Tom Ripley is a calculating young man who believes it's better to be a fake somebody than a real nobody. Opportunity knocks in the form of a wealthy U.S. shipbuilder who hires Tom to travel to Italy to bring back his playboy son, Dickie. Ripley worms his way into the idyllic lives of Dickie and his girlfriend, plunging into a daring scheme of duplicity, lies and murder.
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Writing | Anthony Minghella | Screenplay |
Costume & Make-Up | Alessandra Sampaolo | Makeup Artist |
Visual Effects | Dennis Lowe | Visual Effects Supervisor |
Production | William Horberg | Producer |
Production | Tom Sternberg | Producer |
Costume & Make-Up | Ann Roth | Costume Design |
Sound | Pat Jackson | Supervising Sound Editor |
Camera | John Seale | Director of Photography |
Art | Stefano Maria Ortolani | Art Direction |
Sound | Kyrsten Mate | Sound Effects Editor |
Directing | Anthony Minghella | Director |
Production | David Rubin | Casting |
Sound | Gabriel Yared | Original Music Composer |
Art | Roy Walker | Production Design |
Costume & Make-Up | Elisabetta De Leonardis | Hairstylist |
Crew | Sam Conway | Special Effects Coordinator |
Crew | Claudio Pacifico | Stunts |
Art | Bruno Cesari | Set Decoration |
Crew | Franco Maria Salamon | Stunt Coordinator |
Editing | Walter Murch | Editor |
Costume & Make-Up | Gary Jones | Costume Design |
Production | Sydney Pollack | Executive Producer |
Production | Alessandro von Norman | Line Producer |
Writing | Patricia Highsmith | Novel |
Production | Steve E. Andrews | Associate Producer |
Production | Paul Zaentz | Co-Producer |
Crew | Tim Monich | Dialect Coach |
Art | John Fenner | Supervising Art Director |
Costume & Make-Up | Kay Georgiou | Hair Department Head |
Production | Lydia Dean Pilcher | Co-Producer |
Sound | Graham Walker | Music Supervisor |
Directing | Dianne Dreyer | Script Supervisor |
Costume & Make-Up | Paolo Mantini | Hair Designer |
Lighting | Morris Flam | Gaffer |
Crew | Giancarlo Mancini | Special Effects Coordinator |
Sound | Robert Randles | Music Editor |
Production | Sarah Beardsall | Casting |
Costume & Make-Up | Tina Earnshaw | Makeup Department Head |
Art | Sabina Lepri | Art Department Assistant |
Camera | Phil Bray | Still Photographer |
Sound | Ivan Sharrock | Sound Mixer |
Production | Ronna Kress | Casting Associate |
Costume & Make-Up | Giorgio Gregorini | Hairstylist |
Production | Antonio Gabrielli | Location Manager |
Sound | Mark Berger | Sound Re-Recording Mixer |
Sound | David Parker | Sound Re-Recording Mixer |
Art | Alessandro Alberti | Assistant Art Director |
Sound | Jennifer L. Ware | Sound Effects Editor |
Crew | Fabrizio Sforza | Makeup Effects |
Visual Effects | Richard Conway | Special Effects Supervisor |
Sound | Walter Murch | Sound Re-Recording Mixer |
Production | Lynn Kamern | Unit Production Manager |
Crew | Larry Kaplan | Unit Publicist |
Production | Shaila Rubin | Casting |
Art | Tony Wright | Storyboard Artist |
Sound | Mark Levinson | ADR Supervisor |
Sound | Dianna Stirpe | Dialogue Editor |
Sound | Barbara McBane | Dialogue Editor |
Art | Bernie Hearn | Property Master |
Sound | Richard Quinn | ADR Editor |
Art | Jeffrey Rollins | Set Dresser |
Crew | David Ambrosi | Stunts |
Crew | Stefano Maria Mioni | Stunts |
Crew | Alessandro Ponti | Stunts |
Art | Deborah Ross | Title Designer |
Directing | Gianni Arduini | First Assistant Director |
Camera | Daniele Massaccesi | Steadicam Operator |
Directing | Federica Ciciarelli | Third Assistant Director |
Directing | Maria De Leo | Third Assistant Director |
Art | Raffaella Giovannetti | Assistant Set Decoration |
Directing | Filippo Fassetta | Third Assistant Director |
Art | Francesco Postiglione | Assistant Set Decoration |
Art | Miraphora Mina | Graphic Designer |
Camera | Daniele Massaccesi | "B" Camera Operator |
Directing | Enrico Marrari | Second Assistant Director |
Camera | John Seale | "A" Camera Operator |
Sound | Donald Banks | Boom Operator |
Camera | James McMillan | Key Grip |