The blood orchid - a rare flower that could hold the secret of eternal life and be worth a fortune to the company that finds it first. Led by a pharmaceutical research team, a scientific expedition sets out to go and explore deep into the jungles of Borneo to locate and bring back samples of the legendary plant. Battling through rainstorms to make their way upriver, the group encounters poisonous insects and a ferocious crocodile, only to discover they're being stalked by an even greater danger: a gathering of giant anacondas. Heat-sensing, fifty-foot-long flesh eaters that will go after anyone that crosses in their path.
Is Anacondas: The Hunt for the Blood Orchid on Netflix? Yes! The movie Anacondas: The Hunt for the Blood Orchid is now on Netflix in the countries listed below.
| Directing | Dwight H. Little | Director |
| Writing | John Claflin | Screenplay |
| Writing | Daniel Zelman | Screenplay |
| Writing | Michael Miner | Screenplay |
| Writing | Edward Neumeier | Screenplay |
| Production | Verna Harrah | Producer |
| Production | Jacobus Rose | Executive Producer |
| Sound | Nerida Tyson-Chew | Original Music Composer |
| Camera | Stephen F. Windon | Director of Photography |
| Editing | Marcus D'Arcy | Editor |
| Editing | Mark Warner | Editor |
| Crew | Andy Robinson | Scenic Artist |
| Writing | Hans Bauer | Story |
| Writing | Jim Cash | Story |
| Writing | Jack Epps Jr. | Story |
| Production | Justine Arteta | Casting |
| Art | Bryce Perrin | Production Design |
| Art | Brian Edmonds | Supervising Art Director |
| Art | Jill Eden | Set Decoration |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Art | Dilys Tan | Art Department Coordinator |
| Art | Peter 'Babylon' Owens | Art Direction |
| Art | Miriam Johnson | Assistant Art Director |
| Art | Warren Beaton | Production Illustrator |
| Art | Jenny Hitchcock | Set Designer |
| Camera | Frank Hruby | Camera Operator |
| Camera | Jem Rayner | First Assistant Camera |
| Camera | Ian Bird | Grip |
| Camera | John Trapman | Helicopter Camera |
| Camera | Jasin Boland | Still Photographer |
| Camera | Simon Christidis | Underwater Camera |
| Costume & Make-Up | Kate Birch | Hairstylist |
| Costume & Make-Up | Zeljka Stanin | Key Hair Stylist |
| Costume & Make-Up | Megan Dwyer | Makeup Artist |
| Costume & Make-Up | Nik Dorning | Prosthetic Supervisor |
| Costume & Make-Up | Nicki Gardiner | Set Dressing Artist |
| Crew | Angus Cameron | Digital Effects Supervisor |
| Crew | Spencer Faulkner | Driver |
| Crew | Sean Genders | Makeup Effects |
| Crew | Gordon MacPhail | Post Production Supervisor |
| Crew | Richie Dehne | Property Master |
| Crew | John Charles | Software Engineer |
| Crew | Marianne Evans | Special Effects Coordinator |
| Crew | Glenn Ruehland | Stunt Coordinator |
| Crew | Augie Davis | Stunts |
| Crew | Sylvan Dieckmann | Technical Supervisor |
| Production | Liz DiFiore | Unit Production Manager |
| Crew | Luis Olivares | Video Assist Operator |
| Crew | Paul Booth | Visual Effects Editor |
| Directing | Jamie Crooks | Assistant Director |
| Editing | Nada Mikaš | Dialogue Editor |
| Editing | Alicia Gleeson | First Assistant Editor |
| Lighting | Gillian Huxley | Best Boy Electric |
| Lighting | Karl Engeler | Gaffer |
| Lighting | Leo Richmond | Lighting Technician |
| Lighting | Henare Mato | Rigging Gaffer |
| Lighting | Kevin Donovan | Rigging Grip |
| Production | Jason Bogard | Production Accountant |
| Production | Arwen Munro | Production Coordinator |
| Production | Ray Hennessy | Production Manager |
| Sound | Mark J. Wasiutak | Boom Operator |
| Sound | William Ward | First Assistant Sound Editor |
| Sound | Linda Murdoch | Music Editor |
| Sound | Pilar McCurry | Music Supervisor |
| Sound | William Boston | Orchestrator |
| Sound | Kirke Godfrey | Sound Designer |
| Sound | Gary Wilkins | Sound Mixer |
| Sound | Andrew Plain | Supervising Sound Editor |
| Visual Effects | Marten Blumen | Digital Compositors |
| Visual Effects | Tad Pride | Special Effects Supervisor |
| Visual Effects | Andrew Butler | Visual Effects |
| Visual Effects | Pippa Anderson | Visual Effects Producer |
| Visual Effects | Dale Duguid | Visual Effects Supervisor |
| Editing | Antonio Mestres | Additional Editing |
| Production | Brendon 'Moose' Boyd | Unit Manager |
| Crew | Ashley Fairfield | Stunt Double |
| Crew | Sheree Swords | Stunt Double |
| Costume & Make-Up | Diana Freeman | Costume Coordinator |
| Costume & Make-Up | Sandi Cichello | Costumer |
| Costume & Make-Up | Megan Dwyer | Hairdresser |
| Costume & Make-Up | Fiona Nicolls | Key Costumer |
| Directing | Jason Faulkner | Second Assistant Director |
| Directing | Mark Wareham | Second Unit Director |
| Directing | Bish Bishop | Third Assistant Director |
| Art | Julia Holden | Storyboard Artist |
| Art | Spencer Faulkner | Swing |
| Sound | Damian Candusso | ADR Editor |
| Sound | Howard London | ADR Mixer |
| Sound | Paul Korber | Assistant Dialogue Editor |
| Sound | Blair Slater | Foley Mixer |
| Crew | Kent Miklenda | Special Effects Manager |
| Crew | James Howe | Special Effects Technician |
| Crew | Renee Bowen | Stunt Double |
| Camera | Marc Windon | Assistant Camera |
| Camera | Martin Fargher | Dolly Grip |
| Camera | Ben King | Second Assistant Camera |
| Editing | Matthew Ozerski | Assistant Editor |
| Editing | Tristan La Fontaine | Colorist |
| Production | Duncan Jones | Location Assistant |
| Sound | Nerida Tyson-Chew | Conductor |
| Production | Ernst W. Laurel | First Assistant Accountant |
| Production | Jessica Walsh | Production Assistant |
| Production | Richard Harrah | Production Executive |
| Production | Judy Dale | Production Secretary |
| Crew | Leo Henry | Pyrotechnician |
| Production | Kristin Kruger | Second Assistant Accountant |
