His wife is dead and his son hates him, but this old man still has fight in him! When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout. To the surprise of his son and friends, Rocky agrees to come out of retirement and face an opponent who's faster, stronger, and thirty years his junior.
Is Rocky Balboa on Netflix? Unfortunately the movie Rocky Balboa is not yet available on Netflix. Follow us on Facebook to see when Rocky Balboa becomes available on Netflix!
| Production | Sheila Jaffe | Casting |
| Production | Charles Winkler | Producer |
| Camera | Daniel D. Sariano | Camera Loader |
| Costume & Make-Up | Hope Slepak | Costume Supervisor |
| Costume & Make-Up | Scott H. Eddo | Makeup Department Head |
| Lighting | Francine Natale | Best Boy Electric |
| Camera | S. Toulouse Holliday | Best Boy Grip |
| Production | Kevin King Templeton | Producer |
| Crew | Mark De Alessandro | Stunt Coordinator |
| Sound | Steve Maslow | Sound Mixer |
| Costume & Make-Up | Teresa Binder Westby | Costumer |
| Writing | Sylvester Stallone | Writer |
| Directing | Christina Fong | Second Assistant Director |
| Sound | Anthony J. Ciccolini III | Supervising Sound Editor |
| Costume & Make-Up | Diane Dixon | Hairstylist |
| Lighting | Larry Wallace | Chief Lighting Technician |
| Sound | Bill Conti | Original Music Composer |
| Costume & Make-Up | Nicole Venables | Hair Department Head |
| Costume & Make-Up | David Danon | Key Hair Stylist |
| Camera | Chris Beattie | Best Boy Grip |
| Camera | Fred Cooper | Dolly Grip |
| Production | Robert Chartoff | Executive Producer |
| Camera | James Maxtone-Graham | "B" Camera Operator |
| Costume & Make-Up | Maren Reese | Costumer |
| Art | Alberto Gonzalez-Reyna | Assistant Art Director |
| Editing | Sean Albertson | Editor |
| Art | Robert Greenfield | Set Decoration |
| Production | Paul Schreiber | Location Manager |
| Camera | Nathan Wilson | Second Assistant "A" Camera |
| Camera | Tim Metivier | First Assistant "B" Camera |
| Art | Franco-Giacomo Carbone | Production Design |
| Production | David Winkler | Producer |
| Crew | Rob Sale | Technical Advisor |
| Art | Michael Atwell | Art Direction |
| Camera | Rod Calarco | First Assistant "B" Camera |
| Costume & Make-Up | Honora Jackson | Costumer |
| Directing | Sylvester Stallone | Director |
| Editing | Paul Harb | Additional Editing |
| Production | Patricia Taggart | Location Manager |
| Camera | Dan Carpluk | Grip |
| Production | Irwin Winkler | Executive Producer |
| Production | Kelly Moran-Brown | Production Coordinator |
| Camera | John S. Moyer | "B" Camera Operator |
| Lighting | Jason Santelli | Assistant Chief Lighting Technician |
| Art | Jesse Rosenthal | Art Direction |
| Camera | Colette Gabriel | Camera Loader |
| Lighting | John Chickanis | Best Boy Electric |
| Production | Guy Riedel | Co-Producer |
| Camera | Leon Sanginiti | Second Assistant "B" Camera |
| Lighting | R. Adam Chambers | Rigging Gaffer |
| Production | Stephen Fischer | Assistant Location Manager |
| Art | Paul Maiello | Construction Coordinator |
| Directing | Katie Carroll | Second Second Assistant Director |
| Production | Susan Paley Abramson | Casting Associate |
| Camera | Clark Mathis | Director of Photography |
| Directing | Rip Murray | First Assistant Director |
| Directing | Marion Tumen | Script Supervisor |
| Camera | Brian S. Osmond | First Assistant "A" Camera |
| Costume & Make-Up | Laurel Frushour | Costumer |
| Camera | Brian H. Reynolds | Key Grip |
| Camera | Sheridan Braxton | Grip |
| Costume & Make-Up | Gretchen Patch | Costume Designer |
| Production | Udi Nedivi | Unit Production Manager |
| Art | Kent H. Johnson | Property Master |
| Sound | Tateum Kohut | Sound Mixer |
| Costume & Make-Up | Bob Moore Jr. | Key Costumer |
| Costume & Make-Up | James R. Kail | Key Makeup Artist |
| Camera | Daniel L. Turrett | "A" Camera Operator |
| Camera | Neal Morrell | Second Assistant "B" Camera |
| Costume & Make-Up | Diane Heller | Makeup Artist |
| Sound | Adam Blantz | Utility Sound |
| Art | Mark Vena | Storyboard Artist |
| Production | William Chartoff | Producer |
| Costume & Make-Up | Jennifer Antony | Costumer |
| Sound | Tom Hartig | Boom Operator |
| Crew | David Katz | Video Assist Operator |
| Art | Vic Petrotta Jr. | Assistant Property Master |
| Crew | Carey Len Smith | Post Production Supervisor |
| Sound | Solange S. Schwalbe | Foley Supervisor |
| Visual Effects | Brian Hanable | Digital Compositor |
| Visual Effects | Matt Seckman | Digital Compositor |
| Editing | Kate Crossley | Digital Intermediate Editor |
| Directing | Charles Winkler | Second Unit Director |
| Camera | Peter Gray | Digital Imaging Technician |
| Camera | Robert M. Mock | Grip |
| Camera | Joseph Presson | Grip |
| Camera | Niel Williams | Grip |
