Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie's arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate's own invention.
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Directing | Blake Edwards | Director |
Writing | Arthur A. Ross | Screenplay |
Production | Martin Jurow | Producer |
Sound | Henry Mancini | Original Music Composer |
Camera | Russell Harlan | Director of Photography |
Editing | Ralph E. Winters | Editor |
Production | Dick Crockett | Associate Producer |
Writing | Arthur A. Ross | Original Story |
Writing | Blake Edwards | Original Story |
Costume & Make-Up | Donfeld | Costume Design |
Directing | Jack Cunningham | Assistant Director |
Costume & Make-Up | Sydney Guilaroff | Hair Designer |
Directing | Mickey McCardle | Assistant Director |
Sound | M.A. Merrick | Sound |
Costume & Make-Up | Edith Head | Costume Design |
Costume & Make-Up | Gordon Bau | Makeup Supervisor |
Costume & Make-Up | Jean Burt Reilly | Hair Supervisor |
Art | Fernando Carrere | Production Design |
Production | Clem Beauchamp | Unit Production Manager |
Production | Chuck Hansen | Unit Production Manager |
Directing | Richard Landry | Assistant Director |
Directing | Betty A. Griffin | Script Supervisor |
Art | George James Hopkins | Set Decoration |
Production | Jack McEdward | Unit Production Manager |
Visual Effects | James Gordon | Visual Effects |
Camera | Harold E. Wellman | Second Unit Director of Photography |
Visual Effects | Linwood G. Dunn | Visual Effects |
Writing | Johnny Mercer | Lyricist |
Crew | Hermes Pan | Choreographer |