Miss Havisham, a wealthy spinster who wears an old wedding dress and lives in the dilapidated Satis House, asks Pip's Uncle Pumblechook to find a boy to play with her adopted daughter Estella. Pip begins to visit Miss Havisham and Estella, with whom he falls in love, then Pip—a humble orphan—suddenly becomes a gentleman with the help of an unknown benefactor.
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| Editing | Darren J. Perry | Assistant Editor |
| Directing | Mike Newell | Director |
| Writing | David Nicholls | Screenplay |
| Production | Laurie Borg | Co-Producer |
| Production | David Faigenblum | Producer |
| Sound | Richard Hartley | Original Music Composer |
| Production | David Taylor | Unit Manager |
| Production | Cliff Curtis | Executive Producer |
| Production | Stephen Woolley | Producer |
| Production | C.C. Hang | Executive Producer |
| Production | Elizabeth Karlsen | Producer |
| Writing | Charles Dickens | Novel |
| Production | Jana Edelbaum | Executive Producer |
| Production | Caroline Levy | Line Producer |
| Art | Dominic Masters | Supervising Art Director |
| Art | Mike Stallion | Art Direction |
| Production | Miranda Howard-Williams | Casting Assistant |
| Directing | Rowena Ladbury | Script Supervisor |
| Editing | Tariq Anwar | Editor |
| Production | Ed Hart | Executive Producer |
| Production | Thorsten Schumacher | Executive Producer |
| Sound | Karen Elliott | Music Supervisor |
| Production | Emanuel Michael | Producer |
| Production | Dan Whitty | Location Manager |
| Art | Carn Burton | Location Scout |
| Production | Harrison Kordestani | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Art | Caroline Smith | Set Decoration |
| Crew | Polly Duval | Post Production Supervisor |
| Production | Peter Hampden | Executive Producer |
| Production | Susie Figgis | Casting |
| Production | Charlotte Larsen | Executive Producer |
| Production | Arti Modi | Executive Producer |
| Production | Eve Swannell | Production Coordinator |
| Production | Norman Merry | Executive Producer |
| Production | Mike Newell | Executive Producer |
| Production | Zygi Kamasa | Executive Producer |
| Art | Julia Hall | Title Designer |
| Art | Jim Clay | Production Design |
| Costume & Make-Up | Beatrix Aruna Pasztor | Costume Design |
| Production | Alison Banks | Production Manager |
| Camera | John Mathieson | Director of Photography |
| Art | Howard Watkins | Title Designer |
| Costume & Make-Up | Jenny Shircore | Hairstylist |
| Crew | Nellie Burroughes | Stunts |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Ian Waggott | Foley Artist |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Sarah Weatherburn | Wigmaker |
| Sound | Ben Cross | Foley Mixer |
| Sound | Paul Wrightson | Dialogue Editor |
| Costume & Make-Up | Marc Pilcher | Makeup & Hair |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Sound | Robert Farr | Sound Re-Recording Mixer |
| Sound | Paul Hanks | Foley Artist |
| Costume & Make-Up | Hannah Edwards | Makeup & Hair |
| Costume & Make-Up | Alex Rouse | Wigmaker |
| Sound | Ian Wilson | Sound Designer |
| Costume & Make-Up | Zoe Clare Brown | Makeup & Hair |
| Sound | Tim Atkins | ADR Mixer |
