Urban horticulturalist Brontë Mitchell has her eye on a gorgeous apartment, but the building's board will rent it only to a married couple. Georges Fauré, a waiter from France whose visa is expiring, needs to marry an American woman to stay in the country. Their marriage of convenience turns into a burden when they must live together to allay the suspicions of the immigration service, as the polar opposites grate on each other's nerves.
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| Production | Edward S. Feldman | Executive Producer |
| Camera | Geoffrey Simpson | Director of Photography |
| Editing | William M. Anderson | Editor |
| Production | Peter Weir | Producer |
| Directing | Peter Weir | Director |
| Sound | Livia Ruzic | Dialogue Editor |
| Sound | Peter Townend | Sound Effects Editor |
| Sound | Wayne Pashley | Sound Effects Editor |
| Sound | Phil Judd | Sound Re-Recording Mixer |
| Art | Fran Burke | Title Designer |
| Sound | Karin Whittington | Dialogue Editor |
| Sound | Jeanine Chiavlo | Dialogue Editor |
| Production | Duncan Henderson | Co-Producer |
| Art | Wendy Stites | Production Design |
| Production | Jean Gontier | Co-Producer |
| Production | Ira Halberstadt | Associate Producer |
| Sound | Hans Zimmer | Original Music Composer |
| Production | Dianne Crittenden | Casting |
| Production | Ira Halberstadt | Unit Production Manager |
| Costume & Make-Up | Marie-France Vassel | Makeup Artist |
| Art | John H. Anderson | Set Decoration |
| Art | Ted Glass | Set Decoration |
| Costume & Make-Up | Bette Iverson | Hairstylist |
| Art | Christopher Nowak | Art Direction |
| Writing | Peter Weir | Writer |
| Camera | Andy Harris | Second Assistant Camera |
| Directing | Alan B. Curtiss | First Assistant Director |
| Camera | Eric Swanek | First Assistant Camera |
| Directing | Eva Z. Cabrera | Script Supervisor |
| Camera | François Duhamel | Still Photographer |
| Sound | Pierre Gamet | Production Sound Mixer |
| Directing | John Rusk | Second Second Assistant Director |
| Camera | Robert K. Feldmann | Key Grip |
| Camera | Arthur Blum | Dolly Grip |
| Art | Joan Brockschmidt | Greensman |
| Camera | Bob Marshak | Still Photographer |
| Editing | Arthur Cambridge | Color Timer |
| Camera | David S. Tuttman | Second Assistant Camera |
| Art | Tommy Allen | Property Master |
| Crew | Lauren Beth Strogoff | Unit Publicist |
| Directing | Liz Ryan | Second Assistant Director |
| Lighting | Morris Flam | Gaffer |
| Camera | Jonathan Graham | Best Boy Grip |
| Sound | Bernard Chaumeil | Boom Operator |
| Art | Scott Rosenstock | Leadman |
| Crew | Kevin Keefe | Transportation Captain |
| Costume & Make-Up | Marilyn Matthews | Costume Design |
| Camera | Ken Ferris | Camera Operator |
| Art | Anthony Dunne | Construction Coordinator |
| Crew | Edward O'Donnell | Transportation Coordinator |
