Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.
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| Sound | Bill Conti | Original Music Composer |
| Writing | James L. Brooks | Screenplay |
| Production | James L. Brooks | Producer |
| Camera | Michael Ballhaus | Director of Photography |
| Editing | Richard Marks | Editor |
| Production | Polly Platt | Executive Producer |
| Directing | James L. Brooks | Director |
| Sound | Frank Smathers | Dialogue Editor |
| Sound | Beth Bergeron | Supervising ADR Editor |
| Sound | Mark P. Stoeckinger | Foley Editor |
| Art | Bruce J. Gfeller | Construction Coordinator |
| Sound | Jessica Gallavan | ADR Editor |
| Sound | Charleen Richards-Steeves | ADR Recordist |
| Sound | Cindy Marty | Foley Editor |
| Sound | Dave Kulczycki | Dialogue Editor |
| Crew | Anne Marie Stein | Unit Publicist |
| Sound | Jeff Rosen | ADR Editor |
| Directing | David Sardi | Second Assistant Director |
| Lighting | Jerry DeBlau | Best Boy Electric |
| Camera | Dennis Gamiello | Key Grip |
| Production | Peggy Pridemore | Location Assistant |
| Art | Mark Wade | Property Master |
| Camera | John Lowry | Dolly Grip |
| Editing | Bob Hagans | Color Timer |
| Production | Stuart Neumann | Location Manager |
| Art | Harold Fuhrman | Set Designer |
| Sound | Joseph F. Brennan | Boom Operator |
| Directing | Yudi Bennett | First Assistant Director |
| Art | Steve Callas | Construction Foreman |
| Editing | Donah Bassett | Negative Cutter |
| Production | Barbara Harris | ADR Voice Casting |
| Production | Ellen Chenoweth | Casting |
| Production | Cynthia Streit | Production Coordinator |
| Editing | Karen I. Stern | First Assistant Editor |
| Crew | Jery Hewitt | Stunt Coordinator |
| Camera | David M. Dunlap | Camera Operator |
| Costume & Make-Up | Carl Fullerton | Makeup Artist |
| Costume & Make-Up | Colleen Callaghan | Hairstylist |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Lighting | John W. DeBlau | Gaffer |
| Art | Charles Rosen | Production Design |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Camera | Kerry Hayes | Still Photographer |
| Directing | Mary Bailey | Script Supervisor |
| Camera | Gábor Kövér | First Assistant Camera |
| Production | David V. Lester | Unit Production Manager |
| Art | Jane Bogart | Set Decoration |
| Sound | Bob Badami | Music Editor |
| Sound | Linda Whittlesey | Sound Effects Editor |
| Production | Susan Zirinsky | Associate Producer |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Production | Kristi Zea | Associate Producer |
| Production | Penney Finkelman Cox | Co-Producer |
| Sound | Robert Grieve | Supervising Sound Editor |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Patrick Drummond | Sound Effects Editor |
| Sound | Jacqueline Cristianini | Dialogue Editor |
| Sound | Thomas Causey | Sound Mixer |
