After experiencing a traumatic misfortune, Jasmine French, a wealthy woman from New York, moves to San Francisco to live with her foster sister Ginger and the firm purpose of getting a new life, but she will be haunted by anxiety and memories of the past.
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| Art | Kelli Lundy | Set Decorating Coordinator |
| Art | Anna Rogers | Assistant Property Master |
| Costume & Make-Up | Robert Mrazik | Assistant Hairstylist |
| Costume & Make-Up | Nancy Servin | Tailor |
| Sound | Thomas Kodros | Dolby Consultant |
| Crew | Michael Primmer | Cableman |
| Production | Paul J. Park | Assistant Accountant |
| Camera | Aaron Kirby | Camera Loader |
| Crew | Doug Hunt | Video Assist Operator |
| Camera | Richard A. Hunt | Grip |
| Sound | Matthew Haasch | Foley Editor |
| Production | Heather MacLean | Location Assistant |
| Art | Doni McMillan | Leadman |
| Camera | Gregory Collis | Grip |
| Art | Qris Fry | Construction Coordinator |
| Lighting | John Lacy | Best Boy Electric |
| Crew | Bob Loeffler | Security Coordinator |
| Crew | Sandy Reed | Craft Service |
| Art | Joel Morgante | Construction Foreman |
| Crew | Jim Chesney | Transportation Coordinator |
| Crew | Joe Feeney | Transportation Co-Captain |
| Production | Gaetano Akiya | Payroll Accountant |
| Art | Louis Visco | Set Dresser |
| Art | Mike Helbig | Set Dresser |
| Lighting | Brook Johnson | Rigging Grip |
| Costume & Make-Up | Karen Bradley | Assistant Makeup Artist |
| Production | Deborah Alexander | Producer's Assistant |
| Camera | Robert 'Boomer' McCann | Best Boy Grip |
| Camera | Don L. Henderson | Dolly Grip |
| Camera | Chris Sanders | Grip |
| Lighting | Chris Shellenberger | Rigging Gaffer |
| Crew | Carla Meyer | Dialect Coach |
| Crew | Elise Ganz | Studio Teacher |
| Crew | Mark Bosia | Set Medic |
| Costume & Make-Up | Marco Piemontese | Assistant Costume Designer |
| Crew | Anthony R. Sacco | Transportation Captain |
| Crew | Erik Hattan | Transportation Co-Captain |
| Production | Pietro Lorino, Jr. | Production Accountant |
| Production | Laura F. Haynes | Assistant Production Coordinator |
| Camera | Michael Best | Grip |
| Camera | Patrick McArdle | First Assistant Camera |
| Crew | James Chandler | Craft Service |
| Camera | Jeph Folkins | Second Assistant Camera |
| Art | John Lister | Set Dresser |
| Directing | Ted Leonard | Second Second Assistant Director |
| Art | David Hendrickson | Art Department Coordinator |
| Camera | Gregory M. Childers | Grip |
| Lighting | Pedro Hernández | Key Rigging Grip |
| Production | Stephen Tenenbaum | Producer |
| Production | Leroy Schecter | Executive Producer |
| Production | Juliet Taylor | Casting |
| Editing | Alisa Lepselter | Editor |
| Production | Edward Walson | Producer |
| Art | Santo Loquasto | Production Design |
| Production | Patricia Kerrigan DiCerto | Casting |
| Directing | Woody Allen | Director |
| Production | Adam B. Stern | Executive Producer |
| Production | Letty Aronson | Producer |
| Camera | Javier Aguirresarobe | Director of Photography |
| Editing | Morgan Neville | First Assistant Editor |
| Sound | Brendan Jamieson O'Brien | Boom Operator |
| Production | Jack Rollins | Co-Executive Producer |
| Costume & Make-Up | Suzy Benzinger | Costume Designer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Lighting | Steve Condiotti | Gaffer |
| Costume & Make-Up | Gretchen Davis | Makeup Department Head |
| Production | Debbie Brubaker | Unit Production Manager |
| Sound | Robert Hein | Sound Re-Recording Mixer |
| Visual Effects | Jim Rider | Visual Effects Supervisor |
| Directing | Cindy A. Taylor | Second Assistant Director |
| Sound | Nelson Stoll | Sound Mixer |
| Production | Jonathan Shedd | Location Manager |
| Costume & Make-Up | Peggy Schierholz | Hair Department Head |
| Costume & Make-Up | Robin Fredriksz | Key Makeup Artist |
| Art | Michael E. Goldman | Art Direction |
| Art | Patrick Ludden | Property Master |
| Costume & Make-Up | Yvette Rivas | Hair Department Head |
| Camera | Gary Martone | Key Grip |
| Costume & Make-Up | Yaneya Rovira | Costume Supervisor |
| Production | Nina Henninger | Casting |
| Production | Scott Kordish | Production Supervisor |
| Sound | Jay Peck | Foley Artist |
| Production | Emily Pierceall | Production Coordinator |
| Sound | Thomas Varga | Sound Mixer |
| Art | Ann Miller | Property Master |
| Sound | Robert Hein | Supervising Sound Editor |
| Sound | Glenfield Payne | Sound Effects Editor |
| Sound | Brian Copenhagen | Boom Operator |
| Art | Chad Owens | Assistant Art Director |
| Visual Effects | Jake Braver | Visual Effects Supervisor |
| Directing | Danielle Rigby | First Assistant Director |
| Writing | Woody Allen | Screenplay |
| Directing | John M. Morse | First Assistant Director |
| Directing | Brad Robinson | Second Assistant Director |
| Editing | Kate Rose Itzkowitz | Assistant Editor |
| Camera | Will Arnot | Camera Operator |
| Art | Regina Graves | Set Decoration |
| Sound | Brendan O'Brien | Boom Operator |
| Costume & Make-Up | Lori Hicks | Makeup Department Head |
| Directing | Virginia Saenz McCarthy | Script Supervisor |
| Camera | Jessica Miglio | Still Photographer |
| Art | Douglas Huszti | Art Direction |
| Production | Helen Robin | Co-Producer |
| Camera | Dave Childers | Key Grip |
| Production | Scott Kordish | Production Coordinator |
| Sound | David Wahnon | Sound Effects Editor |
| Camera | Merrick Morton | Still Photographer |
| Costume & Make-Up | Leslie Weir | Costume Supervisor |
| Sound | Sylvia Menno | Dialogue Editor |
| Art | David Hendrickson | Graphic Designer |
| Art | Kris Boxell | Set Decoration |
| Lighting | Scott H. Ramsey | Gaffer |
| Costume & Make-Up | Lona Vigi | Key Hair Stylist |
| Costume & Make-Up | Rory Powers | Costume Supervisor |
| Production | Helen Robin | Unit Production Manager |
| Camera | Will Arnot | Steadicam Operator |
| Art | Chad Owens | Set Designer |
| Production | Christie Mullen | Location Manager |
