For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
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| Production | Morgana Horst | Producer |
| Editing | Evandro Scorsin | Editor |
| Crew | Tomás von der Osten | Cinematography |
| Sound | Iago Lucas Tonquelski | Sound Designer |
| Directing | Evandro Scorsin | Director |
| Production | Evandro Scorsin | Producer |
| Sound | Vinicius André Maciel | Sound Designer |
| Production | Christopher Faust | Associate Producer |
| Crew | Mathilde Rogé | Cinematography |
| Crew | Daniel Florencio | Cinematography |
| Writing | Evandro Scorsin | Writer |
| Writing | Christopher Faust | Other |
