For cynical tabloid journo Richard Dees, facts are always stranger than fiction. Every headline is a dead-line. Serial killers, UFO abductions, tales of molestation, mayhem and murder. To some the tales are mere sleazy fantasy – but his faithful readers believe. And now there's a new story: The Night Flier. What is it that travels by night in a dark-winged Cessna, lands at secluded airfields and murders local residents? Dees begins to track the unknown killer in a Cessna of his own, uncovering clues that reveal a pilot more terrifying than he could have ever imagined.
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| Camera | David Connell | Director of Photography |
| Production | David R. Kappes | Executive Producer |
| Writing | Jack O'Donnell | Screenplay |
| Production | Richard P. Rubinstein | Producer |
| Sound | Brian Keane | Original Music Composer |
| Editing | Elizabeth Schwartz (I) | Editor |
| Production | Mitchell Galin | Producer |
| Directing | Mark Pavia | Director |
| Writing | Mark Pavia | Screenplay |
| Costume & Make-Up | Pauline White-Kassulke | Costume Design |
| Production | Leonard Finger | Casting |
| Production | Lyn Richmond | Casting |
| Crew | Greg Nicotero | Makeup Effects |
| Art | Burton Rencher | Production Design |
| Production | Alfredo Cuomo | Co-Producer |
| Crew | Howard Berger | Makeup Effects |
| Crew | Robert Kurtzman | Makeup Effects |
| Production | Neal Marshall Stevens | Associate Producer |
| Art | Timothy Stepeck | Set Decoration |
| Production | Jack O'Donnell | Co-Producer |
| Camera | Alan Aldridge | First Assistant "D" Camera |
| Costume & Make-Up | Jeff Goodwin | Key Makeup Artist |
| Art | John Sanders | Property Master |
| Lighting | Eric Jennings | Electrician |
| Art | Peter Battistelli | Construction Coordinator |
| Art | Andrew Menzies | Set Designer |
| Camera | Dennis Zoppe | Key Grip |
| Camera | Fred Norris | Still Photographer |
| Camera | Laurel Hughes | Camera Loader |
| Crew | J.B. Long | Generator Operator |
| Visual Effects | Julie Goldberg | Visual Effects Producer |
| Camera | Brian Heller | Aerial Camera |
| Visual Effects | Oliver Rockwell | Visual Effects Supervisor |
| Lighting | Peter Girolami | Electrician |
| Costume & Make-Up | David Halsey | Key Hair Stylist |
| Lighting | John Ferguson | Gaffer |
| Costume & Make-Up | Amy Lilley | Wardrobe Supervisor |
| Lighting | Neil Beard | Electrician |
| Costume & Make-Up | Missy Anderson | Wardrobe Assistant |
| Lighting | Carson E. Mayne | Electrician |
| Costume & Make-Up | Vanessa Jenik | Costumer |
| Lighting | Thomas C. Nisbet | Best Boy Electric |
| Camera | Mike Repeta | Second Assistant Camera |
| Directing | Christine Moore | Script Supervisor |
| Visual Effects | André Mazzone | CG Artist |
| Camera | David R. Kappes | Camera Operator |
| Costume & Make-Up | Irene Hanson | Tailor |
| Editing | Stan Sztaba | Negative Cutter |
| Sound | Rick Wessler | Foley Artist |
| Sound | John Bowen | Supervising Sound Editor |
| Sound | Ken Hahn | Sound Re-Recording Mixer |
| Sound | Ray Palagy | Sound Effects Editor |
| Editing | Mark Ginsberg | Color Timer |
| Sound | Neil Cedar | ADR Recordist |
| Sound | Randy Smith | Boom Operator |
| Editing | Laura Congleton | Assistant Editor |
| Editing | Patricia Sztaba | Negative Cutter |
| Sound | Jay Meagher | Sound Mixer |
| Writing | Stephen King | Short Story |
