Stoney Cooper, a former Los Angeles police officer, is at a low point in his life. Kicked off the force because of his anti-authority attitude, he now ekes out a living as a freelancer in New York. All this changes when the daughter of an old friend is killed by serial killer terrorizing L.A. Although almost nobody in his old home town is happy to see him back, Cooper pledges to bring the killer to justice before any more innocent people die.
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| Camera | Dennis Smith | Camera Operator |
| Directing | Paul Aaron | Director |
| Writing | Ken Barnett | Story |
| Editing | Roy Watts | Editor |
| Production | Keith Rubinstein | Associate Producer |
| Production | Roger La Page | Production Manager |
| Crew | Bud Davis | Stunts |
| Directing | Ronald Colby | First Assistant Director |
| Directing | Jeanne Rosenberg | Script Supervisor |
| Camera | Hanania Baer | Camera Operator |
| Production | Carol Hilson | Production Coordinator |
| Camera | Michael E. Little | First Assistant Camera |
| Production | Hursey St. Johns | Casting |
| Production | William Fay | Location Manager |
| Camera | Peter Lyons Collister | Camera Operator |
| Sound | Joseph Geisinger | Boom Operator |
| Crew | Ray Lykins | Stunts |
| Directing | James Fitzpatrick | Second Assistant Director |
| Camera | Steven Finestone | Second Assistant Camera |
| Crew | Mardie Schaefer | Stunts |
| Production | Chip Fowler | Production Coordinator |
| Crew | Norman Blankenship | Stunts |
| Crew | Donna Lynn | Stunts |
| Crew | Don Pike | Stunts |
| Crew | Lee Pulford | Stunts |
| Crew | Gary Gillingham | Production Controller |
| Camera | Joel Soisson | Second Assistant Camera |
| Sound | Ron Judkins | Sound Mixer |
| Crew | Alan Marcus | Stunts |
| Crew | Denny Arnold | Stunts |
| Lighting | John M. Conti | Electrician |
| Camera | Jonathan Woolf | Key Grip |
| Sound | Gary Vaughan | Sound Editor |
| Lighting | Dennis Grow | Gaffer |
| Costume & Make-Up | Scott Readwine | Key Makeup Artist |
| Camera | Diana Lynn Moltrup | Still Photographer |
| Lighting | Gregory Peters | Best Boy Electric |
| Costume & Make-Up | Terryis Lee Hamilton | Key Hairdresser |
| Crew | Frank Tremonti | Transportation Coordinator |
| Art | Steve Carpenter | Assistant Property Master |
| Art | Stuart Lennox | Assistant Production Design |
| Crew | Jack Lyons | Unit Publicist |
| Sound | Russ Hill | Sound Editor |
| Sound | Dan Thomas | Sound Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Fred Prior | Music Editor |
| Art | Nancy Arnold | Set Decoration |
| Costume & Make-Up | Mark Shostrom | Special Effects Makeup Artist |
| Editing | Lane Russell | Assistant Editor |
| Sound | Peter Grives | Sound Editor |
| Camera | Robert Fischer | Best Boy Grip |
| Sound | Paul Laune | Sound Editor |
| Lighting | Patrick James Grosswendt | Electrician |
| Camera | Robie Price | Dolly Grip |
| Costume & Make-Up | Julie Glick | Costume Assistant |
| Editing | John Currin | Assistant Editor |
| Sound | Paul B. Clay | Supervising Sound Editor |
| Art | David L. Glazer | Property Master |
| Art | Elise Basten | Assistant Set Decoration |
| Sound | Karen Rasch | Dialogue Editor |
| Camera | Richard R. Perkins | Grip |
| Sound | James Troutman | Supervising Sound Editor |
| Production | Dennis Nemec | Producer |
| Art | Alan Roderick-Jones | Art Direction |
| Costume & Make-Up | Betty Pecha Madden | Costume Design |
| Production | Roger La Page | Line Producer |
| Sound | Gary S. Scott | Original Music Composer |
| Camera | Norman Leigh | Director of Photography |
| Crew | Mark Shostrom | Makeup Effects |
| Camera | Jon Kranhouse | Director of Photography |
| Camera | David Myers | Director of Photography |
| Production | Sandy Howard | Producer |
| Production | John Daly | Executive Producer |
| Writing | Barry Schneider | Screenplay |
| Writing | Robert Vincent O'Neil | Screenplay |
| Writing | Ken Barnett | Screenplay |
