Based on the real-life experiences of Ed Horman. A conservative American businessman travels to Chile to investigate the sudden disappearance of his son after a military takeover. Accompanied by his son's wife he uncovers a trail of cover-ups that implicate the US State department which supports the dictatorship.
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| Directing | Costa-Gavras | Director |
| Costume & Make-Up | Pamela Wise | Costume Supervisor |
| Directing | Anna Roth | Second Assistant Director |
| Costume & Make-Up | Esperanza Gómez | Hairdresser |
| Camera | Philippe Brun | Camera Operator |
| Costume & Make-Up | Bette Iverson | Hairdresser |
| Camera | Graciano Perez | Key Grip |
| Directing | Elie Cohn | First Assistant Director |
| Camera | Peter Sorel | Still Photographer |
| Editing | Marie Castro | Assistant Editor |
| Editing | Suzanne Koch | Assistant Editor |
| Writing | Costa-Gavras | Screenplay |
| Writing | Donald E. Stewart | Screenplay |
| Sound | Vangelis | Original Music Composer |
| Writing | Thomas Hauser | Book |
| Crew | John Nichols | Additional Writing |
| Camera | Ricardo Aronovich | Director of Photography |
| Editing | Françoise Bonnot | Editor |
| Sound | Claude Villand | ADR Mixer |
| Art | Benito Cano | Props |
| Directing | Jesús Marín | Second Unit First Assistant Director |
| Art | John Alvin | Art Designer |
| Production | Peter Guber | Producer |
| Sound | Jacques Lévy | Dialogue Editor |
| Camera | Pablo Ríos | Assistant Camera |
| Sound | Vince Melandri | Dialogue Editor |
| Sound | Françoise Bonnot | ADR Mixer |
| Crew | Jesus G. Duran | Special Effects |
| Production | Jon Peters | Producer |
| Lighting | Gabriel Castro | Gaffer |
| Sound | Daniel Brisseau | Sound Mixer |
| Crew | Laurencio Cordero | Special Effects |
| Editing | Michèle Amsellem | Assistant Editor |
| Production | Emily Gamboa | Production Secretary |
| Production | Keefe Millard | Production Assistant |
| Production | Carlos García F. | Location Manager |
| Directing | Sylvette Baudrot | Script Supervisor |
| Production | Luis Sánchez | Extras Casting |
| Crew | Charles Enzen | Transportation Captain |
| Production | Hank Guzman | Location Assistant |
| Costume & Make-Up | Adolfo Ramírez | Wardrobe Master |
| Production | Aurelio Ortiz | Location Production Assistant |
| Editing | Sergio Ortega | Assistant Editor |
| Camera | Daniel Leterrier | Assistant Camera |
| Production | Ricardo Frera | Location Assistant |
| Production | Vic Heutschy | Publicist |
| Production | Edward Lewis | Producer |
| Art | Lucero Isaac | Art Direction |
| Production | Jon Peters | Executive Producer |
| Art | Peter Jamison | Production Design |
| Production | Terence Nelson | Associate Producer |
| Production | Peter Guber | Executive Producer |
| Production | Mildred Lewis | Producer |
| Production | Wallis Nicita | Casting |
| Art | Michael Milgrom | Property Master |
| Costume & Make-Up | Joe I. Tompkins | Costume Design |
| Art | Antonio Mata | Property Master |
| Sound | José García | Sound Mixer |
| Art | Agustín Ituarte | Art Direction |
| Sound | Michèle Boëhm | Sound Effects Editor |
| Art | Linda Spheeris | Set Decoration |
| Costume & Make-Up | Mark Reedall | Makeup Artist |
| Sound | Jean-Pierre Lelong | Sound Effects |
| Sound | Stephane Van den Bergh | Boom Operator |
| Visual Effects | Albert Whitlock | Visual Effects |
| Crew | Dan Wyman | Additional Music |
