After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
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| Production | Butch Robinson | Producer |
| Writing | Tony Gayton | Screenplay |
| Sound | Thomas Newman | Original Music Composer |
| Production | Frank Darabont | Producer |
| Directing | D. J. Caruso | Director |
| Editing | Jim Page | Editor |
| Crew | Danny Wynands | Stunts |
| Crew | Tim Trella | Stunts |
| Camera | Amir Mokri | Director of Photography |
| Crew | Doc Duhame | Stunts |
| Costume & Make-Up | Bill Corso | Makeup Department Head |
| Production | Ken Aguado | Producer |
| Production | Deborah Aquila | Casting |
| Art | Tom Southwell | Production Design |
| Costume & Make-Up | Karyn Wagner | Costume Design |
| Art | Douglas Cumming | Art Direction |
| Crew | Christy Dimmig | Post-Production Manager |
| Production | Jim Behnke | Production Manager |
| Art | Amanda Moss Serino | Set Decoration |
| Production | Alison Harstedt | Production Supervisor |
| Directing | Tony Adler | First Assistant Director |
| Production | Jim Behnke | Executive Producer |
| Production | Eriq La Salle | Producer |
| Lighting | Joseph F. Warren | Gaffer |
| Sound | Mary Andrews | Dialogue Editor |
| Sound | Petra Bach | Dialogue Editor |
| Costume & Make-Up | Ken Diaz | Tattoo Designer |
| Art | Larry Guy Clause | Construction Foreman |
| Art | Kenneth Garrett | Sculptor |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Art | John R. Elliott | Construction Coordinator |
| Lighting | Morten Petersen | Lighting Technician |
| Costume & Make-Up | Alison Gail Bixby | Costume Supervisor |
| Art | Tim Gomes | Painter |
| Camera | Daniel C. Gold | Camera Operator |
| Costume & Make-Up | Ashlee Petersen | Key Makeup Artist |
| Art | Steve Borgese | Greensman |
| Sound | Howell Gibbens | Supervising Sound Editor |
| Crew | Manny Perry | Stunt Coordinator |
| Crew | Darrell Pritchett | Special Effects Coordinator |
| Costume & Make-Up | Leslie Sungail | Key Costumer |
| Costume & Make-Up | Patricia Miller | Key Hair Stylist |
| Art | Lynda Reiss | Property Master |
| Art | Greg Wilkinson | Leadman |
| Camera | John Grillo | First Assistant Camera |
| Camera | David Pearlberg | Dolly Grip |
| Crew | David Fanderlik | Propmaker |
| Art | Kent Johnson | Art Department Coordinator |
| Sound | Thom Brennan | Foley Editor |
| Sound | Elizabeth Kenton | Supervising ADR Editor |
| Lighting | George A. Hock | Rigging Gaffer |
| Lighting | Greg Cantrell | Best Boy Electric |
| Lighting | Kris Guthrie | Rigging Grip |
| Camera | Stephen Vaughan | Still Photographer |
| Sound | Eric Bretter | Sound Recordist |
| Camera | Chris Haarhoff | Steadicam Operator |
| Sound | Bill Shotland | Boom Operator |
| Sound | George Simpson | Sound Effects Editor |
| Sound | Mark Mangini | Sound Effects Designer |
| Camera | Philippe Carr-Forster | Camera Operator |
| Lighting | Max Pomerleau | Chief Lighting Technician |
| Art | Eric Sundahl | Set Designer |
| Camera | Richard Mall | Key Grip |
| Production | Rob Gibson | Location Manager |
| Editing | Vince Filippone | First Assistant Editor |
| Sound | Bill Bernstein | Music Editor |
| Editing | Tracey Wadmore-Smith | First Assistant Editor |
| Crew | David Aaron | Armorer |
| Production | Bob Berkus | Location Manager |
| Production | Shari LaFranchi Blakney | Production Coordinator |
| Sound | Thomas Pasatieri | Orchestrator |
| Directing | Susan Malerstein | Script Supervisor |
| Crew | Jack Tice | Studio Teachers |
| Crew | Ruth Auerbach | Studio Teachers |
| Crew | Roland Bleitz | Armorer |
| Crew | Judith M. Brown | Studio Teachers |
| Crew | Thomas John McGowan | Studio Teachers |
| Crew | Henry Kingi | Stunts |
| Crew | Bob Brown | Stunts |
