A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.
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Camera | Stefan Czapsky | Director of Photography |
Directing | Uli Edel | Director |
Production | Bernd Eichinger | Producer |
Writing | Hubert Selby Jr. | Novel |
Sound | Mark Knopfler | Original Music Composer |
Editing | Peter Przygodda | Editor |
Production | Dieter Meyer | Line Producer |
Production | Herman Weigel | Co-Producer |
Crew | Donald John Hewitt | Stunts |
Production | Jake Eberts | Associate Producer |
Production | Anna Gross | Associate Producer |
Crew | Bill Anagnos | Stunts |
Crew | Phil Neilson | Stunts |
Crew | Manny Siverio | Stunts |
Crew | Mick O'Rourke | Stunts |
Production | G. Mac Brown | Line Producer |
Crew | Roy Farfel | Stunts |
Crew | Don Picard | Stunts |
Directing | Glen Trotiner | Second Assistant Director |
Costume & Make-Up | Richard von Ernst | Assistant Costume Designer |
Production | Sylvia Fay | Extras Casting |
Art | David W. Howell | Set Dresser |
Camera | Claudia Raschke | Second Assistant Camera |
Sound | Danny Michael | Production Sound Mixer |
Costume & Make-Up | Sally Lesser | Costumer |
Crew | Janet Paparazzo | Stunts |
Production | G. Mac Brown | Unit Production Manager |
Crew | Paul Bucossi | Stunts |
Sound | Eva Claudius | Dialogue Editor |
Sound | Veronica Manchot | Assistant Dialogue Editor |
Crew | Tim Gallin | Stunts |
Directing | Nike Zachmanoglou | Continuity |
Camera | Zoran Veselić | First Assistant Camera |
Art | Will Scheck | Set Dresser |
Costume & Make-Up | David C. Robinson | Costumer |
Crew | Tom Wright | Stunts |
Camera | Philippe Carr-Forster | Camera Operator |
Sound | Peter R. Adam | Sound Editor |
Art | Patricia Woodbridge | Assistant Art Director |
Crew | Danny Aiello III | Stunts |
Directing | Carla Corwin | Second Assistant Director |
Art | Bruce Lee Gross | Lead Set Dresser |
Costume & Make-Up | Jennifer Lax | Wardrobe Supervisor |
Costume & Make-Up | Michael Maddi | Special Effects Makeup Artist |
Costume & Make-Up | James Sarzotti | Hair Designer |
Editing | Lilli von Otting | Assistant Editor |
Sound | Angelika Deumling | Assistant Sound Editor |
Costume & Make-Up | Kathryn Bihr | Makeup Designer |
Art | Leigh Kyle | Set Dresser |
Art | Dan Mahon | Set Dresser |
Sound | Angelike Gruber | Assistant Sound Editor |
Sound | Milan Bor | Sound Re-Recording Mixer |
Directing | Don French | First Assistant Director |
Directing | Carla Corwin | First Assistant Director |
Sound | Anthony Starbuck | Boom Operator |
Editing | Anne Stein | Assistant Editor |
Sound | Günther Ruckdeschel | Boom Operator |
Costume & Make-Up | Georgette Künsemüller | Makeup Artist |
Crew | Denis Zack | Special Effects Technician |
Crew | Howard Samuelsohn | Dialogue Coach |
Crew | Steven Kirshoff | Special Effects Coordinator |
Sound | Bernd Schmidl | Foley Artist |
Sound | Andreas Schneider | Foley Artist |
Camera | K.C. Bailey | Still Photographer |
Art | Werner Achmann | Art Direction |
Crew | Jery Hewitt | Stunt Coordinator |
Sound | Mel Kutbay | Foley Artist |
Sound | Ed Parente | Production Sound Mixer |
Camera | Karl-Heinz Vogelmann | Still Photographer |
Sound | Jörn Poetzl | Foley Artist |
Directing | Stefan Scholtissek | Second Assistant Director |
Crew | William Harrison | Special Effects Technician |
Camera | Britta Sell | Second Assistant Camera |
Sound | George Gonneau | ADR Supervisor |
Sound | Guy Fletcher | Musician |
Costume & Make-Up | Carol Oditz | Costume Design |
Production | Deborah Aquila | Casting |
Production | Jeffery Passero | Casting |
Art | David Chapman | Production Design |
Art | Leslie A. Pope | Set Decoration |
Writing | Desmond Nakano | Screenplay |
Art | Mark Haack | Art Direction |