The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
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| Directing | Fenton Bailey | Director |
| Production | Christine Vachon | Producer |
| Production | Susan Shopmaker | Casting |
| Art | Andrea Stanley | Production Design |
| Directing | Randy Barbato | Director |
| Art | Susan Ogu | Set Decoration |
| Sound | James Harry | Original Music Composer |
| Editing | Jeremy Simmons | Editor |
| Production | Randy Barbato | Producer |
| Production | Fenton Bailey | Producer |
| Camera | Teodoro Maniaci | Director of Photography |
| Art | Laura Ballinger | Art Direction |
| Writing | Randy Barbato | Screenplay |
| Production | Jon Marcus | Producer |
| Writing | Fenton Bailey | Screenplay |
| Production | Brad Simpson | Producer |
| Sound | Howard Paar | Music Supervisor |
| Camera | JoJo Whilden | Still Photographer |
| Directing | Anthony Pettine | Script Supervisor |
| Writing | James St. James | Novel |
| Sound | Jed M. Dodge | Dialogue Editor |
| Sound | Marilyn Graf | Foley Mixer |
| Sound | Frederick Howard | Sound Effects Editor |
| Sound | Lance Brown | Sound Re-Recording Mixer |
| Sound | Robert Getty | Dialogue Editor |
| Sound | Derek Marcil | Sound Re-Recording Mixer |
| Sound | Michael J. Fox | ADR Mixer |
| Sound | Phyllis Ginter | Foley Artist |
| Sound | Antonio L. Arroyo | Sound Mixer |
| Sound | Frank Gaeta | Supervising Sound Editor |
| Sound | William Martel Jr. | Production Sound Mixer |
| Costume & Make-Up | Michael Wilkinson | Costume Design |
| Production | Charlie Dibe | Production Assistant |
