After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
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Writing | John Sayles | Screenplay |
Production | Jack Conrad | Producer |
Production | Steven A. Lane | Executive Producer |
Sound | Pino Donaggio | Original Music Composer |
Directing | Joe Dante | Director |
Production | Michael Finnell | Producer |
Writing | Gary Brandner | Novel |
Editing | Mark Goldblatt | Editor |
Writing | Terence H. Winkless | Screenplay |
Camera | John Hora | Director of Photography |
Production | Daniel H. Blatt | Executive Producer |
Editing | Joe Dante | Editor |
Costume & Make-Up | Gigi Williams | Makeup & Hair |
Costume & Make-Up | Bill Davis | Assistant Makeup Artist |
Costume & Make-Up | Rob Bottin | Makeup Effects Designer |
Costume & Make-Up | Rick Baker | Special Effects Makeup Artist |
Costume & Make-Up | Joe Beserra | Special Effects Makeup Artist |
Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
Costume & Make-Up | Margaret Prentice | Special Effects Makeup Artist |
Visual Effects | David Allen | Visual Effects |
Visual Effects | Peter Kuran | Visual Effects |
Crew | Conrad E. Palmisano | Utility Stunts |
Costume & Make-Up | Jack Buehler | Costume Design |
Production | Rob Bottin | Associate Producer |
Art | Robert A. Burns | Art Direction |
Production | Susan Arnold | Casting |
Production | Judith Weiner | Casting |
Art | Steven Legler | Set Designer |
Lighting | Roger Sassen | Best Boy Electric |
Production | David C. Thomas | Production Manager |
Directing | Jack Cummins | First Assistant Director |
Costume & Make-Up | Nancy G. Fox | Wardrobe Supervisor |
Art | Ivo Cristante | Property Master |
Camera | Norman Cattell | First Assistant Camera |
Crew | Roger Creed | Stunt Coordinator |
Sound | Natale Massara | Conductor |
Directing | Jeanne Rosenberg | Script Supervisor |
Sound | Douglas Vaughan | Boom Operator |
Camera | Kurt Young | Key Grip |
Costume & Make-Up | Josephine Turner | Wigmaker |
Camera | Laurel Moore | Still Photographer |
Lighting | John Murray | Gaffer |
Crew | Roger George | Special Effects |