A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche.
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| Writing | Irvine Welsh | Screenplay |
| Editing | Andrew Hulme | Editor |
| Writing | Irvine Welsh | Novel |
| Directing | Paul McGuigan | Director |
| Sound | Dan Mudford | Original Music Composer |
| Production | Alex Usborne | Producer |
| Camera | Alasdair Walker | Director of Photography |
| Production | David Muir | Producer |
| Sound | Alan MacNicol | Boom Operator |
| Lighting | Frank McConologue | Lighting Technician |
| Directing | Neil Calder | First Assistant Director |
| Art | Niki Longmuir | Assistant Art Director |
| Sound | Brian Howell | Sound Recordist |
| Sound | Andrew Hulme | Sound Designer |
| Lighting | Mick Toher | Lighting Technician |
| Art | Chris Cull | Property Master |
| Art | Rob McCallum | Storyboard Artist |
| Lighting | Stuart Farmer | Gaffer |
| Directing | Dorothy Connolley | Script Supervisor |
| Art | Jean Kerr | Art Direction |
| Production | Sara Barr | Production Manager |
| Directing | Karen McConnell | Second Assistant Director |
| Directing | Alison Goring | Second Assistant Director |
| Crew | Kelvin Guy | Scenic Artist |
| Visual Effects | Simon Giles | Visual Effects Supervisor |
| Art | Rohan Banyard | Art Direction |
| Costume & Make-Up | Pam Tait | Costume Design |
| Costume & Make-Up | Sarah Fidelo | Makeup Designer |
| Directing | Janis Watt | Script Supervisor |
| Costume & Make-Up | Ruth Kirton | Assistant Costume Designer |
| Costume & Make-Up | Nikki Brannan | Assistant Makeup Artist |
| Costume & Make-Up | Marilyn MacDonald | Makeup Designer |
| Directing | Kathleen Wishart | Second Assistant Director |
| Art | Tony Sheridan | Property Master |
| Camera | Alick Fraser | Clapper Loader |
| Production | Fiona Winning | Location Manager |
| Crew | Katie McCorkindale | Floor Runner |
| Art | Mike Gunn | Production Design |
| Sound | Allan Brereton | Sound Recordist |
| Camera | Jamie Coulter | Key Grip |
| Production | Laura Cochrane | Production Coordinator |
| Production | Nic Muirson | Production Coordinator |
| Costume & Make-Up | Marie Rodgers | Assistant Makeup Artist |
| Camera | Alan McSheehy | Focus Puller |
| Sound | Gerard Roche | Assistant Sound Editor |
| Camera | Al Rae | Steadicam Operator |
| Directing | Ian Madden | First Assistant Director |
| Camera | Derek Guyer | Clapper Loader |
| Camera | Howard Smith | Steadicam Operator |
| Art | Richard Bridgland | Production Design |
| Art | Jamie Baxter | Construction Manager |
| Sound | Becky Thomson | Boom Operator |
| Crew | Michael Scott-Law | Stunt Coordinator |
| Camera | Terry Pate | Key Grip |
| Editing | Gavin McCarron | Negative Cutter |
| Crew | Donald MacKinnon | Floor Runner |
| Costume & Make-Up | Susan Howard | Special Effects Makeup Artist |
| Art | Cliona Harkin | Assistant Art Director |
| Camera | Simon Bray | Steadicam Operator |
| Camera | Neil Davidson | Clapper Loader |
| Costume & Make-Up | Lynn Aitken | Costume Design |
| Sound | Tony Cook | Boom Operator |
| Editing | Mike Fraser | Negative Cutter |
