In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
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Writing | Ladislas Farago | Novel |
Production | Elmo Williams | Producer |
Writing | Ryūzō Kikushima | Screenplay |
Writing | Gordon W. Prange | Novel |
Editing | Pembroke J. Herring | Editor |
Directing | Toshio Masuda | Director |
Writing | Hideo Oguni | Screenplay |
Production | Darryl F. Zanuck | Executive Producer |
Directing | Kinji Fukasaku | Director |
Editing | Shinya Inoue | Editor |
Sound | Jerry Goldsmith | Original Music Composer |
Editing | James E. Newcom | Editor |
Directing | Richard Fleischer | Director |
Writing | Larry Forrester | Screenplay |
Art | Taizô Kawashima | Art Direction |
Art | Richard Day | Art Direction |
Art | Yoshirō Muraki | Art Direction |
Art | Norman Rockett | Set Decoration |
Directing | Duane Toler | Script Supervisor |
Art | Walter M. Scott | Set Decoration |
Art | Jack Martin Smith | Art Direction |
Crew | Nick Dimitri | Stunts |
Crew | Charlie Picerni | Stunts |
Costume & Make-Up | Layne Britton | Makeup Artist |
Costume & Make-Up | Courtney Haslam | Wardrobe Supervisor |
Costume & Make-Up | Daniel C. Striepeke | Makeup Supervisor |
Crew | Osamu Furuya | Cinematography |
Costume & Make-Up | Ed Wynigear | Wardrobe Master |
Crew | Kuranosuke Isoda | Technical Advisor |
Crew | Shinsaku Himeda | Cinematography |
Production | Keinosuke Kubo | Associate Producer |
Directing | David Hall | Assistant Director |
Production | Arthur Wildern | Other |
Production | Otto Lang | Associate Producer |
Crew | Masamichi Satoh | Cinematography |
Visual Effects | L.B. Abbott | Visual Effects |
Production | E. P. Stafford | Other |
Production | Masayuki Takagi | Associate Producer |
Visual Effects | Art Cruickshank | Visual Effects |
Production | George Watkins | Other |
Crew | Kameo Sonokawa | Technical Advisor |
Crew | Tsuyoshi Saka | Technical Advisor |
Directing | Hiroshi Nagai | Assistant Director |
Crew | A.D. Flowers | Special Effects |
Directing | Elliot Schick | Assistant Director |
Camera | Charles F. Wheeler | Director of Photography |
Production | Jack Canary | Other |
Sound | Arthur Morton | Orchestrator |
Crew | Shizuo Takada | Technical Advisor |
Production | Maurice Unger | Production Coordinator |
Production | Stanley Goldsmith | Unit Production Manager |
Directing | Ray Kellogg | Second Unit Director |
Production | Theodore Taylor | Production Coordinator |
Production | William Eckhardt | Unit Production Manager |
Production | Jack Stubbs | Unit Production Manager |
Production | Masao Namikawa | Unit Production Manager |
Sound | Murray Spivack | Sound Recordist |
Sound | Herman Lewis | Sound Recordist |
Sound | Douglas O. Williams | Sound Recordist |
Sound | James Corcoran | Sound Recordist |
Sound | Theodore Soderberg | Sound Recordist |
Sound | Shin Watarai | Sound Recordist |