Air America was the CIA's private airline operating in Laos during the Vietnam War, running anything and everything from soldiers to foodstuffs for local villagers. After losing his pilot's license, Billy Covington is recruited, and ends up in the middle of a bunch of lunatic pilots, gun-running by his friend Gene Ryack, and opium smuggling by his own superiors.
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| Writing | Christopher Robbins | Novel |
| Production | Daniel Melnick | Producer |
| Editing | Lois Freeman-Fox | Editor |
| Directing | Roger Spottiswoode | Director |
| Editing | John Bloom | Editor |
| Writing | Richard Rush | Screenplay |
| Art | Allan Cameron | Production Design |
| Writing | John Eskow | Screenplay |
| Production | Mario Kassar | Executive Producer |
| Production | Michael J. Kagan | Line Producer |
| Sound | Charles Gross | Original Music Composer |
| Camera | Roger Deakins | Director of Photography |
| Production | Jane Jenkins | Casting |
| Production | Andrew G. Vajna | Executive Producer |
| Production | Jon Jashni | Producer |
| Production | Janet Hirshenson | Casting |
| Crew | Billy D. Lucas | Stunts |
| Sound | Simon Kaye | Sound Mixer |
| Art | Steve Spence | Art Direction |
| Art | Dennis Bosher | Assistant Art Director |
| Sound | Per Hallberg | Assistant Sound Editor |
| Directing | Albert M. Shapiro | First Assistant Director |
| Production | Allen Shapiro | Co-Producer |
| Art | Lek Chaiyan Chunsuttiwat | Assistant Art Director |
| Sound | Becky Mancuso-Winding | Music Supervisor |
| Costume & Make-Up | John Mollo | Costume Design |
| Production | Gerry Levy | Unit Production Manager |
| Crew | Vic Armstrong | Stunt Coordinator |
| Art | Tony Reading | Art Direction |
| Crew | Robert Toft | Video Assist Operator |
| Camera | Mark O'Kane | Steadicam Operator |
| Production | Noori Dehnahi | Post Production Coordinator |
| Sound | Avram D. Gold | ADR Editor |
| Crew | Carl Schmidt | Armorer |
| Sound | Lon Bender | Supervising Sound Editor |
| Sound | Lisa Miller | Assistant Sound Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Sound | Tim Sexton | Music Supervisor |
| Production | John Eskow | Co-Producer |
| Camera | Mike Proudfoot | Camera Operator |
| Directing | Angela Wharton | Script Supervisor |
| Sound | Tommy Staples | Boom Operator |
| Sound | Sukey Fontelieu | Foley Supervisor |
| Camera | Gordon Hayman | Camera Operator |
| Sound | Devon Heffley Curry | Supervising ADR Editor |
| Sound | Joseph A. Mayer | ADR Editor |
| Art | Fred Carter | Set Decoration |
| Editing | Paul Hodgson | Associate Editor |
| Sound | Dan O'Connell | Foley Artist |
| Sound | Bob Beher | Assistant Sound Editor |
| Sound | Curtis Roush | Supervising Music Editor |
| Lighting | John Higgins | Gaffer |
| Production | Bob Kocourek | Production Accountant |
| Editing | Brian Ralph | Negative Cutter |
| Directing | Artist W. Robinson | Second Assistant Director |
| Visual Effects | George Gibbs | Special Effects Supervisor |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Editing | William Henry | First Assistant Editor |
| Costume & Make-Up | Lois Burwell | Makeup Supervisor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Costume & Make-Up | Elaine Bowerbank | Hair Supervisor |
| Lighting | Kevin Edland | Best Boy Electric |
| Crew | Rob Harris | Unit Publicist |
| Editing | Phil Hetos | Color Timer |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Sound | Alicia Stevenson | Foley Artist |
| Production | Patsy de Lord | Production Coordinator |
| Costume & Make-Up | Peter Robb-King | Key Makeup Artist |
| Costume & Make-Up | Tricia Cameron | Hairstylist |
| Costume & Make-Up | Barbara Rutter | Assistant Costume Designer |
| Camera | Frank Connor | Still Photographer |
| Crew | Chere Rae | Stunts |
| Crew | Steven Lambert | Stunts |
| Crew | Donna Evans | Stunts |
| Crew | Dana Dru Evenson | Stunts |
| Crew | Doug Coleman | Stunts |
| Crew | John Cenatiempo | Stunts |
| Camera | Fraser Taggart | Aerial Camera |
| Camera | Nikki Williams | Clapper Loader |
| Crew | Debbie Lynn Ross | Stunts |
