At the University of Chicago, a research team that includes brilliant student machinist Eddie Kasalivich experiences a breakthrough: a stable form of fusion that may lead to a waste-free energy source. However, a private company wants to exploit the technology, so Kasalivich and physicist Dr. Lily Sinclair are framed for murder, and the fusion device is stolen. On the run from the FBI, they must recover the technology and exonerate themselves.
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| Camera | Frank Tidy | Director of Photography |
| Editing | Arthur Schmidt | Editor |
| Directing | Andrew Davis | Director |
| Writing | Michael Bortman | Screenplay |
| Editing | Dov Hoenig | Editor |
| Writing | J.F. Lawton | Screenplay |
| Production | Andrew Davis | Producer |
| Production | Arne Schmidt | Producer |
| Production | Richard D. Zanuck | Executive Producer |
| Editing | Don Brochu | Editor |
| Crew | Marian Green | Stunts |
| Production | Maher Ahmad | Associate Producer |
| Art | Maher Ahmad | Production Design |
| Production | Carlos H. Sánchez | Associate Producer |
| Editing | Mark Stevens | Editor |
| Art | David J. Bomba | Art Direction |
| Art | Gene Serdena | Set Decoration |
| Production | Teresa Tucker-Davies | Associate Producer |
| Costume & Make-Up | Jodie Lynn Tillen | Costume Design |
| Sound | Jerry Goldsmith | Original Music Composer |
| Production | Erwin Stoff | Executive Producer |
| Camera | Bob Rose | Key Grip |
| Art | Kathleen Beall | Location Scout |
| Art | James Cimbalista | Painter |
| Art | Carlos Medina Jr. | Greensman |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Costume & Make-Up | Alexandria Forster | Costume Supervisor |
| Costume & Make-Up | Patrick Caulfield | Set Costumer |
| Crew | Lowell D. Blank | Post Production Supervisor |
| Sound | Gregory Cheever | Sound Recordist |
| Crew | George DiLeonardi | Transportation Coordinator |
| Sound | Kenneth C. Mantlo | Boom Operator |
| Sound | Arthur Morton | Orchestrator |
| Visual Effects | David Sanger | Visual Effects Coordinator |
| Art | Bruce J. Gfeller | Construction Coordinator |
| Lighting | Lawrence J. Anderson Jr. | Electrician |
| Lighting | Scott Baehrend | Rigging Grip |
| Visual Effects | James Reedy | Special Effects Supervisor |
| Camera | George Kohut | Camera Operator |
| Crew | Kieran Woo | Production Controller |
| Crew | D.B. Griffith | Projection |
| Crew | Joni Avery | Stunts |
| Directing | Matt Earl Beesley | First Assistant Director |
| Costume & Make-Up | Fríða Aradóttir | Key Hair Stylist |
| Crew | Frank Battaglia | Carpenter |
| Crew | Ken Cabrera | Craft Service |
| Lighting | Anthony J. Lullo | Best Boy Electric |
| Lighting | Alphonse Blumenthal | Gaffer |
| Crew | Roy Arbogast | Special Effects Coordinator |
| Sound | Robert J. Anderson Jr. | Sound Mixer |
| Art | Joel Prihoda | Leadman |
| Costume & Make-Up | Jacqueline S. Beatka | Seamstress |
| Production | Stephen Lim | Unit Production Manager |
| Sound | Paul Apted | Assistant Sound Editor |
| Art | Kirk Corwin | Property Master |
| Crew | William T. Hogan III | Transportation Captain |
| Art | Dana Armonda | Art Department Coordinator |
| Art | Richard Fernandez | Set Designer |
| Crew | Walter Scott | Stunt Coordinator |
| Crew | Daniel H. Friedman | Video Assist Operator |
| Crew | Tommy Dorsett | Visual Effects Editor |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Camera | Murray Close | Still Photographer |
| Crew | Justine A. Bello | Post Production Assistant |
| Editing | Renée Bergan | Editorial Production Assistant |
| Editing | R. Orlando Duenas | First Assistant Editor |
| Sound | Craig Berkey | Sound Effects Editor |
| Art | John Mikels | Standby Painter |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Sound | David A. Arnold | Dialogue Editor |
