The owner of a bank (Miss Bitterman) wants to own the Muppet Theatre so she can build a nightclub over it. After she tricks Pepe into giving her the only copy of the contract between her father and the Muppets, she changes it so the Muppets have very little time to pay a debt they owe. Meanwhile, the Muppets are trying to put on a Christmas show. After the Muppets are confronted by Bitterman, they make a lot of sacrifices to save up so they can keep the Theatre.
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| Writing | Jim Lewis | Writer |
| Camera | Randal Platt | Second Unit Director of Photography |
| Directing | Kelly Moon | Script Supervisor |
| Directing | Lana Krotenko | Script Supervisor |
| Writing | Tom Martin | Writer |
| Crew | Marny Eng | Stunt Coordinator |
| Production | Allison Cowitt | Casting |
| Production | Mike Fenton | Casting |
| Production | Lynne Carrow | Casting |
| Crew | James Hibbard | Choreographer |
| Production | Warren Carr | Production Manager |
| Directing | Patrice Leung | First Assistant Director |
| Directing | Tracey Poirier | Second Assistant Director |
| Art | Roxanne Methot | Assistant Art Director |
| Camera | Armin Matter | Camera Operator |
| Camera | Trevor Butt | First Assistant "A" Camera |
| Camera | Brian Rose | First Assistant "B" Camera |
| Art | Grant Swain | Property Master |
| Art | Brian Epp | Assistant Property Master |
| Art | Beth Nelson | Assistant Set Decoration |
| Art | Dave Conway | Construction Coordinator |
| Sound | Darren Brisker | Sound Recordist |
| Sound | Charles O'Shea | Boom Operator |
| Sound | Sara Kohlman | Sound Assistant |
| Lighting | Simon Hunt | Gaffer |
| Lighting | Niall Fraser | Best Boy Electric |
| Camera | Harvey Fedor | Key Grip |
| Camera | Charlie Schultz | Best Boy Grip |
| Camera | Martin Udo Haas | Dolly Grip |
| Camera | Peter Grotek | Dolly Grip |
| Art | Frank Haddad | Greensman |
| Costume & Make-Up | Sandy Cooper | Key Makeup Artist |
| Costume & Make-Up | Debra Wiebe | Hairstylist |
| Costume & Make-Up | Charles Porlier | Special Effects Makeup Artist |
| Production | Robert Murdoch | Location Manager |
| Production | Teresa Gough | Assistant Location Manager |
| Crew | Robert Yeager | Special Effects Coordinator |
| Production | Laura Livingstone | Production Coordinator |
| Production | Adrienne Sol | Assistant Production Coordinator |
| Crew | Ron James | Transportation Coordinator |
| Directing | Sophie Brodovitch | Script Coordinator |
| Crew | Lorne Kostyshin | Craft Service |
| Sound | Dino A. Moriana | Music Editor |
| Sound | Audrey DeRoche | Music Coordinator |
| Sound | Ira Hearshen | Orchestrator |
| Sound | Andrew Kinney | Orchestrator |
| Sound | Chris Klatman | Orchestrator |
| Sound | Don Nemitz | Orchestrator |
| Sound | Bill Newlin | Orchestrator |
| Sound | J. Eric Schmidt | Orchestrator |
| Sound | Nan Schwartz | Orchestrator |
| Sound | Stephen James Taylor | Orchestrator |
| Sound | Richard Taylor | Sound Supervisor |
| Sound | Richard C. Franklin | ADR Supervisor |
| Sound | Larry Stensvold | Sound Mixer |
| Sound | Stephen Fitzmaurice | Sound Mixer |
| Editing | Frank Mazzaro | Online Editor |
| Editing | Sati Tooray | Colorist |
| Directing | Kirk R. Thatcher | Director |
| Production | Martin G. Baker | Producer |
| Production | Bill Barretta | Co-Producer |
| Production | Juliet Blake | Executive Producer |
| Production | Warren Carr | Producer |
| Production | Ruth Caruso | Co-Producer |
| Production | Brian Henson | Executive Producer |
| Sound | Mark Watters | Original Music Composer |
| Camera | Tony Westman | Director of Photography |
| Editing | Gregg Featherman | Editor |
| Art | Michael S. Bolton | Production Design |
| Art | James Steuart | Art Direction |
| Art | Linda Vipond | Set Decoration |
| Costume & Make-Up | Polly Smith | Costume Design |
| Costume & Make-Up | Sandra J. Blackie | Costume Design |
