The time is the late '80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.
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| Production | Liza Marshall | Executive Producer |
| Directing | Pete Travis | Director |
| Writing | Paula Milne | Writer |
| Production | David Aukin | Executive Producer |
| Production | Lorraine Goodman | Line Producer |
| Production | Nina Heyns | Line Producer |
| Production | Hal Vogel | Producer |
| Sound | Martin Phipps | Original Music Composer |
| Editing | Clive Barrett | Editor |
| Editing | Dominic Strevens | Editor |
| Production | Christa Schamberger | Casting |
| Art | Chris Roope | Production Design |
| Art | Birrie le Roux | Art Direction |
| Art | Fred Du Preez | Set Decoration |
| Art | Neesh Ruben | Set Decoration |
| Costume & Make-Up | Dinah Collin | Costume Design |
| Costume & Make-Up | Sharon Martin | Makeup Designer |
| Costume & Make-Up | Sharon Martin | Hair Designer |
| Costume & Make-Up | Kerry Skelton | Makeup Artist |
| Production | Jeanne Watson | Production Manager |
| Costume & Make-Up | Kelly Willis | Makeup & Hair |
| Production | Pierre Buys | Unit Manager |
| Crew | Mark Harris | Post Production Supervisor |
| Directing | Mark Goddard | First Assistant Director |
| Directing | Daryn Goldsbrough | Third Assistant Director |
| Directing | Ben Harrison | Second Assistant Director |
| Directing | Steve Morphew | Third Assistant Director |
| Directing | Shamiel Soni | Second Assistant Director |
| Camera | David Odd | Director of Photography |
| Art | Gaby Beyers | Art Department Coordinator |
| Art | Karl du Preez | Set Dresser |
| Art | Alex Giles | Props |
| Art | Brian Glaser | Construction Manager |
| Crew | Nathan Victor Honey | Scenic Artist |
| Art | Belinda Johnson | Props |
| Art | Paula Jones | Graphic Designer |
| Art | Cassie Leedham | Graphic Designer |
| Art | Sian Molloy | Assistant Set Decoration |
| Art | Catherine Palmer | Graphic Designer |
| Art | Chris Richmond | Standby Art Director |
| Art | Mark Risk | Storyboard Artist |
| Art | Brendan Smithers | Construction Coordinator |
| Sound | Chris Ashworth | Sound Mixer |
| Sound | Ben Brazier | Dialogue Editor |
| Sound | Robert Brazier | Sound Effects Editor |
| Sound | Sue Harding | Foley Artist |
| Sound | Jenna Lange | Audio Post Coordinator |
| Sound | Matt Snedecor | ADR Recordist |
| Sound | Rowena Wilkinson | Foley Artist |
| Crew | Wesley Barnard | Special Effects Technician |
| Crew | Tyrell Kemlo | Special Effects Technician |
| Crew | Cordell McQueen | Pyrotechnician |
| Crew | Sithembiso Sontshaka | Special Effects Technician |
| Visual Effects | Thomas M. Horton | Visual Effects Director |
| Crew | Stephanie C. Kelly | Compositor |
| Visual Effects | Natalie Stopford | Visual Effects Producer |
| Visual Effects | Shanaullah Umerji | Visual Effects Producer |
| Crew | Adam Horton | Stunts |
| Crew | Shirley Kirchmann | Stunts |
| Crew | Paul Pieterse | Stunts |
| Crew | Craig Gordon Sobotker | Stunt Driver |
| Camera | Beisan Elias | Camera Trainee |
| Camera | Allan Gray | Key Grip |
| Camera | Peter Howard | First Assistant Camera |
| Camera | Phil Hurst | Best Boy Grip |
| Camera | Giles Keyte | Still Photographer |
| Camera | Alison Lai | Clapper Loader |
| Camera | Jefri Meintjes | Additional Second Assistant Camera |
| Camera | Dirk Nel | Second Unit Director of Photography |
| Camera | Anna Valdez Hanks | Additional Photography |
| Production | Chuck Douglas | Casting Assistant |
| Production | J.P. van der Merwe | Casting |
| Costume & Make-Up | Suzie Harman | Assistant Costume Designer |
| Costume & Make-Up | Darion Hing | Costume Supervisor |
| Editing | Matthew Benns | Digital Intermediate Data Wrangler |
| Editing | Paul Ensby | Digital Color Timer |
| Production | Katura Jensen | Post Production Coordinator |
| Editing | Todd Kleparski | Digital Intermediate Producer |
| Production | Robert Bentley | Location Manager |
| Art | Peter Currey | Location Scout |
| Production | Pat Karam | Location Manager |
| Production | Eduard Klarenbeek | Assistant Location Manager |
| Crew | Ruth Barrett | Additional Music |
| Sound | Jake Jackson | Sound Mixer |
| Directing | Anwen Bull | Script Supervisor |
| Directing | Katie Harlow | Script Supervisor |
| Production | Anke Andriessen | Production Secretary |
| Production | Tina Caldeira | Production Coordinator |
| Crew | Tim Desbois | Aerial Coordinator |
| Production | Rosanne Flynn | Researcher |
| Production | Craig Heathcote | Production Coordinator |
| Crew | Neil Hdoge | Chef |
| Crew | Majella Hurley | Dialect Coach |
| Crew | Jill McCullough | Dialect Coach |
| Production | Catherine Milne | Researcher |
| Crew | Lance Peters | Armorer |
| Production | Andrea Pienaar | Production Secretary |
| Production | Meryl Schutte | Production Supervisor |
| Production | Ian Thomson | Publicist |
| Writing | Robert Harvey | Novel |
