The blood orchid - a rare flower that could hold the secret of eternal life and be worth a fortune to the company that finds it first. Led by a pharmaceutical research team, a scientific expedition sets out to go and explore deep into the jungles of Borneo to locate and bring back samples of the legendary plant. Battling through rainstorms to make their way upriver, the group encounters poisonous insects and a ferocious crocodile, only to discover they're being stalked by an even greater danger: a gathering of giant anacondas. Heat-sensing, fifty-foot-long flesh eaters that will go after anyone that crosses in their path.
Is Anacondas: The Hunt for the Blood Orchid on Netflix? Yes! The movie Anacondas: The Hunt for the Blood Orchid is now on Netflix in the countries listed below.
| Directing | Dwight H. Little | Director |
| Editing | Mark Warner | Editor |
| Writing | Michael Miner | Screenplay |
| Production | Verna Harrah | Producer |
| Sound | Nerida Tyson-Chew | Original Music Composer |
| Writing | John Claflin | Screenplay |
| Production | Jacobus Rose | Executive Producer |
| Writing | Daniel Zelman | Screenplay |
| Writing | Edward Neumeier | Screenplay |
| Editing | Marcus D'Arcy | Editor |
| Camera | Stephen F. Windon | Director of Photography |
| Crew | Andy Robinson | Scenic Artist |
| Writing | Jim Cash | Story |
| Writing | Jack Epps Jr. | Story |
| Production | Justine Arteta | Casting |
| Writing | Hans Bauer | Story |
| Costume & Make-Up | Nik Dorning | Prosthetic Supervisor |
| Art | Bryce Perrin | Production Design |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Editing | Antonio Mestres | Additional Editing |
| Costume & Make-Up | Megan Dwyer | Makeup Artist |
| Crew | Augie Davis | Stunts |
| Production | Arwen Munro | Production Coordinator |
| Visual Effects | Andrew Butler | Visual Effects |
| Camera | Simon Christidis | Underwater Camera |
| Costume & Make-Up | Nicki Gardiner | Set Dressing Artist |
| Art | Brian Edmonds | Supervising Art Director |
| Camera | Jasin Boland | Still Photographer |
| Costume & Make-Up | Kate Birch | Hairstylist |
| Crew | Luis Olivares | Video Assist Operator |
| Production | Ray Hennessy | Production Manager |
| Art | Jenny Hitchcock | Set Designer |
| Camera | John Trapman | Helicopter Camera |
| Crew | Marianne Evans | Special Effects Coordinator |
| Production | Jason Bogard | Production Accountant |
| Sound | Andrew Plain | Supervising Sound Editor |
| Camera | Jem Rayner | First Assistant Camera |
| Crew | Sean Genders | Makeup Effects |
| Sound | Linda Murdoch | Music Editor |
| Art | Jill Eden | Set Decoration |
| Art | Peter 'Babylon' Owens | Art Direction |
| Art | Warren Beaton | Production Illustrator |
| Lighting | Gillian Huxley | Best Boy Electric |
| Crew | Glenn Ruehland | Stunt Coordinator |
| Visual Effects | Tad Pride | Special Effects Supervisor |
| Camera | Frank Hruby | Camera Operator |
| Sound | Pilar McCurry | Music Supervisor |
| Sound | Gary Wilkins | Sound Mixer |
| Visual Effects | Dale Duguid | Visual Effects Supervisor |
| Art | Miriam Johnson | Assistant Art Director |
| Crew | Spencer Faulkner | Driver |
| Crew | Gordon MacPhail | Post Production Supervisor |
| Crew | Sylvan Dieckmann | Technical Supervisor |
| Crew | Paul Booth | Visual Effects Editor |
| Directing | Jamie Crooks | Assistant Director |
| Lighting | Leo Richmond | Lighting Technician |
| Sound | Kirke Godfrey | Sound Designer |
| Visual Effects | Marten Blumen | Digital Compositors |
| Art | Dilys Tan | Art Department Coordinator |
| Costume & Make-Up | Zeljka Stanin | Key Hair Stylist |
| Crew | Angus Cameron | Digital Effects Supervisor |
| Crew | John Charles | Software Engineer |
| Editing | Alicia Gleeson | First Assistant Editor |
| Lighting | Karl Engeler | Gaffer |
| Sound | William Ward | First Assistant Sound Editor |
| Lighting | Henare Mato | Rigging Gaffer |
| Visual Effects | Pippa Anderson | Visual Effects Producer |
| Camera | Ian Bird | Grip |
| Editing | Nada Mikaš | Dialogue Editor |
| Sound | Mark J. Wasiutak | Boom Operator |
| Sound | William Boston | Orchestrator |
| Crew | Richie Dehne | Property Master |
| Production | Liz DiFiore | Unit Production Manager |
| Lighting | Kevin Donovan | Rigging Grip |
| Production | Brendon 'Moose' Boyd | Unit Manager |
| Crew | Sheree Swords | Stunt Double |
| Crew | Ashley Fairfield | Stunt Double |
| Directing | Jason Faulkner | Second Assistant Director |
| Directing | Bish Bishop | Third Assistant Director |
| Camera | Ben King | Second Assistant Camera |
| Directing | Mark Wareham | Second Unit Director |
| Sound | Damian Candusso | ADR Editor |
| Editing | Matthew Ozerski | Assistant Editor |
| Sound | Blair Slater | Foley Mixer |
| Crew | James Howe | Special Effects Technician |
| Costume & Make-Up | Diana Freeman | Costume Coordinator |
| Editing | Tristan La Fontaine | Colorist |
| Production | Duncan Jones | Location Assistant |
| Art | Julia Holden | Storyboard Artist |
| Art | Spencer Faulkner | Swing |
| Camera | Marc Windon | Assistant Camera |
| Costume & Make-Up | Megan Dwyer | Hairdresser |
| Costume & Make-Up | Sandi Cichello | Costumer |
| Costume & Make-Up | Fiona Nicolls | Key Costumer |
| Crew | Renee Bowen | Stunt Double |
| Sound | Howard London | ADR Mixer |
| Sound | Paul Korber | Assistant Dialogue Editor |
| Crew | Kent Miklenda | Special Effects Manager |
| Camera | Martin Fargher | Dolly Grip |
| Production | Kristin Kruger | Second Assistant Accountant |
| Sound | Nerida Tyson-Chew | Conductor |
| Production | Jessica Walsh | Production Assistant |
| Production | Richard Harrah | Production Executive |
| Production | Judy Dale | Production Secretary |
| Crew | Leo Henry | Pyrotechnician |
| Production | Ernst W. Laurel | First Assistant Accountant |
