Is there love after death? After he dies suddenly, the hapless advertising executive Daniel Miller finds himself in Judgment City, a gleaming way station where the newly deceased must prove they lived a life of sufficient courage to advance in their journey through the universe. As the self-doubting Daniel struggles to make his case, a budding relationship with the uninhibited Julia offers him a chance to finally feel alive.
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Production | Michael Grillo | Producer |
Sound | Michael Gore | Original Music Composer |
Directing | Albert Brooks | Director |
Writing | Albert Brooks | Screenplay |
Editing | David Finfer | Editor |
Camera | Allen Daviau | Director of Photography |
Production | Mark Saks | Casting |
Production | Barbara Claman | Casting |
Costume & Make-Up | Deborah L. Scott | Costume Design |
Art | Ida Random | Production Design |
Production | Robert Grand | Co-Producer |
Production | Herb Nanas | Executive Producer |
Art | John Rankin | Swing |
Editing | John Morrisey | Assistant Editor |
Sound | Kimberly Lowe Voigt | Dialogue Editor |
Art | Donn Piller | Swing |
Visual Effects | Dennis Dion | Special Effects Supervisor |
Sound | Dane A. Davis | Supervising Sound Editor |
Sound | Jim Borgardt | ADR Editor |
Sound | G.W. Brown | ADR Editor |
Directing | Michael Grillo | First Assistant Director |
Camera | Bobby Mancuso | Second Assistant Camera |
Camera | Reggie Newkirk | First Assistant Camera |
Art | Martha Johnston | Set Designer |
Sound | Valerie Davidson | Foley Editor |
Art | Sara Gardner-Gail | Swing |
Editing | Judd H. Maslansky | Assistant Editor |
Art | James Hegedus | Production Illustrator |
Sound | Tom Hammond | Foley Editor |
Directing | Carey Dietrich | Second Assistant Director |
Camera | Eric Engler | Camera Operator |
Art | Linda DeScenna | Set Decoration |
Art | Randy Bostic | Swing |
Production | Robert Grand | Production Manager |
Art | Richard Reynolds | Art Direction |
Art | Ric McElvin | Leadman |
Editing | Spencer Cross | Associate Editor |
Editing | Maureen Mitchell | Assistant Editor |
Sound | John Kwiatkowski | Sound Effects Editor |
Sound | Franklin Jones Jr. | Sound Re-Recording Mixer |
Sound | Curtis Roush | Music Editor |
Art | Larry Clark Bird | Property Master |
Sound | Gregg Barbanell | Foley Artist |
Sound | Tom E. Dahl | Sound Re-Recording Mixer |
Sound | Shirley Walker | Orchestrator |
Production | Steph Benseman | Location Manager |
Camera | Jim Shelton | Dolly Grip |
Lighting | Larry Wallace | Chief Lighting Technician |
Crew | Chris Burton | Special Effects Coordinator |
Sound | Richard Kite | Boom Operator |
Sound | Wayne Artman | Sound Re-Recording Mixer |
Art | John Thompson | Greensman |
Sound | Joan Rowe | Foley Artist |
Sound | Joseph F. Brennan | Boom Operator |
Lighting | William R. Mayberry | Assistant Chief Lighting Technician |
Production | Lauren Ross | Assistant Location Manager |
Lighting | Robert W. Meyers | Rigging Gaffer |
Costume & Make-Up | Hallie D'Amore | Makeup Artist |
Art | Ken Zimmerman | Assistant Property Master |
Sound | Melinda Garey | Assistant Sound Editor |
Sound | Hector C. Gika | Dialogue Editor |
Directing | Annette Sutera | Second Second Assistant Director |
Art | Robert E. Denne | Standby Painter |
Costume & Make-Up | Marlene D. Williams | Hairstylist |
Sound | Robert Bradshaw | Dialogue Editor |
Sound | Darrell Hall | Assistant Sound Editor |
Sound | Thomas Causey | Production Sound Mixer |
Directing | Luca Kouimelis | Script Supervisor |
Art | David Harris | Greensman |
Costume & Make-Up | J. Roy Helland | Hairstylist |
Art | George Stokes | Construction Coordinator |
Sound | Joel Moss | Scoring Mixer |
Art | James F. Orendorff | Construction Foreman |
Production | Cheri Hall | Assistant Accountant |
Crew | Patti Hawn | Unit Publicist |
Production | Maggie Erickson | Casting Assistant |
Costume & Make-Up | John George | Set Costumer |
Production | Nancy Ramey | Production Accountant |
Crew | Bill Erickson | Stunt Coordinator |
Crew | Jeff Jensen | Stunts |
Costume & Make-Up | George L. Little | Wardrobe Supervisor |
Production | Lisbeth Wynn-Owen | Production Office Coordinator |
Crew | Paul E. Short | Stunts |
Camera | Michael Kenner | Key Grip |
Costume & Make-Up | J. Roy Helland | Makeup Artist |
Editing | Robert Raring | Color Timer |
Costume & Make-Up | Phyllis Corcoran-Woods | Set Costumer |
Costume & Make-Up | Deborah Hopper | Set Costumer |
Crew | Paul Slansky | Thanks |
Visual Effects | Robert Stadd | Visual Effects Producer |
Visual Effects | Mat Beck | Visual Effects Supervisor |
Costume & Make-Up | Greg Hall | Set Costumer |
Camera | Carol McCullough | Still Photographer |
Art | Cary Conway | Paint Coordinator |
Directing | Fernando Castroman | Assistant Director Trainee |
Visual Effects | Ken Allen | Matte Painter |
Visual Effects | Kevin Scott Mack | Modeling |
Camera | Tom Bookout | Second Company Grip |
Production | Robert Foulkes | Assistant Location Manager |
Crew | Richard L. Hill | Special Effects Technician |
Sound | Shirley Walker | Conductor |
Camera | Lee Redmond | Camera Operator |
Visual Effects | Robert Scifo | Matte Painter |
Sound | Malcolm McNab | Musician |
Visual Effects | James Valentine | Roto Supervisor |
Visual Effects | Jon Farhat | VFX Artist |
Production | Laura Adler | Casting Assistant |
Sound | Tom Boyd | Musician |
Sound | Bruce Fowler | Orchestrator |
Production | Bill Daly | Post Production Accountant |
Sound | Val Kuklowsky | Sound Editor |
Visual Effects | Jeff Burks | Animation Supervisor |
Visual Effects | Linda Renaud | VFX Editor |
Sound | Louise Di Tullio | Musician |
Visual Effects | David Goldberg | Modelling Supervisor |
Crew | Tom Dias | Transportation Captain |
Camera | László Regos | Steadicam Operator |
Sound | Kini Kay | Sound Effects Editor |
Visual Effects | Erik Henry | VFX Editor |
Production | Jenny O'Haver | Casting Assistant |
Crew | Daniel Quick | Transportation Coordinator |
Crew | John Sagray | Driver |