Mike, after his release from a psychiatric hospital, teams up with his old pal Reggie to hunt down the Tall Man, who is at it again. A mysterious, beautiful girl has also become part of Mike's dreams, and they must find her before the Tall Man does.
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| Writing | Don Coscarelli | Writer |
| Directing | Don Coscarelli | Director |
| Costume & Make-Up | Carla Gibbons | Costume Design |
| Sound | Fred Myrow | Music |
| Production | Roberto A. Quezada | Producer |
| Production | Betsy Fels | Casting |
| Sound | Christopher L. Stone | Music |
| Camera | Daryn Okada | Director of Photography |
| Crew | Jon H. Epstein | Stunts |
| Crew | Bob Brown | Stunts |
| Crew | Ernie F. Orsatti | Stunts |
| Art | John Argentin | Greensman |
| Camera | Terry Wimmer | Key Grip |
| Costume & Make-Up | Edward Wada | Assistant Makeup Artist |
| Art | Jon McCallum | Set Dresser |
| Art | Philip Duffin | Production Design |
| Art | Linda LeClerg | Assistant Property Master |
| Crew | Regina Argentine | Scenic Artist |
| Camera | Stephen Robb Bradshaw | Second Assistant Camera |
| Art | Dominic Wymark | Set Decoration |
| Costume & Make-Up | Melanie A. Kay | Makeup Artist |
| Art | Will Blount | Property Master |
| Lighting | Pascal M. Guillemard | Electrician |
| Camera | Marie Pedersen | First Assistant Camera |
| Camera | Shane Hurlbut | Grip |
| Camera | Roxanne Hernandez | Second Assistant Camera |
| Lighting | Ralph Coon | Electrician |
| Lighting | Brian Coyne | Best Boy Electrician |
| Art | Joseph Ressa | Construction Coordinator |
| Lighting | Karen Edmundson Bean | Gaffer |
| Camera | Kevin Dean | Grip |
| Art | John Joseph Duffin | Assistant Art Director |
| Art | Mitch Morrison | Set Dresser |
| Lighting | Michael E. Rosenberger | Electrician |
| Art | Byrnadette DiSanto | Art Direction |
| Directing | Alan Brent Connell | First Assistant Director |
| Camera | Peter Iovino | Still Photographer |
| Art | Kristen Deem | Storyboard Artist |
| Art | Paul Kowalczyk | Set Dresser |
| Costume & Make-Up | Kimberly Domínguez | Costumer |
| Production | Christopher Sherman | Casting Coordinator |
| Sound | Jonathan Fuh | Boom Operator |
| Sound | Alan Potter | Sound Editor |
| Sound | Darrell Hall | Assistant Sound Editor |
| Sound | Stanley Paul | Sound Editor |
| Sound | Robert Friedman | Foley Artist |
| Sound | Izak Ben-Meir | Sound Mixer |
| Sound | John Post | Foley Artist |
| Sound | Vincent Connelly | Sound Editor |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Sound | Jim Cook | Sound Re-Recording Mixer |
| Sound | Doc Kane | ADR Mixer |
| Crew | Wayne Beauchamp | Special Effects |
| Sound | David W. Gray | Dolby Consultant |
| Sound | Michael P. Redbourn | Supervising Sound Editor |
| Sound | Alan Howarth | Sound Designer |
| Visual Effects | Justin Klarenbeck | Visual Effects Supervisor |
| Sound | Robert Heffernan | ADR Editor |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Sound | Richard Raderman | Foley Editor |
| Sound | Dan Yale | Sound Editor |
| Production | Catherine Beller | Production Assistant |
| Crew | Troy Fromin | Craft Service |
| Production | Eddie Salmon | Production Coordinator |
| Production | John Stolfi | Production Coordinator |
| Production | Joelle Mitchell | Production Assistant |
| Production | Michael H. Friedlander | Production Assistant |
| Production | Mary DeMarle | Production Assistant |
| Production | Harriet Cheng | Production Assistant |
| Production | Curt Covert | Production Assistant |
| Directing | Lou Ann Quast | Continuity |
| Crew | Kristen Deem | Unit Publicist |
| Production | John Root | Production Assistant |
| Production | Michael Curtis | Production Assistant |
| Sound | Jack Woods | Sound Editor |
