His Wife is dead and his Son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
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| Production | Sheila Jaffe | Casting |
| Art | Jesse Rosenthal | Art Direction |
| Production | Irwin Winkler | Executive Producer |
| Writing | Sylvester Stallone | Writer |
| Directing | Christina Fong | Second Assistant Director |
| Art | Franco-Giacomo Carbone | Production Design |
| Camera | Clark Mathis | Director of Photography |
| Production | Guy Riedel | Co-Producer |
| Directing | Rip Murray | First Assistant Director |
| Art | Michael Atwell | Art Direction |
| Production | Charles Winkler | Producer |
| Directing | Sylvester Stallone | Director |
| Directing | Marion Tumen | Script Supervisor |
| Production | Robert Chartoff | Executive Producer |
| Production | David Winkler | Producer |
| Crew | Rob Sale | Technical Advisor |
| Editing | Sean Albertson | Editor |
| Art | Kent H. Johnson | Property Master |
| Crew | Mark De Alessandro | Stunt Coordinator |
| Costume & Make-Up | Diane Heller | Makeup Artist |
| Camera | Brian H. Reynolds | Key Grip |
| Camera | Brian S. Osmond | First Assistant "A" Camera |
| Costume & Make-Up | Maren Reese | Costumer |
| Camera | Dan Carpluk | Grip |
| Camera | Daniel L. Turrett | "A" Camera Operator |
| Camera | Neal Morrell | Second Assistant "B" Camera |
| Camera | Colette Gabriel | Camera Loader |
| Costume & Make-Up | James R. Kail | Key Makeup Artist |
| Costume & Make-Up | Nicole Venables | Hair Department Head |
| Costume & Make-Up | Diane Dixon | Hairstylist |
| Production | Tracy Dixon | Extras Casting |
| Sound | Tateum Kohut | Sound Mixer |
| Camera | Nathan Wilson | Second Assistant "A" Camera |
| Camera | Leon Sanginiti | Second Assistant "B" Camera |
| Costume & Make-Up | Bob Moore Jr. | Key Costumer |
| Costume & Make-Up | Jennifer Antony | Costumer |
| Lighting | Jason Santelli | Assistant Chief Lighting Technician |
| Lighting | R. Adam Chambers | Rigging Gaffer |
| Production | Stephen Fischer | Assistant Location Manager |
| Directing | Louis Guerra | Second Second Assistant Director |
| Crew | David Matusek | Editorial Staff |
| Costume & Make-Up | Gretchen Patch | Costume Designer |
| Production | Kevin King Templeton | Producer |
| Editing | Paul Harb | Additional Editing |
| Production | William Chartoff | Producer |
| Production | Kelly Moran-Brown | Production Coordinator |
| Camera | James Maxtone-Graham | "B" Camera Operator |
| Camera | Tim Metivier | First Assistant "B" Camera |
| Camera | Rod Calarco | First Assistant "B" Camera |
| Production | David Raynor | Assistant Production Coordinator |
| Production | Susan Paley Abramson | Casting Associate |
| Sound | John M. Chalfant | Sound Effects Editor |
| Production | Udi Nedivi | Unit Production Manager |
| Lighting | Larry Wallace | Chief Lighting Technician |
| Camera | Kimberly Rial | Best Boy Grip |
| Crew | John C. Hartigan | Special Effects Coordinator |
| Art | Jonah Markowitz | Assistant Art Director |
| Art | Sean Ginevan | Leadman |
| Editing | Seth Clark | First Assistant Editor |
| Sound | Bill Conti | Original Music Composer |
| Production | Patricia Taggart | Location Manager |
| Costume & Make-Up | David Danon | Key Hair Stylist |
| Costume & Make-Up | Hope Slepak | Costume Supervisor |
| Costume & Make-Up | Laurel Frushour | Costumer |
| Lighting | Francine Natale | Best Boy Electric |
| Camera | Fred Cooper | Dolly Grip |
| Camera | Sheridan Braxton | Grip |
| Production | David Malley | Assistant Production Coordinator |
| Sound | Steve Maslow | Sound Mixer |
| Costume & Make-Up | Teresa Binder Westby | Costumer |
| Lighting | John Chickanis | Best Boy Electric |
| Crew | David Katz | Video Assist Operator |
| Art | Paul Maiello | Construction Coordinator |
| Art | Vic Petrotta Jr. | Assistant Property Master |
| Directing | Katie Carroll | Second Second Assistant Director |
| Crew | Julia Grove | Editorial Staff |
| Sound | Solange S. Schwalbe | Foley Supervisor |
| Production | Barbara Harris | ADR Voice Casting |
| Camera | S. Toulouse Holliday | Best Boy Grip |
| Production | Diane Heery | Local Casting |
| Editing | Robert Drwila | Assistant Editor |
| Sound | Anthony J. Ciccolini III | Supervising Sound Editor |
| Camera | John S. Moyer | "B" Camera Operator |
| Lighting | M.R. Smith | Key Rigging Grip |
| Production | Julian Ruhe | Assistant Location Manager |
| Art | Joseph Kearney | Construction Coordinator |
| Production | Jason Loftus | Casting Associate |
| Editing | Evan Schiff | Assistant Editor |
| Art | Robert Greenfield | Set Decoration |
| Production | Paul Schreiber | Location Manager |
