When a broken hearted boy loses the treasured wooden nativity set that links him to his dead father, his worried mother persuades a lonely ill-tempered woodcarver to create a replacement, and to allow her son to watch him work on it.
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| Directing | Bill Clark | Director |
| Editing | Mark Burton | First Assistant Editor |
| Production | Alastair Burlingham | Executive Producer |
| Editing | Henry Bateman | EPK Editor |
| Camera | Emmanuel Kadosh | Director of Photography |
| Crew | Kate Brontë-Stewart | Floor Runner |
| Crew | Mikael Carlsson | Executive Music Producer |
| Production | Sarah Wheale | Production Coordinator |
| Directing | Cathy Doubleday | Script Supervisor |
| Crew | Gavin Woods | Chef |
| Production | Tom Fenwick Smith | Production Runner |
| Production | Philippe Martinez | Producer |
| Sound | Guy Farley | Original Music Composer |
| Writing | Susan Wojciechowski | Book |
| Production | Thomas Mattinson | Producer |
| Directing | Simon Morris | Second Assistant Director |
| Sound | Sven Taits | Sound Re-Recording Mixer |
| Visual Effects | Kit Monkman | Visual Effects Supervisor |
| Lighting | Nimi Getter | Gaffer |
| Visual Effects | Lewis Saunders | Digital Compositor |
| Camera | Henry Bateman | Epk Camera Operator |
| Production | Paula Da Costa | Production Secretary |
| Crew | Paul Lowe | Stunt Double |
| Sound | Adrian Rhodes | Sound Editor |
| Writing | Bill Clark | Writer |
| Crew | Katie Shahrokh | Post-Production Manager |
| Art | Stuart Kearns | Art Direction |
| Costume & Make-Up | Amelia Brauer | Hair Designer |
| Costume & Make-Up | Amelia Brauer | Makeup Designer |
| Crew | Stephen Barker | Post Production Supervisor |
| Visual Effects | Ainslie Harris | Digital Compositor |
| Crew | Fiona Mackay | Post Production Assistant |
| Production | Catherine Russell | Production Secretary |
| Crew | Morag Webster | Unit Medic |
| Art | Tony Graysmark | Construction Manager |
| Production | Tom Swayne | Casting Assistant |
| Production | Alan Latham | Producer |
| Art | Simon Waters | Production Design |
| Art | Tom Whitehead | Art Direction |
| Sound | Adrian Rhodes | Sound Re-Recording Mixer |
| Visual Effects | Michael Ghelfi | Digital Compositor |
| Lighting | James Smith-Pryor | Best Boy Electric |
| Sound | Phil Hope | Music Supervisor |
| Production | John Hubbard | Casting |
| Sound | Colin Cooper | ADR Mixer |
| Sound | Phil Freudenfeld | Foley Editor |
| Sound | Andrew Rowe | Sound Assistant |
| Visual Effects | Andrew Fensom | Digital Compositor |
| Crew | Leanne Flinn | Video Assist Operator |
| Sound | Rick Gould | Foley Artist |
| Sound | Nigel Mills | Supervising Sound Editor |
| Camera | Nick Ray | Grip |
| Sound | Steve Mair | Musician |
| Sound | Tim Hands | Supervising Sound Editor |
| Sound | Derek Norman | Sound Recordist |
| Sound | Gavin Rose | Assistant Sound Editor |
| Editing | Justin Eely | Online Editor |
| Production | Scott Eaton | Assistant Production Coordinator |
| Crew | Jack Yiokoumi | Chef |
| Production | Jonathan Weisgal | Executive Producer |
| Editing | David Freeman | Editor |
| Production | Dan Hubbard | Casting |
| Costume & Make-Up | Maria Price | Costume Design |
| Costume & Make-Up | Karen Evans | Makeup Artist |
| Directing | David Daniels | First Assistant Director |
| Crew | Howard Weaver | Scenic Artist |
| Production | Ros Hubbard | Co-Producer |
| Sound | Simon Brown | Boom Operator |
| Crew | John Mateer | Post Production Consulting |
| Production | Donna Grey | Line Producer |
| Art | Alex Merchant | Art Direction |
| Directing | Carley Lane | Third Assistant Director |
| Sound | Colin Cooper | Foley Mixer |
| Camera | Ben Perry | Assistant Camera |
| Costume & Make-Up | Heather Howell | Costume Supervisor |
| Costume & Make-Up | Pookie Russell | Costume Assistant |
| Production | Burdette Anderson | Executive In Charge Of Production |
| Editing | Tim Waller | Senior Colorist |
