Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and the obligations of his life. He publishes books that will sell, not books that he wants to write. Even worse, he has his old friend working as a butler and Cecelia wants him fired. When Tom tries to get back together with Daisy to renew the feelings that he once felt, Daisy turns the tables on him and leaves to protect both of them.
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| Directing | Edward H. Griffith | Director |
| Crew | Adela Rogers St. Johns | Additional Writing |
| Crew | Edward H. Griffith | Additional Writing |
| Camera | George J. Folsey | Director of Photography |
| Directing | George Cukor | Director |
| Editing | Daniel Mandell | Editor |
| Sound | Max Steiner | Original Music Composer |
| Writing | Philip Barry | Theatre Play |
| Production | David O. Selznick | Producer |
| Writing | Horace Jackson | Screenplay |
| Sound | Denzil A. Cutler | Sound |
| Directing | Fred Spencer | Assistant Director |
| Costume & Make-Up | Howard Greer | Costume Design |
| Costume & Make-Up | Mel Berns | Makeup Artist |
| Production | Fred Fleck | Unit Manager |
| Art | Van Nest Polglase | Set Decoration |
| Directing | Thomas Atkins | Assistant Director |
| Production | C.J. White | Production Manager |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Costume & Make-Up | Ethel Hogan | Hairstylist |
| Camera | James Daly | Assistant Camera |
| Camera | Ernest Bachrach | Still Photographer |
