After an intense fight with Clubber Lang and the death of his trainer Mickey, Rocky Balboa is left devastated. Former rival Apollo Creed steps in to help Balboa get back his fighting spirit.
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| Production | Rhonda Young | Casting |
| Art | Ron Foreman | Art Direction |
| Sound | Bill Conti | Original Music Composer |
| Art | William J. Cassidy | Production Design |
| Camera | Bill Butler | Director of Photography |
| Crew | Freddie Hice | Stunts |
| Directing | Sylvester Stallone | Director |
| Art | Joe D. Mitchell | Set Decoration |
| Production | Irwin Winkler | Producer |
| Crew | Ron Stein | Stunt Coordinator |
| Production | Robert Chartoff | Producer |
| Editing | Don Zimmerman | Editor |
| Editing | Mark Warner | Editor |
| Crew | Howard Jensen | Special Effects |
| Costume & Make-Up | Michael Westmore | Makeup Artist |
| Costume & Make-Up | Tom Bronson | Costume Design |
| Production | James D. Brubaker | Production Manager |
| Art | J. Dennis Washington | Art Direction |
| Sound | Frank E. Warner | Supervising Sound Editor |
| Sound | Charles M. Wilborn | Sound Mixer |
| Writing | Sylvester Stallone | Writer |
| Crew | Charles A. Tamburro | Stunts |
| Crew | John Casino | Stunts |
| Crew | Don Charles McGovern | Stunt Double |
| Crew | Tony Brubaker | Stunts |
| Crew | Charles A. Tamburro | Pilot |
| Editing | Robert Raring | Color Timer |
| Camera | Christine M. Loss | Still Photographer |
| Camera | George Hill | Key Grip |
| Lighting | Colin J. Campbell | Chief Lighting Technician |
| Directing | Julie Pitkanen | Script Supervisor |
| Sound | Christopher Ramsey | Boom Operator |
| Camera | Lynn Tomes | First Assistant Camera |
| Art | Bill Dietz | Property Master |
| Crew | Russell McEntyre | Transportation Coordinator |
| Camera | James R. Connell | Camera Operator |
| Costume & Make-Up | Vivian McAteer | Hairstylist |
| Production | Linda Horner | Production Executive |
| Editing | Donah Bassett | Negative Cutter |
| Editing | Gib Jaffe | First Assistant Editor |
| Sound | Stephen A. Hope | Music Editor |
| Crew | Howard Jension | Special Effects |
| Production | Herb Nanas | Executive Producer |
| Production | Dale Benson | Location Manager |
| Directing | Clifford C. Coleman | First Assistant Director |
| Directing | Hope R. Goodwin | Second Assistant Director |
| Directing | Jack R. Clinton | Second Assistant Director |
| Camera | D. Michael Wheeler | Second Assistant Camera |
| Production | JoAnn May-Pavey | Production Office Coordinator |
| Sound | John S. Coffey | Utility Sound |
| Costume & Make-Up | Dan Moore | Costumer |
| Costume & Make-Up | Aida Swinson | Costumer |
| Editing | Gregory M. Gerlich | Assistant Editor |
| Editing | Bruce Cannon | Assistant Editor |
| Editing | Edward A. Warschilka | Assistant Editor |
| Sound | Bill Wylie | Sound Effects Editor |
| Sound | Gary S. Gerlich | Sound Effects Editor |
| Sound | Victoria Martin | Sound Effects Editor |
| Sound | Arthur Ottinger | ADR Editor |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Sound | Walter A. Gest | Sound Recordist |
| Sound | Gary Ritchie | Sound Recordist |
| Sound | Robert Nichols II | Sound Recordist |
