In the late 1800s, a fanatical religious leader, a renegade Sheriff, and a former prostitute collide in a blood triangle on the rugged plains of the New Mexico Territory.
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| Writing | Andrew McKenzie | Screenplay |
| Writing | Noah Miller | Screenplay |
| Writing | Andrew McKenzie | Story |
| Directing | Logan Miller | Director |
| Writing | Logan Miller | Screenplay |
| Costume & Make-Up | Hala Bahmet | Costume Design |
| Production | Jo Edna Boldin | Casting |
| Camera | Brad Shield | Director of Photography |
| Art | Waldemar Kalinowski | Production Design |
| Art | Wilhelm Pfau | Set Decoration |
| Production | Jason Netter | Producer |
| Production | Noah Miller | Producer |
| Costume & Make-Up | Tarra D. Day | Makeup Department Head |
| Crew | Al Goto | Stunt Coordinator |
| Crew | Ed Duran | Utility Stunts |
| Editing | Bruce Nyznik | Dialogue Editor |
| Production | Logan Miller | Producer |
| Costume & Make-Up | Geordie Sheffer | Hair Department Head |
| Production | Brendan Garst | Unit Production Manager |
| Crew | Harold L. Woods | Transportation Coordinator |
| Crew | John Proctor | Transportation Captain |
| Sound | Martin Davich | Original Music Composer |
| Directing | Jan Rudolph | Script Supervisor |
| Editing | Val Kuklowsky | Dialogue Editor |
| Production | Amy Eldridge | Production Supervisor |
| Crew | Cassidy Vick Hice | Stunt Double |
| Costume & Make-Up | Gretchen Bright | Key Makeup Artist |
| Art | Mari Kempes | Art Department Assistant |
| Art | Brian DeNike | Leadman |
| Costume & Make-Up | Sheila Trujillo | Key Makeup Artist |
| Art | Barbara Elaine Brown | Painter |
| Art | Josiah O'Neil | Set Dresser |
| Camera | Kurt Kornemann | Key Grip |
| Art | John C. Cameron | Assistant Property Master |
| Art | Ashley Michelle Marsh | Art Department Coordinator |
| Camera | Atom Crawford | Grip |
| Camera | Juergen Heinemann | Grip |
| Art | Kevin Farrell | Storyboard Artist |
| Camera | Chip Byrd | First Assistant "B" Camera |
| Art | Carl Zeller | Construction Coordinator |
| Art | Jess Coffer | Set Dresser |
| Camera | Rob Salviotti | Second Assistant "A" Camera |
| Camera | Michael P. May | Steadicam Operator |
| Lighting | Daniel Zamora | Electrician |
| Lighting | Jay Kemp | Gaffer |
| Costume & Make-Up | Ester Kim | On Set Dresser |
| Camera | Charlie Newberry | Second Assistant "B" Camera |
| Art | Keith Walters | Property Master |
| Camera | Brian Malone | Best Boy Grip |
| Camera | Tony Rivetti Sr. | First Assistant "A" Camera |
| Lighting | Waylon Brady | Lighting Technician |
| Camera | Jeff Bettis | Grip |
| Lighting | Todd Roberts | Lighting Technician |
| Camera | Ian Hanna | Dolly Grip |
| Art | Mark Gadbury | Props |
| Editing | Robert Dalva | Editor |
| Editing | Bob Fredrickson | Digital Intermediate Editor |
| Production | Marie A. Kohl | Casting Associate |
| Costume & Make-Up | Marina Ray | Assistant Costume Designer |
| Editing | Kostas Theodosiou | Digital Intermediate Colorist |
| Costume & Make-Up | Deborah Andrews | Key Costumer |
| Production | Jason Bonnell | Location Manager |
| Sound | Rodney Gurule | Production Sound Mixer |
| Sound | Doug Mountain | Sound Editor |
| Costume & Make-Up | Claire Marie Lere | Costume Assistant |
| Sound | Max Manzanares | Musician |
| Sound | Gary Gegan | Sound Re-Recording Mixer |
| Editing | Paul Lavoie | Digital Intermediate Producer |
| Sound | Carey Milbradt | Foley Mixer |
| Sound | Bruce Nyznik | Supervising Dialogue Editor |
| Costume & Make-Up | Kate Koeninger | Tailor |
| Sound | Jared Marshack | Sound Recordist |
| Production | Lorrie Latham | Extras Casting |
| Sound | Robbie Derrick | Sound Editor |
| Sound | Matthew Kabakoff | Sound |
| Sound | Gary Coppola | Sound Re-Recording Mixer |
| Visual Effects | Eric Reinhard | Digital Compositor |
| Sound | Steven Willer | Boom Operator |
| Sound | Bruce Nyznik | Supervising ADR Editor |
| Editing | Jason Ourso | Assistant Editor |
| Sound | Alexandra Kalinowski | Vocals |
