Two Shots adapts the extra chapter of the same name, while All or Nothing adapts Chapter 174 of the same name and a scene of the final chapter of the manga, which also matches with the conclusion of the final episode of the anime series. Two Shots tells the story of how Kurama and Hiei met, while All or Nothing covers a story of the main characters coming back together to solve a hostage crisis in the spirit world.
Is Yu Yu Hakusho - Two Shots / All or Nothing on Netflix? Unfortunately the movie Yu Yu Hakusho - Two Shots / All or Nothing is not yet available on Netflix.
| Directing | Noriyuki Abe | Director |
| Writing | Yoshihiro Togashi | Original Story |
| Visual Effects | Toshiharu Sugie | Key Animation |
| Visual Effects | Mari Kitayama | Character Designer |
| Camera | Toshiyuki Fukushima | Director of Photography |
| Writing | Noriyuki Abe | Storyboard |
| Visual Effects | Shinichi Yoshikawa | Key Animation |
| Sound | Matsuko Mawatari | Theme Song Performance |
| Visual Effects | Hiroyuki Horiuchi | Key Animation |
| Visual Effects | Tomomi Ikeda | Key Animation |
| Art | Yuji Ikeda | Art Direction |
| Production | Chiaki Kakuma | Associate Producer |
| Editing | Junichi Uematsu | Editor |
| Visual Effects | Keisuke Watanabe | Key Animation |
| Visual Effects | Kana Yoshino | Key Animation |
| Art | Yoshihiro Sono | Art Direction |
| Visual Effects | Masashi Ito | Key Animation |
| Visual Effects | Reika Hoshino | Key Animation |
| Visual Effects | Hirotaka Marufuji | Animation Director |
| Art | Norihiko Yokomatsu | Background Designer |
| Art | Yuko Kobayashi | Background Designer |
| Directing | Shinya Sugai | Layout |
| Visual Effects | Maki Fukui | Animation Director |
| Production | Hitomi Uehara | Associate Producer |
| Visual Effects | Yuko Watanabe | Key Animation |
| Visual Effects | Keisuke Watanabe | Character Designer |
| Sound | Yusuke Morita | Sound Director |
| Visual Effects | Akira Gonpei | CG Animator |
| Visual Effects | Yoshihiro Nagamori | Key Animation |
| Visual Effects | Fumiaki Kouta | Key Animation |
| Production | Fumihito Fukuju | Associate Producer |
| Visual Effects | Emi Ikebuchi | Key Animation |
| Visual Effects | Renki Harada | Key Animation |
| Directing | Kazuki Takashima | Layout |
| Visual Effects | Asuka Mamezuka | Key Animation |
| Visual Effects | Yukei Yamada | Key Animation |
| Production | Kazumichi Ueda | Executive Producer |
| Visual Effects | Emi Nakamura | Key Animation |
| Visual Effects | Kenshin Ariga | Key Animation |
| Visual Effects | Kousei Kudo | Key Animation |
| Directing | Takashi Igari | Director |
| Visual Effects | Shinya Kameyama | Key Animation |
| Production | Ken Hagino | Producer |
| Art | Yuki Kasahara | Art Direction |
| Visual Effects | Hiroaki Imaki | Animation Director |
| Visual Effects | Yukie Kodama | Key Animation |
| Visual Effects | Tomomi Yabuki | Animation Director |
| Production | Kyoya Wachi | Associate Producer |
| Production | Mayumi Yokomizo | Associate Producer |
| Visual Effects | Yukiko Kakita | Color Designer |
| Visual Effects | Yoshimi Iwata | Key Animation |
| Sound | Akiko Muto | Sound Effects |
| Visual Effects | Yuko Fuji | Key Animation |
| Visual Effects | Yoshiyuki Tomita | Key Animation |
| Production | Naoko Sagawa | Executive Producer |
| Visual Effects | Tsutomu Yamamoto | Key Animation |
