Dr. David Marrow invites three distinct individuals to the eerie and isolated Hill House to be subjects for a sleep disorder study. The unfortunate guests discover that Marrow is far more interested in the sinister mansion itself — and they soon see the true nature of its horror.
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| Production | Colin Wilson | Producer |
| Art | Eugenio Zanetti | Production Design |
| Writing | David Self | Screenplay |
| Production | Randi Hiller | Casting |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Susan Arnold | Producer |
| Production | Samuel Z. Arkoff | Executive Producer |
| Editing | Michael Kahn | Editor |
| Directing | Jan de Bont | Director |
| Production | Jan de Bont | Executive Producer |
| Production | Donna Roth | Producer |
| Writing | Shirley Jackson | Novel |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Crew | Joanna Shelmidine | Stunt Double |
| Production | Marty P. Ewing | Associate Producer |
| Editing | Michael Trent | Assistant Editor |
| Visual Effects | Phil Tippett | Visual Effects Supervisor |
| Art | Brian Payne | Property Master |
| Art | Mick Cukurs | Set Designer |
| Camera | Frank Masi | Still Photographer |
| Costume & Make-Up | Deborah Hopper | Costume Supervisor |
| Production | Marilyn Clarke | Production Coordinator |
| Camera | Gregory Lundsgaard | Camera Operator |
| Costume & Make-Up | Edmond Scott Ratliff | Set Dressing Artist |
| Crew | Alan Alvarado | Propmaker |
| Editing | Richard Byard | First Assistant Editor |
| Visual Effects | David Rosenthal | I/O Supervisor |
| Art | Troy Sizemore | Art Direction |
| Camera | Jeremy Braben | Aerial Camera |
| Production | Peter M. Tobyansen | Location Manager |
| Sound | Larry Singer | ADR & Dubbing |
| Visual Effects | Roni McKinley | Visual Effects Producer |
| Art | Cindy Carr | Set Decoration |
| Crew | Tim A. Davison | Stunt Coordinator |
| Crew | Gary Shephard | Transportation Coordinator |
| Lighting | James Barrett | Electrician |
| Lighting | Jeff Brinker | Rigging Grip |
| Art | Jonathan Lee | Art Direction |
| Art | Gloria Ciraolo | Painter |
| Art | François Audouy | Production Illustrator |
| Crew | Erica Frauman | Post Production Supervisor |
| Crew | Amanda Brand | Unit Publicist |
| Lighting | Stewart Hadley | Gaffer |
| Sound | Alexander Courage | Orchestrator |
| Visual Effects | Alan Boucek | Digital Compositors |
| Crew | Paula Lucchesi | Visual Effects Art Director |
| Visual Effects | Randy Link | Animation |
| Crew | Jim Turner | Production Controller |
| Crew | Gerry Taylor | Projection |
| Visual Effects | Martin Gutteridge | Special Effects Supervisor |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Camera | Loren Corl | Grip |
| Crew | Orlando Chongo | Craft Service |
| Production | Elena Holden Tuens | Production Accountant |
| Production | Roger Rohrbach | Production Manager |
| Camera | Colin Anderson | Steadicam Operator |
| Crew | Candace Brokaw | Stand In |
| Sound | Darrell Hall | Music Editor |
| Costume & Make-Up | Judith A. Cory | Key Hair Stylist |
| Costume & Make-Up | Jean Ann Black | Makeup Artist |
| Crew | John Frazier | Special Effects Coordinator |
| Visual Effects | Scott Farrar | Visual Effects Supervisor |
| Crew | Shannon Mills | Sound Design Assistant |
| Crew | Kevin Du Toit | Post Production Assistant |
| Crew | Sandy Berumen | Stunts |
| Sound | Gary Rydstrom | Sound Designer |
| Sound | Frank E. Eulner | Supervising Sound Editor |
| Costume & Make-Up | Danny Ned Moore | Costume Design |
| Art | Fred Arbegast | Sculptor |
| Crew | Joy Ellison | Dialect Coach |
| Crew | Marie Nashold | Set Medic |
| Crew | Mark Suveg | Video Assist Operator |
| Crew | John Bartle | Visual Effects Editor |
| Lighting | Brian Lukas | Rigging Gaffer |
| Sound | Teresa Eckton | Sound Effects Editor |
| Visual Effects | Blair Clark | Animation Supervisor |
| Art | Larry A. Cornick | Leadman |
| Costume & Make-Up | Justin Ditter | Wigmaker |
| Crew | Scott Lafferty | Carpenter |