| Lighting | John P. Friday | Rigging Gaffer |
| Crew | Jeff Manimbo | Production Intern |
| Art | Ann Harris | Assistant Art Director |
| Camera | Dennis De La Mata | Grip |
| Crew | David Isyomin | Digital Effects Supervisor |
| Crew | Deborah Simmrin | Unit Publicist |
| Editing | Bob Putynkowski | Color Timer |
| Sound | R.J. Kizer | ADR Supervisor |
| Sound | David E. Stone | Supervising Sound Editor |
| Visual Effects | Dennis Davis | Digital Compositors |
| Visual Effects | Thom Randmaa | Visual Effects Producer |
| Costume & Make-Up | Tighe Barry | Set Dressing Artist |
| Crew | Connie Kallos | Makeup Effects |
| Crew | Michael P. Deal | Transportation Co-Captain |
| Production | K. Lenna Katich | Production Accountant |
| Visual Effects | Nick Davis | Visual Effects Supervisor |
| Crew | John J. Slove Jr. | Propmaker |
| Crew | Janet L. Contursi | Set Medic |
| Sound | Kenneth Hall | Music Editor |
| Sound | Randy Thom | Sound Designer |
| Crew | Kent Shelton | Utility Stunts |
| Production | Erica Arvold | Casting Associate |
| Production | Lisa A. Becker | Production Coordinator |
| Camera | Donald Carlson | First Assistant Camera |
| Camera | John S. Robertson | Key Grip |
| Crew | Linda Perlin | Stunts |
| Writing | Arne Schmidt | Story |
| Writing | Rick Seaman | Story |
| Writing | Josh Friedman | Story |
| Sound | Cliff Latimer | ADR Editor |
| Sound | Chuck Rapp | ADR Mixer |
| Camera | Gregg Gannett | Second Assistant Camera |
| Crew | Joseph M. Brennan | Technical Advisor |
| Costume & Make-Up | Jane Blank | Costumer |
| Production | Jean Nakahara | Post Production Coordinator |
| Production | Malisa Caroselli | Assistant Accountant |
| Crew | Karin Anderson | Assistant Craft Service |
| Production | Sarayu Blue | Extras Casting Assistant |
| Directing | Ken Paull | Second Assistant Director |
| Sound | Sonny Pettijohn | First Assistant Sound Editor |
| Camera | Steven Silverstein | Camera Loader |
| Lighting | Morgan Michael Lewis | Key Rigging Grip |
| Production | Laurence Byrne | Assistant Location Manager |
| Sound | Jerry Goldsmith | Conductor |
| Production | Joan Philo | Extras Casting |
| Costume & Make-Up | Gina Panno | Key Set Costumer |
| Visual Effects | Russell j Lyster | VFX Director of Photography |
| Production | Patricia S. Kingery | Payroll Accountant |
| Sound | Sandy Garcia | Foley Recordist |
| Sound | John A. Larsen | Sound Supervisor |
| Camera | Fernando M. Briones | Dolly Grip |
| Production | Terri Douglas | ADR Voice Casting |
| Production | Michael Salven | Key Set Production Assistant |
| Editing | Erin Michelle Hopkins | Assistant Editor |
| Editing | Jeffrey Kalmus | Color Grading |
| Art | Troy Borisy | Assistant Property Master |
| Sound | Vanessa Theme Ament | Foley Artist |
| Camera | Erich O. Rose | Best Boy Grip |
| Editing | Donah Bassett | Negative Cutter |
| Directing | James A. Dennett II | Second Second Assistant Director |
| Sound | Ric Coken | ADR Recordist |
| Art | Timothy Burgard | Storyboard Artist |
| Visual Effects | Andrew Garcia-Price | Visual Effects Production Assistant |
| Crew | William Morts | Stunt Double |
| Production | Marcie Friedman | Location Coordinator |
| Sound | Karin Roulo | Foley Mixer |
| Crew | Michael Ahasay | Special Effects Technician |
| Art | Matt Codd | Conceptual Illustrator |
| Visual Effects | Andre Bustanoby | VFX Artist |
| Production | Don H. Julien | Production Assistant |
| Crew | Cliff Fleming | Pilot |
| Production | B. Ted Deiker | Assistant Production Coordinator |
| Production | Anthony Medina | Art Department Production Assistant |
| Production | Brady Breen | Location Assistant |
| Crew | Don Riozz McNichols | Key Special Effects |
| Production | Suzanne De Grandis | First Assistant Accountant |
| Directing | Matt Earl Beesley | Second Unit Director |