| Costume & Make-Up | Honora Jackson | Costumer |
| Costume & Make-Up | Scott H. Eddo | Makeup Department Head |
| Visual Effects | Alan De Castro | Digital Compositor |
| Camera | Robert M. Mock | Grip |
| Camera | Jason Newton | Grip |
| Camera | Joseph Presson | Grip |
| Sound | Tom Hartig | Boom Operator |
| Sound | Kyle Rochlin | Foley Mixer |
| Visual Effects | Ozzie Carmona | Digital Compositor |
| Editing | Paul Bronkar | Digital Intermediate Colorist |
| Editing | Kate Crossley | Digital Intermediate Editor |
| Camera | Daniel D. Sariano | Camera Loader |
| Camera | Chris Beattie | Best Boy Grip |
| Production | Danielle Colli | Casting Assistant |
| Crew | Carey Len Smith | Post Production Supervisor |
| Sound | Gaston Biraben | Dialogue Editor |
| Directing | Charles Winkler | Second Unit Director |
| Art | Luis Russo | Storyboard Artist |
| Sound | Steven Ticknor | Sound Effects Editor |
| Sound | Vincent Guisetti | Foley Artist |
| Visual Effects | James Chul Rim | Digital Compositor |
| Visual Effects | Jim O'Hagan | Digital Compositor |
| Editing | Cindy Bond | Digital Intermediate Producer |
| Sound | Lisa Jaime | Music Editor |
| Costume & Make-Up | Debra Knotts | Hairstylist |
| Camera | Mark Elliot Catania | Grip |
| Camera | Niel Williams | Grip |
| Art | Alberto Gonzalez-Reyna | Assistant Art Director |
| Writing | Sylvester Stallone | Characters |
| Visual Effects | Kiley Bond | Digital Compositor |
| Visual Effects | Francis Yu | Digital Compositor |
| Visual Effects | Jennifer Chantnicki | Digital Compositor |
| Directing | Melody L. Moses | Second Assistant Director |
| Camera | Erasto T. Garcia | Best Boy Grip |
| Sound | Mark Ulano | Production Sound Mixer |
| Crew | Scott Crabbe | Video Assist Operator |
| Sound | Larry Kemp | ADR Editor |
| Visual Effects | Robert Montgomery | Digital Compositor |
| Visual Effects | Bob Wiatr | Digital Compositor |
| Visual Effects | Matthew Melis | Digital Compositor |
| Camera | Peter Gray | Digital Imaging Technician |
| Production | Brad Warden | Assistant Location Manager |
| Art | Mark Vena | Storyboard Artist |
| Art | Audrey A. Johnson | Assistant Property Master |
| Production | David Kramer | Extras Casting |
| Art | Bruce Schluter | Title Designer |
| Visual Effects | Brian Hanable | Digital Compositor |
| Directing | Dennis Burrell | Second Assistant Director |
| Sound | Tom Burns | Sound Recordist |
| Visual Effects | Ladd Lanford | Visual Effects Producer |
| Visual Effects | Maureen Healy | Digital Compositor |
| Editing | Gary Burritt | Negative Cutter |
| Visual Effects | Michael Degtjarewsky | Digital Compositor |
| Visual Effects | Patrick Keenan | Digital Compositor |
| Visual Effects | Jennifer Law | Digital Compositor |
| Camera | Gregory F. Johnson | Grip |
| Crew | Michael Frechette | Special Effects Technician |
| Production | Rebecca L. Milgrom | Assistant Location Manager |
| Sound | Brian Gardner | Apprentice Sound Editor |
| Sound | Howard London | ADR Mixer |
| Sound | Chris McGeary | Music Editor |
| Visual Effects | Tom Lamb | Digital Compositor |
| Camera | Michael J. Walker | "D" Camera Operator |
| Sound | Adam Blantz | Utility Sound |
| Sound | Lynn Sable | Assistant Sound Editor |
| Sound | Pamela Kahn | Foley Artist |
| Visual Effects | Mark Freund | Visual Effects Supervisor |
| Production | Kim Houser | Location Manager |
| Camera | Nathaniel Miller | Digital Imaging Technician |
| Lighting | Harold Groshon | Rigging Gaffer |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Visual Effects | Phillip Hoffman | Visual Effects Coordinator |
| Visual Effects | Patrick Phillips | Digital Compositor |
| Visual Effects | Scott Evans | Digital Compositor |
| Visual Effects | Matt Seckman | Digital Compositor |
| Directing | Ramiro Adan Gómez | Second Assistant Director |
| Visual Effects | Chad Buehler | Digital Compositor |
| Visual Effects | Doug Witskin | Digital Compositor |
| Visual Effects | Lloyd Lee Barnett | Digital Compositor |
| Visual Effects | Derron Ross | Animation Supervisor |
| Visual Effects | Al Shier | Visual Effects Producer |
| Visual Effects | Jenny Foster | Visual Effects Coordinator |
| Visual Effects | Danny S. Kim | Digital Compositor |
| Visual Effects | Chris Hopkins | Digital Compositor |
| Crew | Derek Bird | Digital Supervisor |
| Visual Effects | Michael Kaelin | Digital Compositor |
| Visual Effects | David Stinnett | Visual Effects Supervisor |
| Visual Effects | Chad Schott | Digital Compositor |
| Visual Effects | Henrik Fett | Visual Effects Supervisor |
| Visual Effects | Rob Ostir | Digital Compositor |
