Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
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| Writing | John Eskow | Screenplay |
| Sound | Charles Gross | Original Music Composer |
| Directing | Roger Spottiswoode | Director |
| Camera | Roger Deakins | Director of Photography |
| Editing | John Bloom | Editor |
| Writing | Christopher Robbins | Novel |
| Writing | Richard Rush | Screenplay |
| Art | Allan Cameron | Production Design |
| Production | Mario Kassar | Executive Producer |
| Production | Michael J. Kagan | Line Producer |
| Production | Jane Jenkins | Casting |
| Production | Janet Hirshenson | Casting |
| Production | Andrew G. Vajna | Executive Producer |
| Production | Jon Jashni | Producer |
| Production | Daniel Melnick | Producer |
| Editing | Lois Freeman-Fox | Editor |
| Crew | Billy D. Lucas | Stunts |
| Crew | Robert Toft | Video Assist Operator |
| Production | Allen Shapiro | Co-Producer |
| Production | Gerry Levy | Unit Production Manager |
| Art | Lek Chaiyan Chunsuttiwat | Assistant Art Director |
| Crew | Vic Armstrong | Stunt Coordinator |
| Sound | Simon Kaye | Sound Mixer |
| Sound | Becky Mancuso-Winding | Music Supervisor |
| Directing | Albert M. Shapiro | First Assistant Director |
| Art | Dennis Bosher | Assistant Art Director |
| Art | Steve Spence | Art Direction |
| Camera | Mark O'Kane | Steadicam Operator |
| Costume & Make-Up | John Mollo | Costume Design |
| Production | John Eskow | Co-Producer |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Art | Fred Carter | Set Decoration |
| Sound | Tim Sexton | Music Supervisor |
| Art | Tony Reading | Art Direction |
| Camera | Mike Proudfoot | Camera Operator |
| Directing | Artist W. Robinson | Second Assistant Director |
| Camera | Gordon Hayman | Camera Operator |
| Editing | Brian Ralph | Negative Cutter |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Editing | William Henry | First Assistant Editor |
| Costume & Make-Up | Lois Burwell | Makeup Supervisor |
| Costume & Make-Up | Peter Robb-King | Key Makeup Artist |
| Costume & Make-Up | Tricia Cameron | Hairstylist |
| Directing | Angela Wharton | Script Supervisor |
| Sound | Tommy Staples | Boom Operator |
| Sound | Alicia Stevenson | Foley Artist |
| Costume & Make-Up | Barbara Rutter | Assistant Costume Designer |
| Production | Noori Dehnahi | Post Production Coordinator |
| Sound | Lon Bender | Supervising Sound Editor |
| Sound | Lisa Miller | Assistant Sound Editor |
| Costume & Make-Up | Elaine Bowerbank | Hair Supervisor |
| Crew | Carl Schmidt | Armorer |
| Sound | Joseph A. Mayer | ADR Editor |
| Sound | Sukey Fontelieu | Foley Supervisor |
| Sound | Per Hallberg | Assistant Sound Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Curtis Roush | Supervising Music Editor |
| Editing | Paul Hodgson | Associate Editor |
| Lighting | Kevin Edland | Best Boy Electric |
| Production | Patsy de Lord | Production Coordinator |
| Crew | Rob Harris | Unit Publicist |
| Sound | Devon Heffley Curry | Supervising ADR Editor |
| Sound | Bob Beher | Assistant Sound Editor |
| Sound | Avram D. Gold | ADR Editor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Lighting | John Higgins | Gaffer |
| Production | Bob Kocourek | Production Accountant |
| Camera | Frank Connor | Still Photographer |
| Editing | Phil Hetos | Color Timer |
| Crew | Chere Rae | Stunts |
| Crew | Steven Lambert | Stunts |
| Crew | Donna Evans | Stunts |
| Crew | Dana Dru Evenson | Stunts |
| Crew | Doug Coleman | Stunts |
| Crew | John Cenatiempo | Stunts |
| Camera | Fraser Taggart | Aerial Camera |
| Camera | Nikki Williams | Clapper Loader |
| Crew | Debbie Lynn Ross | Stunts |
