On August 15, 1944 the 517th Parachute Regimental Combat Team (PRCT) jumped over the south of France. Their mission was to support and protect the Allied Troops marching to Berlin. Landing in enemy territory, they fell under immediate attack. In their effort to complete the mission and rendez-vous with their unit, three isolated paratroopers come across a group of French resistants in desperate need. They decide to help liberate some of the captive Partisans. Doing so they will risk their lives.
Is Saints and Soldiers: Airborne Creed on Netflix? Unfortunately the movie Saints and Soldiers: Airborne Creed is not yet available on Netflix. Follow us on Facebook to see when Saints and Soldiers: Airborne Creed becomes available on Netflix!
| Directing | Ryan Little | Director |
| Production | Adam Abel | Producer |
| Production | Ryan Little | Producer |
| Sound | J Bateman | Music |
| Production | Randy Beard | Co-Producer |
| Production | Raymond S. Meldrum | Co-Producer |
| Production | Steven A. Lee | Line Producer |
| Crew | Harland "Bud "Curtis | In Memory Of |
| Production | Gil Aglaure | Executive Producer |
| Costume & Make-Up | Anna K. Findlay | Costume Designer |
| Crew | Matt Griff | Stunts |
| Camera | Jason Painter | First Assistant Camera |
| Sound | Carlos Sanches | Sound Designer |
| Art | Spencer Bailey | Set Dresser |
| Production | Jessica Tomlin | First Assistant Accountant |
| Costume & Make-Up | Tara Starling | Key Makeup Artist |
| Crew | John Lyde | Stunts |
| Production | Myron J. Bouwhuis | Production Accountant |
| Production | Jennifer Buster | Casting |
| Directing | Shambray Buehler | Second Assistant Director |
| Camera | Kira Peacock | Second Assistant Camera |
| Costume & Make-Up | Tara Starling | Wardrobe Assistant |
| Camera | Andrew Hicks | Key Grip |
| Sound | Andrew Ahlstrom | Sound Mixer |
| Sound | Carlos Sanches | ADR Editor |
| Crew | Randy Beard | Military Consultant |
| Lighting | Andrés B. Villalba | Best Boy Electric |
| Costume & Make-Up | Tara Starling | Key Hairdresser |
| Directing | Adam Abel | Second Unit Director |
| Crew | John Lyde | Stunt Coordinator |
| Directing | Lig Erualga | Script Supervisor |
| Sound | Dan Carlisle | ADR Mixer |
| Crew | Lance Jensen | Military Consultant |
| Crew | Kent R. Findlay | Transportation Coordinator |
| Sound | Stoker White | ADR Mixer |
| Crew | Reese Abel | Post Production Supervisor |
| Sound | Carlos Sanches | Sound Re-Recording Mixer |
| Crew | Will Lyu | Military Consultant |
| Sound | Alex Ullrich | Foley Artist |
| Crew | J Bateman | Executive Music Producer |
| Editing | Ben Hoffman | Colorist |
| Sound | John Sanacore | Foley Mixer |
| Art | Debbie Farrer | Production Design |
| Sound | Owen Peterson | Foley Editor |
| Sound | Carlos Sanches | Supervising Sound Editor |
| Camera | Kelby Thwaits | Director of Photography |
| Camera | Ryan Little | Director of Photography |
| Sound | Peter D. Lago | Sound Effects Editor |
| Sound | Katiene Norton | Boom Operator |
| Costume & Make-Up | Maika Taylor | Makeup Artist |
| Sound | Carlos Sanches | Dialogue Editor |
| Directing | Erich Cannon | First Assistant Director |
| Editing | Rhett Lewis | Editor |
| Editing | Burke Lewis | Editor |
| Visual Effects | Ammon Jones | Visual Effects Producer |
| Crew | Chuck Johnson | Special Effects Coordinator |
| Camera | Gregory Lancaster | Still Photographer |
| Visual Effects | Matt Hoffman | Visual Effects Supervisor |
| Lighting | Justin Andrews | Gaffer |
| Writing | Lincoln Hoppe | Screenplay |
| Writing | Lamont Gray | Screenplay |
