When John Halder's latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich's horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.
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| Directing | Vicente Amorim | Director |
| Production | Jason Isaacs | Executive Producer |
| Costume & Make-Up | Györgyi Szakács | Costume Design |
| Production | Danielle Dajani | Executive Producer |
| Production | Peter Hampden | Executive Producer |
| Production | Brian O'Shea | Executive Producer |
| Production | Stephen Hays | Executive Producer |
| Art | Daniele Drobny | Set Decoration |
| Production | Simon Fawcett | Executive Producer |
| Production | Julia Jay Pierrepont III | Executive Producer |
| Costume & Make-Up | Egonné Endrényi | Makeup Artist |
| Production | Douglas Cummins | Executive Producer |
| Production | Miriam Segal | Producer |
| Camera | Andrew Dunn | Director of Photography |
| Art | Andrew Laws | Production Design |
| Art | Adrien Asztalos | Art Direction |
| Sound | Antonia Bates | Sound Effects Editor |
| Sound | Paul Davies | Supervising Sound Editor |
| Art | Sándor Katona | Set Decoration Buyer |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Editing | John Wilson | Editor |
| Production | Sarah Boote | Producer |
| Production | Kevin Loader | Producer |
| Production | Karsten Brünig | Executive Producer |
| Costume & Make-Up | Ágnes Petrovics | Makeup Artist |
| Production | Billy Dietrich | Producer |
| Production | Mark Brooke | Executive Producer |
| Sound | Simon Lacey | Original Music Composer |
| Costume & Make-Up | Erzsébet Forgács | Makeup Designer |
| Production | Dan Lupovitz | Producer |
| Art | Andreas Olshausen | Supervising Art Director |
| Production | Rexal Ford | Executive Producer |
| Visual Effects | Katja Hollmann | Visual Effects Producer |
| Writing | C.P. Taylor | Theatre Play |
| Writing | John Wrathall | Screenplay |
| Directing | Jessica Hurles-Laws | First Assistant Director |
