The story of the battle of Iwo Jima between the United States and Imperial Japan during World War II, as told from the perspective of the Japanese who fought it.
Is Letters from Iwo Jima on Netflix? Yes! The movie Letters from Iwo Jima is now on Netflix in the countries listed below.
| Production | Steven Spielberg | Producer |
| Sound | Kyle Eastwood | Original Music Composer |
| Sound | Michael Stevens | Original Music Composer |
| Camera | Tom Stern | Director of Photography |
| Editing | Joel Cox | Editor |
| Production | Robert Lorenz | Producer |
| Art | Henry Bumstead | Production Design |
| Production | Clint Eastwood | Producer |
| Production | Paul Haggis | Producer |
| Writing | Iris Yamashita | Screenplay |
| Directing | Clint Eastwood | Director |
| Art | James J. Murakami | Production Design |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Production | Phyllis Huffman | Casting |
| Art | James 'JD' Deal | Greensman |
| Costume & Make-Up | Tania McComas | Makeup Department Head |
| Art | Gary A. Lee | Set Designer |
| Costume & Make-Up | Mitchell Ray Kenney | Costume Supervisor |
| Sound | Robin Harlan | Foley |
| Art | Pam Cartmel | Art Department Coordinator |
| Sound | Flash Deros | Boom Operator |
| Art | Adrian Gorton | Set Designer |
| Sound | Sarah Monat | Foley |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Camera | David Luckenbach | Camera Operator |
| Crew | Domiciano Rodriquez | Transportation Co-Captain |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Costume & Make-Up | John M. 'Jack' Wright | Costume Supervisor |
| Visual Effects | Julian Levi | Visual Effects Producer |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Editing | Bruce Lomet | Digital Intermediate |
| Visual Effects | Michael Owens | Visual Effects Supervisor |
| Camera | Liz Radley | Camera Operator |
| Crew | Larry Stelling | Transportation Coordinator |
| Production | Steve Beimler | Location Manager |
| Visual Effects | Matthew E. Butler | Visual Effects Supervisor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Crew | Alana Stelling | Transportation Captain |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Lighting | Ross Dunkerley | Gaffer |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Editing | Kurt Smith | Color Timer |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Crew | Al Goto | Stunts |
| Visual Effects | Hugo Dominguez | Visual Effects |
| Writing | Paul Haggis | Story |
| Writing | Iris Yamashita | Story |
| Visual Effects | Lou Pecora | Digital Compositor |
| Visual Effects | Eric Deinzer | Visual Effects |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Sound | Bub Asman | Sound Editor |
| Sound | Charles Maynes | Sound Designer |
| Sound | Walt Martin | Sound Mixer |
| Sound | David A. Arnold | Supervising Dialogue Editor |
| Sound | Juno J. Ellis | ADR Supervisor |
| Sound | Lucy Coldsnow-Smith | Dialogue Editor |
| Editing | Blu Murray | First Assistant Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Art | Michael Sexton | Property Master |
| Sound | Karen Spangenberg | Dialogue Editor |
| Sound | Nicholas Korda | ADR Editor |
| Directing | Peter Dress | Second Second Assistant Director |
