Fictional documentary about the life of human chameleon Leonard Zelig, a man who becomes a celebrity in the 1920s due to his ability to look and act like whoever is around him. Clever editing places Zelig in real newsreel footage of Woodrow Wilson, Babe Ruth, and others.
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Production | Jack Rollins | Executive Producer |
Production | Charles H. Joffe | Executive Producer |
Camera | Gordon Willis | Director of Photography |
Sound | Dick Hyman | Original Music Composer |
Production | Robert Greenhut | Producer |
Directing | Woody Allen | Director |
Editing | Susan E. Morse | Editor |
Writing | Woody Allen | Writer |
Directing | Duncan Scott | Additional Second Assistant Director |
Directing | Thomas A. Reilly | Assistant Director |
Sound | Marjorie Deutsch | Sound Editor |
Directing | Jim Chory | Additional Second Assistant Director |
Art | Janet Rosenbloom | Set Decoration |
Production | Ezra Swerdlow | Unit Manager |
Directing | Frederic B. Blankfein | First Assistant Director |
Directing | Tony Gittelson | Second Assistant Director |
Camera | Bob Paone | Second Assistant Camera |
Crew | Danny Daniels | Choreographer |
Crew | James Sorice | Key Scenic Artist |
Art | Joseph Badalucco Jr. | Lead Set Dresser |
Costume & Make-Up | Tom McKinley | Costume Assistant |
Camera | Douglas C. Hart | Assistant Camera |
Art | Arne Olsen | Construction Grip |
Costume & Make-Up | Lyn Carroll | Costume Assistant |
Art | Joan Lopate | Art Department Coordinator |
Crew | Carl Turnquest | Projection |
Sound | Harry Peck Bolles | Assistant Sound Editor |
Costume & Make-Up | Bill Christians | Wardrobe Supervisor |
Sound | Randall Coleman | Assistant Sound Editor |
Sound | Roy B. Yokelson | Sound Engineer |
Costume & Make-Up | Lancey Saunders Clough | Wardrobe Supervisor |
Sound | Suzanne Pillsbury | Assistant Sound Editor |
Art | Susan Rollins | Location Scout |
Sound | Fred Rosenberg | Assistant Sound Editor |
Sound | Jeffrey Stern | Assistant Sound Editor |
Production | Todd M. Thaler | Assistant Production Coordinator |
Art | Cheryl Hill | Location Scout |
Sound | Janet Lund Robbins | Apprentice Sound Editor |
Art | Carol Nast | Location Scout |
Sound | Debra Bard | Assistant Sound Editor |
Costume & Make-Up | Richard Hornung | Costume Assistant |
Camera | Robert Ward | Key Grip |
Lighting | Robert Connors | Best Boy Electric |
Sound | Lynn Sable | Apprentice Sound Editor |
Sound | Gina Roose | Assistant Sound Editor |
Art | Ken Rothstein | Location Scout |
Production | Juliet Taylor | Casting |
Production | Michael Peyser | Associate Producer |
Production | Michael Peyser | Production Manager |
Costume & Make-Up | Fern Buchner | Makeup Designer |
Costume & Make-Up | Romaine Greene | Hair Designer |
Costume & Make-Up | Santo Loquasto | Costume Design |
Art | Mel Bourne | Production Design |
Art | Leslie Bloom | Set Decoration |
Costume & Make-Up | John Caglione Jr. | Makeup Artist |
Costume & Make-Up | Werner Sherer | Hairstylist |
Art | Speed Hopkins | Art Direction |
Directing | Kay Chapin | Script Supervisor |
Sound | Rick Dior | Sound Re-Recording Mixer |
Crew | David J. Schweitzer | Special Effects |
Editing | Richard Nord | Assistant Editor |
Crew | Patrick Hogan | Driver |
Sound | James Sabat | Production Sound Mixer |
Camera | Dick Mingalone | Camera Operator |
Sound | Dan Sable | Supervising Sound Editor |
Crew | John Edward Allen | Thanks |
Camera | Kerry Hayes | Still Photographer |
Editing | Pamela Scott Arnold | Assistant Editor |
Production | Timothy M. Bourne | Location Manager |
Sound | Louis Sabat | Boom Operator |
Crew | James Fanning | Transportation Captain |
Crew | Ken Murray | Thanks |
Visual Effects | Stuart Robertson | Visual Effects Supervisor |
Camera | Ronald Burke | Grip |
Lighting | Ray Quinlan | Gaffer |
Crew | Gail Sicilia | Unit Publicist |
Production | Paula Herold | Casting Associate |
Production | Helen Robin | Production Coordinator |
Crew | Irwin Young | Thanks |
Crew | Cosmo Sorice | Scenic Artist |
Art | James Mazzola | Property Master |
Sound | Frank Graziadei | Sound Recordist |