In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
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| Editing | Robert Duffy | Editor |
| Directing | Tamara Jenkins | Director |
| Production | Michael Nozik | Producer |
| Writing | Tamara Jenkins | Writer |
| Production | Stan Wlodkowski | Producer |
| Crew | Margo Hunt McKay | Driver |
| Art | Carolyn Lassek | Set Dresser |
| Art | Tim Parkinson | Set Dresser |
| Art | Guillaume DeLouche | Set Dresser |
| Sound | Eddie Bydalek | Sound Recordist |
| Crew | Lisa Rodgers | Post Production Supervisor |
| Sound | Richard Chaim | Sound |
| Directing | Susie Balaban | Second Second Assistant Director |
| Sound | Shawn Kennelly | Foley Recordist |
| Costume & Make-Up | Candace Neal | Key Hair Stylist |
| Production | Stan Wlodkowski | Unit Production Manager |
| Sound | Andrew Adams | Boom Operator |
| Directing | Dawn Massaro | Second Assistant Director |
| Sound | Michael Kamper | Sound Effects Editor |
| Sound | Jonathan Karp | Sound Effects Editor |
| Costume & Make-Up | Romy Fleming | First Assistant Hairstylist |
| Sound | Elisabeth Flaum | Sound Effects Editor |
| Costume & Make-Up | Anne Morgan | Additional Hairstylist |
| Directing | Scott Remick | Second Second Assistant Director |
| Sound | Eric Brauch | Sound |
| Costume & Make-Up | Vicky Ogden | First Assistant Makeup Artist |
| Production | Joe Pichirallo | Production Executive |
| Production | Tom Tucker | Production Supervisor |
| Sound | Eric Erickson | Sound Recordist |
| Sound | Laura Kamper | Sound Effects |
| Sound | Jeffrey R. Payne | Sound Re-Recording Mixer |
| Sound | Thomas Pinney | Boom Operator |
| Sound | Mark Ulano | Sound Recordist |
| Sound | Eric Thompson | Foley Mixer |
| Sound | Tim Walston | Sound Effects Editor |
| Sound | B. Tennyson Sebastian III | Sound Re-Recording Mixer |
| Crew | Jean Malahni | Stunt Double |
| Sound | James Wright | Sound |
| Sound | Joan Rowe | Foley Artist |
| Sound | Sean Rowe | Foley Artist |
| Crew | Jean Malahni | Stunts |
| Sound | Gary Calamar | Music Supervisor |
| Sound | D. Chris Smith | ADR Recordist |
| Art | Robert Greenfield | Set Decoration |
| Production | Robert Redford | Executive Producer |
| Camera | Lorey Sebastian | Still Photographer |
| Production | Sheila Jaffe | Casting |
| Camera | Leonard Myszynski | Still Photographer |
| Art | Lisa S. Beasley | Art Department Coordinator |
| Costume & Make-Up | Kirsten Everberg | Costume Design |
| Sound | Matthew C. Beville | ADR Mixer |
| Crew | Dick Ziker | Stunt Coordinator |
| Art | Dena Roth | Production Design |
| Art | Scott Plauche | Art Direction |
| Directing | Ira Hurvitz | Script Supervisor |
| Art | Ritchie Kremer | Property Master |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Paul Curtis | Dialogue Editor |
| Sound | Ken Segal | Sound Mixer |
| Sound | Andrew DeCristofaro | Supervising Sound Editor |
| Sound | Rolfe Kent | Original Music Composer |
| Directing | Michael A. Allowitz | First Assistant Director |
| Production | Georgianne Walken | Casting |
| Sound | Ann Scibelli | Supervising Sound Effects Editor |
| Sound | Mimi Bonetti | Music Coordinator |
| Sound | John Chandler | Foley Editor |
| Costume & Make-Up | Julie Glick | Costume Supervisor |
| Camera | Tom Richmond | Director of Photography |
| Costume & Make-Up | Kathryn Bihr | Key Makeup Artist |
| Art | Bently Tittle | Set Dresser |
