In the days after the attack on Pearl Harbor, panic grips California, where a military officer leads a mob chasing a Japanese sub.
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Camera | William A. Fraker | Director of Photography |
Editing | Michael Kahn | Editor |
Directing | Steven Spielberg | Director |
Sound | John Williams | Original Music Composer |
Crew | Tony Epper | Stunts |
Costume & Make-Up | Dorothy J. Pearl | Assistant Makeup Artist |
Sound | Gene S. Cantamessa | Production Sound Mixer |
Crew | Arthur Arp | Special Effects Technician |
Crew | Eugene Crum | Special Effects Technician |
Sound | Brian L. McCarty | Boom Operator |
Crew | Gary Monak | Special Effects Technician |
Crew | Billy Myatt | Special Effects Technician |
Visual Effects | Matthew Yuricich | Matte Painter |
Sound | Robert Glass | Sound Re-Recording Mixer |
Crew | Wilbur Arp | Special Effects Technician |
Crew | Kevin Pike | Special Effects Technician |
Camera | Robert Seaman | Camera Operator |
Crew | Joe Zomar | Special Effects Technician |
Camera | Frank Stanley | Additional Director of Photography |
Costume & Make-Up | Daniel Grant North | Costumer |
Sound | Raul A. Bruce | Boom Operator |
Sound | Ed Golya | ADR Mixer |
Sound | Chris Jenkins | Sound Re-Recording Mixer |
Crew | Terry D. Frazee | Special Effects Technician |
Crew | Donald Myers | Special Effects Technician |
Costume & Make-Up | Ellen Powell | Assistant Hairstylist |
Sound | Jim Moore | ADR Recordist |
Crew | Steve Galich | Special Effects Technician |
Crew | Marlin Jones | Special Effects Technician |
Visual Effects | Larry Robinson | Visual Effects Supervisor |
Art | John P. Austin | Set Decoration |
Directing | Steve Perry | First Assistant Director |
Sound | Don MacDougall | Sound Re-Recording Mixer |
Crew | Thomas Arp | Special Effects Technician |
Crew | Ted Koerner | Special Effects |
Costume & Make-Up | Adrienne Childers | Costumer |
Costume & Make-Up | Susan Germaine | Hairstylist |
Crew | Logan Frazee | Special Effects Technician |
Crew | Steve Lombardi | Special Effects Technician |
Camera | Dick Colean | Camera Operator |
Sound | Lee Strosnider | Sound Mixer |
Costume & Make-Up | Bob Westmoreland | Makeup Supervisor |
Directing | Jerry Ziesmer | First Assistant Director |
Sound | Fred J. Brown | Supervising Sound Effects Editor |
Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
Camera | Gary R. Dodd | Key Grip |
Costume & Make-Up | Jack Obringer | Assistant Makeup Artist |
Directing | Chris Soldo | Second Assistant Director |
Crew | Ken Estes | Special Effects Technician |
Camera | Robert D. McBride | Camera Operator |
Lighting | Doug Pentek | Gaffer |
Production | Sally Dennison | Casting |
Production | Buzz Feitshans | Producer |
Production | John Milius | Executive Producer |
Art | William F. O'Brien | Art Direction |
Art | James Hassinger | Additional Set Dresser |
Art | Dean Mitzner | Production Design |
Costume & Make-Up | Deborah Nadoolman Landis | Costume Design |
Crew | Terry Leonard | Stunt Coordinator |
Crew | Jeannie Epper | Stunts |
Crew | Loren Janes | Stunts |
Crew | Eurlyne Epper | Stunts |
Crew | Larry Holt | Stunts |
Writing | Bob Gale | Screenplay |
Crew | Gary McLarty | Stunts |
Crew | Jack Gill | Stunts |
Crew | Debbie Evans | Stunts |
Crew | Bob Herron | Stunts |
Writing | John Milius | Story |
Writing | Bob Gale | Story |
Writing | Robert Zemeckis | Story |
Writing | Robert Zemeckis | Screenplay |
Crew | Mary Peters | Stunts |