Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.
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| Production | Laura Bickford | Executive Producer |
| Directing | Chris Gerolmo | Director |
| Production | Timothy Marx | Producer |
| Production | David R. Ginsburg | Executive Producer |
| Camera | Robert Fraisse | Director of Photography |
| Editing | William Goldenberg | Editor |
| Production | Matthew Chapman | Executive Producer |
| Sound | Randy Edelman | Original Music Composer |
| Writing | Chris Gerolmo | Writer |
| Crew | Bruce Golin | Post Production Supervisor |
| Art | Éva Martin | Construction Coordinator |
| Crew | Greg Nicotero | Makeup Effects |
| Directing | Michelangelo Csaba Bolla | First Assistant Director |
| Production | Erzsebet Gaspar | Extras Casting Coordinator |
| Art | József Romvári | Production Design |
| Writing | Chris Gerolmo | Teleplay |
| Writing | Robert Cullen | Book |
| Production | Robert Stone | Co-Producer |
| Lighting | Sándor Novák | Best Boy Electric |
| Production | Joyce Nettles | Casting |
| Directing | Éva Bognár | Second Assistant Director |
| Production | Webster Stone | Co-Producer |
| Editing | Richard Byard | Assistant Editor |
| Production | Éva Bognár | Local Casting |
| Production | László Sipos | Local Casting |
| Crew | Gino Crognale | Makeup Effects |
| Sound | Jason King | Dialogue Editor |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Production | József Cirkó | Production Manager |
| Production | Adrianna A.J. Cohen | Production Supervisor |
| Production | László Lakatos | Unit Manager |
| Camera | Attila Szücs | Key Grip |
| Sound | John LaSalandra | Music Editor |
| Lighting | Péter Sidló | Gaffer |
| Sound | Pál Szûrös | Boom Operator |
| Sound | William Freesh | Sound Re-Recording Mixer |
| Sound | David Farmer | Sound Effects Editor |
| Camera | Tamás Nyerges | Steadicam Operator |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Gregg Barbanell | Foley Artist |
| Directing | Brenda K. Wachel | Script Supervisor |
| Costume & Make-Up | Maria Hruby | Costume Design |
| Art | Lóránt Jávor | Art Direction |
| Camera | István Bese | Dolly Grip |
| Editing | Gary Burritt | Negative Cutter |
| Art | István Tóth | Set Decoration |
| Camera | Lajos Simon | Best Boy Grip |
| Sound | Allan Byer | Sound Mixer |
| Camera | Csaba Bankhardt | Grip |
| Sound | William Freesh | ADR Recordist |
| Art | Bulcsú Balla | Property Master |
| Production | Peter Seres | Location Manager |
| Crew | Istvan Pintye | Transportation Coordinator |
| Costume & Make-Up | Erzsébet Rácz | Key Hair Stylist |
| Sound | Tim Gedemer | Supervising Sound Editor |
| Sound | Mike Moser | Sound Effects Editor |
| Costume & Make-Up | Zsuzsa Balai | Costume Supervisor |
| Camera | József Takács | First Assistant Camera |
| Production | Hans Berggren | Production Accountant |
| Costume & Make-Up | Karoly Balazs | Key Makeup Artist |
| Crew | Ferenc Ormos | Special Effects |
| Sound | Ann Scibelli | Sound Effects Editor |
| Sound | Vince Nicastro | Foley Artist |
