Industrialist François Delambre is called late at night by his sister-in-law, Helene Delambre, who tells him that she has just killed her husband, André. Reluctant at first, she eventually explains to the police that André invented a matter transportation apparatus and, while experimenting on himself, a fly entered the chamber during the matter transference.
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| Directing | Kurt Neumann | Director |
| Sound | Paul Sawtell | Original Music Composer |
| Editing | Merrill G. White | Editor |
| Production | Robert L. Lippert | Producer |
| Camera | Karl Struss | Director of Photography |
| Writing | James Clavell | Screenplay |
| Production | Kurt Neumann | Producer |
| Writing | George Langelaan | Story |
| Art | Theobold Holsopple | Art Direction |
| Art | Lyle R. Wheeler | Art Direction |
| Art | Eli Benneche | Set Decoration |
| Sound | Don Isaacs | Sound Editor |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Art | Walter M. Scott | Set Decoration |
| Visual Effects | L.B. Abbott | Visual Effects |
| Sound | Eugene Grossman | Sound |
| Sound | Dick Jensen | Sound Editor |
| Sound | Harry M. Leonard | Sound |
| Directing | Kathleen Fagan | Script Supervisor |
| Art | Wayne Fitzgerald | Title Designer |
| Crew | Clarence Marks | Dialogue Coach |
| Editing | Orven Schanzer | Assistant Editor |
| Lighting | Earl Gilbert | Lighting Technician |
| Costume & Make-Up | Adele Balkan | Costume Design |
| Costume & Make-Up | Helen Turpin | Hairstylist |
| Sound | Bernhard Kaun | Conductor |
| Crew | James B. Gordon | Special Effects |
| Directing | Jack Gertsman | Assistant Director |
