Editor |
| Art | Mary Kane | Location Scout |
| Art | John Healy | Location Scout |
| Art | Edward Pisoni | Art Direction |
| Costume & Make-Up | Jeffrey Kurland | Costume Design |
| Sound | Dan Lieberstein | Sound Editor |
| Sound | Rick Dior | Sound Re-Recording Mixer |
| Art | Stuart Wurtzel | Production Design |
| Art | Carol Joffe | Set Decoration |
