A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition and in a strange country, their experience begins to mirror the Vietnam experience.
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Directing | Walter Hill | Director |
Writing | Walter Hill | Screenplay |
Writing | David Giler | Screenplay |
Production | David Giler | Producer |
Production | William J. Immerman | Executive Producer |
Sound | Ry Cooder | Original Music Composer |
Camera | Andrew Laszlo | Director of Photography |
Editing | Freeman A. Davies | Editor |
Production | Judith Holstra | Casting |
Art | John Vallone | Production Design |
Art | Robert Gould | Set Decoration |
Costume & Make-Up | Tom Bronson | Costume Supervisor |
Writing | Michael Kane | Screenplay |
Sound | Ry Cooder | Music Arranger |
Production | Venetia Stevenson | Executive In Charge Of Production |
Production | Gene Levy | Unit Production Manager |
Directing | Robert Roe | Second Assistant Director |
Production | Lisbeth Wynn-Owen | Production Coordinator |
Production | Mary F. Galloway | Location Manager |
Editing | Teri E. Dorman | Assistant Editor |
Editing | Carmel Davies | Assistant Editor |
Editing | Lisa Zeno Churgin | Assistant Editor |
Camera | Richard Craig Meinardus | Assistant Camera |
Camera | Lynn Lockwood | Assistant Camera |
Camera | Dick Montagne | Assistant Camera |
Sound | Glenn E. Anderson | Production Sound Mixer |
Sound | James Utterback | Production Sound Mixer |
Sound | Tony Romero | Production Sound Mixer |
Costume & Make-Up | Dan Moore | Costumer |
Crew | Max Kleven | Stunts |
Crew | Rock A. Walker | Stunts |
Crew | Conrad E. Palmisano | Stunts |
Crew | Melvin Jones | Stunts |
Crew | Gregg Brazzel | Stunts |
Art | Johnny Lattanzio | Paint Coordinator |
Art | Francis N. 'Lucky' Costello | Painter |
Crew | Steve Lombardi | Propmaker |
Art | Craig Raiche | Property Master |
Art | Bruce Kasson | Property Master |
Camera | Tom D. May | Grip |
Camera | John London | Grip |
Camera | Jay Davis | Grip |
Art | Gus Basso | Greensman |
Sound | Walter A. Gest | Sound Recordist |
Production | Judith Bernardoni | Production Accountant |
Production | Florian Schereck | Assistant Accountant |
Production | Bea Lindzon | Extras Casting |
Sound | Allen Sides | Scoring Mixer |
Crew | Ronnie Baker | Transportation Coordinator |
Editing | Jim Schurmann | Color Timer |
Art | Mary Meacham | Title Designer |
Costume & Make-Up | Dagmar Loesch | Hairstylist |
Costume & Make-Up | Michael Germain | Makeup Artist |
Directing | Pat Kehoe | First Assistant Director |
Sound | Bob Newlan | Assistant Sound Editor |
Sound | Stan Gilbert | Dialogue Editor |
Sound | Randy Kelley | Sound Editor |
Sound | Wylie Stateman | Sound Editor |
Sound | Rick Kline | Sound Re-Recording Mixer |
Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
Sound | Bill Nicholson | Sound Re-Recording Mixer |
Sound | Gordon Ecker | Supervising Sound Editor |
Crew | Lawrence J. Cavanaugh | Special Effects |
Crew | Lyla Foggia | Unit Publicist |
Camera | James Zenk | Still Photographer |
Editing | Jack Hooper | Negative Cutter |
Lighting | Ross A. Maehl | Gaffer |
Crew | Bennie E. Dobbins | Stunt Coordinator |
Camera | Neil Roach | Camera Operator |
Camera | James Etheridge | Camera Operator |
Directing | Mary Ann Newfield | Script Supervisor |
Sound | Jim Henrikson | Music Editor |