In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
Is Slums of Beverly Hills on Netflix? Unfortunately the movie Slums of Beverly Hills is not yet available on Netflix.
| Production | Michael Nozik | Producer |
| Directing | Tamara Jenkins | Director |
| Writing | Tamara Jenkins | Writer |
| Editing | Robert Duffy | Editor |
| Production | Stan Wlodkowski | Producer |
| Crew | Margo Hunt McKay | Driver |
| Production | Tom Tucker | Production Supervisor |
| Sound | Andrew Adams | Boom Operator |
| Sound | Richard Chaim | Sound |
| Sound | Jeffrey R. Payne | Sound Re-Recording Mixer |
| Crew | Lisa Rodgers | Post Production Supervisor |
| Art | Carolyn Lassek | Set Dresser |
| Art | Tim Parkinson | Set Dresser |
| Sound | Eric Thompson | Foley Mixer |
| Production | Joe Pichirallo | Production Executive |
| Sound | Joan Rowe | Foley Artist |
| Costume & Make-Up | Candace Neal | Key Hair Stylist |
| Sound | Shawn Kennelly | Foley Recordist |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | Laura Kamper | Sound Effects |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Costume & Make-Up | Anne Morgan | Additional Hairstylist |
| Directing | Dawn Massaro | Second Assistant Director |
| Sound | Eddie Bydalek | Sound Recordist |
| Sound | Jonathan Karp | Sound Effects Editor |
| Costume & Make-Up | Vicky Ogden | First Assistant Makeup Artist |
| Production | Stan Wlodkowski | Unit Production Manager |
| Art | Guillaume DeLouche | Set Dresser |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Sound | Michael Kamper | Sound Effects Editor |
| Costume & Make-Up | Romy Fleming | First Assistant Hairstylist |
| Crew | Jean Malahni | Stunts |
| Sound | Eric Brauch | Sound |
| Directing | Susie Balaban | Second Second Assistant Director |
| Directing | Scott Remick | Second Second Assistant Director |
| Sound | Eric Erickson | Sound Recordist |
| Sound | James Wright | Sound |
| Crew | Jean Malahni | Stunt Double |
| Sound | Thomas Pinney | Boom Operator |
| Sound | Sean Rowe | Foley Artist |
| Sound | Mark Ulano | Sound Recordist |
| Costume & Make-Up | Kirsten Everberg | Costume Design |
| Production | Sheila Jaffe | Casting |
| Camera | Leonard Myszynski | Still Photographer |
| Art | Dena Roth | Production Design |
| Directing | Ira Hurvitz | Script Supervisor |
| Camera | Lorey Sebastian | Still Photographer |
| Production | Robert Redford | Executive Producer |
| Production | Georgianne Walken | Casting |
| Sound | Andrew DeCristofaro | Supervising Sound Editor |
| Costume & Make-Up | Julie Glick | Costume Supervisor |
| Sound | Gary Calamar | Music Supervisor |
| Sound | Mimi Bonetti | Music Coordinator |
| Sound | Ken Segal | Sound Mixer |
| Art | Lisa S. Beasley | Art Department Coordinator |
| Art | Ritchie Kremer | Property Master |
| Art | Scott Plauche | Art Direction |
| Directing | Michael A. Allowitz | First Assistant Director |
| Sound | Rolfe Kent | Original Music Composer |
| Sound | Matthew C. Beville | ADR Mixer |
| Art | Robert Greenfield | Set Decoration |
| Sound | Ann Scibelli | Supervising Sound Effects Editor |
| Sound | John Chandler | Foley Editor |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Paul Curtis | Dialogue Editor |
| Crew | Dick Ziker | Stunt Coordinator |
| Sound | D. Chris Smith | ADR Recordist |
| Camera | Tom Richmond | Director of Photography |
| Costume & Make-Up | Kathryn Bihr | Key Makeup Artist |
| Art | Bently Tittle | Set Dresser |
