A Brooklyn showgirl gets mixed up in a divorce between a soldier and his wife.
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Directing | Harry Beaumont | Director |
Writing | Mary C. McCall, Jr. | Screenplay |
Writing | Harry Ruby | Story |
Writing | James O'Hanlon | Story |
Writing | Wilson Collison | Characters |
Production | George Haight | Producer |
Camera | Robert H. Planck | Director of Photography |
Art | Cedric Gibbons | Art Direction |
Art | Edwin B. Willis | Set Decoration |
Crew | Harry Clork | Additional Writing |
Crew | Howard Emmett Rogers | Additional Writing |
Sound | David Snell | Original Music Composer |
Sound | Robert Franklyn | Original Music Composer |
Sound | Lennie Hayton | Original Music Composer |
Sound | Bronislau Kaper | Original Music Composer |
Camera | William H. Daniels | Director of Photography |
Editing | Frank E. Hull | Editor |
Art | Howard Campbell | Art Direction |
Production | Hugh Boswell | Unit Manager |
Directing | Charles O'Malley | Assistant Director |
Art | Helen Conway | Set Decoration |
Sound | Douglas Shearer | Sound Director |
Sound | Standish J. Lambert | Sound Re-Recording Mixer |
Sound | Frank McKenzie | Sound Re-Recording Mixer |
Sound | Robert Shirley | Sound Re-Recording Mixer |
Sound | William Steinkamp | Sound Re-Recording Mixer |
Sound | Michael Steinore | Sound Re-Recording Mixer |
Sound | P. Richard Stevens | Sound Mixer |
Sound | John A. Williams | Sound Re-Recording Mixer |
Visual Effects | A. Arnold Gillespie | Visual Effects |
Camera | Irving Glassberg | Camera Operator |
Costume & Make-Up | Irene | Costume Supervisor |
Sound | Wally Heglin | Orchestrator |
Sound | M.J. McLaughlin | Music |
Sound | William Saracino | Music |