| Crew | Steve Ginsberg | Systems Administrators & Support |
| Sound | Michael Axinn | Assistant Sound Editor |
| Art | Brynn McQuade | Art Department Coordinator |
| Art | Stacey S. McIntosh | Construction Coordinator |
| Directing | Jana Spotts | Assistant Director |
| Lighting | Steven Strong | Lighting Technician |
| Visual Effects | Wes Burian | 3D Artist |
| Visual Effects | Alexandra Altrocchi | Visual Effects Coordinator |
| Art | Charles 'Chuck' Lungren | Standby Painter |
| Camera | Jamie Barber | First Assistant Camera |
| Costume & Make-Up | Karyn Huston | Hairstylist |
| Crew | Dennis Marchant | Picture Car Coordinator |
| Editing | Jonathan Null | Dialogue Editor |
| Art | Martin Laing | Art Direction |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Crew | Chet Badalato | Driver |
| Production | Marty P. Ewing | Unit Production Manager |
| Editing | Brian Dettor | Editorial Production Assistant |
| Sound | Harrison D. Marsh | Boom Operator |
| Sound | David John | Production Sound Mixer |
| Crew | Anita Hart | Stunts |
| Crew | Mark Vanselow | Stunt Double |
| Crew | Sandy Berumen | Stunt Double |
| Crew | Jennifer Caputo | Stunts |
| Crew | Troy Robinson | Utility Stunts |
| Editing | David Orr | Color Timer |
| Art | Tomas Voth | Supervising Art Director |
| Crew | Gary Ferraro | Chef |
| Editing | Donald Dowd | Editorial Services |
| Sound | Juan Peralta | Sound Mix Technician |
| Production | Jennifer Scudder Trent | Producer's Assistant |
| Directing | Josh McLaglen | First Assistant Director |
| Sound | Jerry Goldsmith | Conductor |
| Editing | Bryan H. Carroll | Assistant Editor |
| Visual Effects | Brennan Doyle | Compositing Supervisor |
| Art | Cristiano Donzelli | Conceptual Illustrator |
| Art | Robert Allen | Construction Buyer |
| Crew | Taylor Ball | Special Effects Assistant |
| Crew | Jimmy N. Roberts | Stunt Double |
| Visual Effects | Dan Feinstein | Rotoscoping Artist |
| Sound | Frank 'Pepe' Merel | Foley Recordist |
| Camera | Renzo Spirit Buffalo | Assistant Camera |
| Camera | Paul DeMarte | Second Assistant Camera |
| Production | Ben Smith | Key Set Production Assistant |
| Art | Michael Hansen | Assistant Property Master |
| Camera | Keith Ogier | Additional Second Assistant Camera |
| Production | Sven E. Fahlgren | Post Production Coordinator |
| Sound | Kenneth Hall | Supervising Music Editor |
| Lighting | Matt Floyd | Key Rigging Grip |
| Art | Dean Lakoff | Swing |
| Sound | Tony Eckert | Foley Mixer |
| Camera | Dana Baker | Best Boy Grip |
| Production | Steven R. Molen | Production Executive |
| Sound | Denise Whiting | ADR Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Lighting | Dan Riffel | Assistant Chief Lighting Technician |
| Art | Karin L. McGaughey | Property Buyer |
| Sound | Nick Vidar | Music Programmer |
| Crew | Lauren Raquel Pusich | Intern |
| Production | Daniel Myers Boone | Payroll Accountant |
| Production | Patricio M. Farrell | Art Department Production Assistant |
| Production | Kirk Jung | Production Assistant |
| Directing | Kate Hazell | Second Second Assistant Director |
| Camera | Heather Green | Camera Loader |
| Production | Tanaz Akhlaghi | Casting Assistant |
| Camera | Andreas Crawford | Dolly Grip |
| Production | Charlie Araki | Assistant Accountant |
| Production | Danika Kohler Doman | Production Secretary |
| Production | Danielle Fox | Assistant Production Coordinator |
| Production | Douglas Epps | Head of Research |
| Sound | Tami Treadwell | ADR Recordist |
| Costume & Make-Up | Lynda Foote | Key Costumer |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Sandina Bailo-Lape | Foley Supervisor |
| Crew | Jem Lovett | Special Effects Technician |
| Editing | Gary Burritt | Negative Cutter |
| Production | Alessandra Taddei | Researcher |
| Production | Mickie McGowan | ADR Voice Casting |
| Art | Robert Consing | Storyboard Artist |
| Sound | Ethan Van der Ryn | Supervising Sound Editor |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Art | Angela O'Neill | Assistant Property Master |
