Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and the obligations of his life. He publishes books that will sell, not books that he wants to write. Even worse, he has his old friend working as a butler and Cecelia wants him fired. When Tom tries to get back together with Daisy to renew the feelings that he once felt, Daisy turns the tables on him and leaves to protect both of them.
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| Directing | Edward H. Griffith | Director |
| Crew | Edward H. Griffith | Additional Writing |
| Crew | Adela Rogers St. Johns | Additional Writing |
| Directing | George Cukor | Director |
| Writing | Horace Jackson | Screenplay |
| Writing | Philip Barry | Theatre Play |
| Production | David O. Selznick | Producer |
| Sound | Max Steiner | Original Music Composer |
| Camera | George J. Folsey | Director of Photography |
| Editing | Daniel Mandell | Editor |
| Art | Van Nest Polglase | Set Decoration |
| Costume & Make-Up | Howard Greer | Costume Design |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Costume & Make-Up | Mel Berns | Makeup Artist |
| Costume & Make-Up | Ethel Hogan | Hairstylist |
| Production | Fred Fleck | Unit Manager |
| Production | C.J. White | Production Manager |
| Directing | Thomas Atkins | Assistant Director |
| Directing | Fred Spencer | Assistant Director |
| Sound | Denzil A. Cutler | Sound |
| Camera | James Daly | Assistant Camera |
| Camera | Ernest Bachrach | Still Photographer |
