A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost.
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Directing | Roger Michell | Director |
Writing | Chap Taylor | Screenplay |
Writing | Michael Tolkin | Screenplay |
Production | Scott Rudin | Producer |
Sound | David Arnold | Original Music Composer |
Camera | Salvatore Totino | Director of Photography |
Editing | Christopher Tellefsen | Editor |
Art | Kristi Zea | Production Design |
Production | Lars Knudsen | Executive Assistant |
Crew | Joanne Lamstein | Stunt Driver |
Crew | Eliza Coleman | Stunts |
Production | Ellen Lewis | Casting |
Production | Marcia DeBonis | Casting |
Production | Scott Aversano | Co-Producer |
Costume & Make-Up | Ann Roth | Costume Designer |
Production | Kristi Zea | Production Designer |
Production | Ron Bozman | Executive Producer |
Production | Adam Schroeder | Executive Producer |
Writing | Chap Taylor | Story |
Crew | Doug Coleman | Stunt Coordinator |
Production | Harvey Waldman | Unit Production Manager |
Directing | Michael E. Steele | First Assistant Director |
Directing | Anthony Hemingway | Second Assistant Director |
Art | W. Steven Graham | Art Direction |
Art | Debra Schutt | Set Decoration |
Camera | Bruce MacCallum | Camera Operator |
Crew | Will Arnot | Steadycam |
Directing | Mary A. Kelly | Script Supervisor |
Sound | Danny Michael | Sound Mixer |
Sound | Andrew Schmetterling | Boom Operator |
Lighting | Jay Fortune | Chief Lighting Technician |
Camera | Rick Marroquin | Dolly Grip |
Art | Martin Lasowitz | Property Master |
Art | Karen Kates | Assistant Property Master |
Crew | J.C. Brotherhood | Special Effects Coordinator |