| Lighting | M.R. Smith | Key Rigging Grip |
| Art | Luis Russo | Storyboard Artist |
| Production | Jason Loftus | Casting Associate |
| Editing | Evan Schiff | Assistant Editor |
| Sound | Brian Gardner | Apprentice Sound Editor |
| Camera | Erasto T. Garcia | Best Boy Grip |
| Directing | Louis Guerra | Second Second Assistant Director |
| Sound | Larry Kemp | ADR Editor |
| Visual Effects | Bob Wiatr | Digital Compositor |
| Camera | Nathaniel Miller | Digital Imaging Technician |
| Crew | Michael Frechette | Special Effects Technician |
| Production | Rebecca L. Milgrom | Assistant Location Manager |
| Production | Brad Warden | Assistant Location Manager |
| Production | David Kramer | Extras Casting |
| Production | Julian Ruhe | Assistant Location Manager |
| Crew | David Matusek | Editorial Staff |
| Visual Effects | Tom Lamb | Digital Compositor |
| Sound | Chris McGeary | Music Editor |
| Art | Jonah Markowitz | Assistant Art Director |
| Production | Diane Heery | Local Casting |
| Visual Effects | Matthew Melis | Digital Compositor |
| Camera | Michael J. Walker | "D" Camera Operator |
| Crew | John C. Hartigan | Special Effects Coordinator |
| Production | Tracy Dixon | Extras Casting |
| Sound | Pamela Kahn | Foley Artist |
| Production | Kim Houser | Location Manager |
| Lighting | Harold Groshon | Rigging Gaffer |
| Production | David Raynor | Assistant Production Coordinator |
| Sound | John M. Chalfant | Sound Effects Editor |
| Editing | Paul Bronkar | Digital Intermediate Colorist |
| Camera | Kimberly Rial | Best Boy Grip |
| Sound | Mark Ulano | Production Sound Mixer |
| Art | Joseph Kearney | Construction Coordinator |
| Art | Sean Ginevan | Leadman |
| Editing | Seth Clark | First Assistant Editor |
| Sound | Vincent Guisetti | Foley Artist |
| Visual Effects | Robert Montgomery | Digital Compositor |
| Camera | Mark Elliot Catania | Grip |
| Camera | Gregory F. Johnson | Grip |
| Production | David Malley | Assistant Production Coordinator |
| Sound | Howard London | ADR Mixer |
| Visual Effects | Kiley Bond | Digital Compositor |
| Editing | Gary Burritt | Negative Cutter |
| Camera | Jason Newton | Grip |
| Crew | Scott Crabbe | Video Assist Operator |
| Art | Audrey A. Johnson | Assistant Property Master |
| Sound | Lynn Sable | Assistant Sound Editor |
| Visual Effects | Michael Degtjarewsky | Digital Compositor |
| Visual Effects | Patrick Keenan | Digital Compositor |
| Visual Effects | Jennifer Law | Digital Compositor |
| Crew | Julia Grove | Editorial Staff |
| Sound | Kyle Rochlin | Foley Mixer |
| Visual Effects | Mark Freund | Visual Effects Supervisor |
| Visual Effects | Phillip Hoffman | Visual Effects Coordinator |
| Visual Effects | Patrick Phillips | Digital Compositor |
| Sound | Lisa Jaime | Music Editor |
| Directing | Melody L. Moses | Second Assistant Director |
| Writing | Sylvester Stallone | Characters |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Tom Burns | Sound Recordist |
| Visual Effects | Ozzie Carmona | Digital Compositor |
| Visual Effects | Jim O'Hagan | Digital Compositor |
| Editing | Robert Drwila | Assistant Editor |
| Sound | Steven Ticknor | Sound Effects Editor |
| Editing | Cindy Bond | Digital Intermediate Producer |
| Art | Bruce Schluter | Title Designer |
| Directing | Dennis Burrell | Second Assistant Director |
| Production | Danielle Colli | Casting Assistant |
| Sound | Gaston Biraben | Dialogue Editor |
| Visual Effects | Ladd Lanford | Visual Effects Producer |
| Visual Effects | Maureen Healy | Digital Compositor |
| Visual Effects | Alan De Castro | Digital Compositor |
| Visual Effects | Scott Evans | Digital Compositor |
| Visual Effects | Henrik Fett | Visual Effects Supervisor |
| Visual Effects | David Stinnett | Visual Effects Supervisor |
| Visual Effects | Chad Buehler | Digital Compositor |
| Crew | Derek Bird | Digital Supervisor |
| Visual Effects | Chad Schott | Digital Compositor |
| Visual Effects | James Chul Rim | Digital Compositor |
| Costume & Make-Up | Debra Knotts | Hairstylist |
| Visual Effects | Doug Witskin | Digital Compositor |
| Visual Effects | Michael Kaelin | Digital Compositor |
| Visual Effects | Al Shier | Visual Effects Producer |
| Visual Effects | Chris Hopkins | Digital Compositor |
| Visual Effects | Danny S. Kim | Digital Compositor |
| Visual Effects | Lloyd Lee Barnett | Digital Compositor |
| Visual Effects | Rob Ostir | Digital Compositor |
| Visual Effects | Derron Ross | Animation Supervisor |
| Visual Effects | Francis Yu | Digital Compositor |
| Visual Effects | Jennifer Chantnicki | Digital Compositor |
| Directing | Ramiro Adan Gómez | Second Assistant Director |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Visual Effects | Jenny Foster | Visual Effects Coordinator |
