Just as sex, drugs, rock & roll, hippies, and Vietnam enter our consciousness, so it does for Ben Sweet, the shy, 18-year-old son of conservative businessman, Sy. Ben enters UC Berkeley in 1966 to avoid the draft, but finds himself smack in the middle of a home-grown revolution.
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| Production | Larison Clark | Associate Producer |
| Art | Henry G. Sanders | Production Design |
| Production | Stacey Rosen | Casting |
| Costume & Make-Up | Naila Aladdin Sanders | Costume Designer |
| Sound | Christopher Franke | Original Music Composer |
| Directing | Bobby Roth | Director |
| Production | Lon Bender | Executive Producer |
| Writing | Bobby Roth | Writer |
| Editing | Emily Wallin | Editor |
| Production | Jeffrey White | Producer |
| Production | Bobby Roth | Producer |
| Production | Cosmas Paul Bolger Jr. | Executive Producer |
| Editing | Carsten Becker | Editor |
| Camera | Steve Burns | Director of Photography |
| Crew | Richard Rudolph | Executive Music Producer |
| Directing | Richard J. Levin | First Assistant Director |
| Directing | Jennie O'Keefe Armas | Second Assistant Director |
| Directing | Dan Leatham | Second Assistant Director |
| Production | Tiffany Paralta | Production Supervisor |
| Camera | Pamela Springsteen | Still Photographer |
| Editing | Mitch Marcus | Additional Editing |
| Production | Ellary Eddy | Extras Casting |
| Editing | Michael Trent | Additional Editing |
| Costume & Make-Up | Raqueli Dahan | Makeup Department Head |
| Art | Nicholas Neidorf | Set Dresser |
| Camera | Sketch Pasinski | First Assistant Camera |
| Camera | Margot Coleman Martin | First Assistant Camera |
| Directing | Amsie Soria | Second Second Assistant Director |
| Costume & Make-Up | Harold Harper | Set Costumer |
| Editing | Jesse Kane | Assistant Editor |
| Sound | Lawrence Fried | Sound Recordist |
| Costume & Make-Up | Annette Lorant | Makeup Artist |
| Production | Andree Juviler | Location Manager |
| Production | James McCabe | Location Manager |
| Production | Matthew Skrobalak | Casting Associate |
| Production | Bradley M. Gross | Unit Production Manager |
| Sound | Jose Barocio Jr. | Boom Operator |
| Crew | Paul Naylor | Stunt Coordinator |
| Editing | Armen Minasian | Editorial Consultant |
| Crew | David St. Pierre | Stunt Coordinator |
| Camera | Cole Sutherland | Second Assistant Camera |
| Costume & Make-Up | Lauren Russak | Key Makeup Artist |
| Art | Jeffrey Neidorf | Set Dresser |
| Editing | Carter Reedy | Additional Editing |
| Art | Debra Carroll | Assistant Art Director |
| Directing | Lori Ashfield | Second Second Assistant Director |
| Art | Andrew Steinberg | Art Direction |
| Directing | Karen Eachus | Script Supervisor |
| Art | Laura Somers | Property Master |
| Costume & Make-Up | Charles 'Desi' Griffin | Set Costumer |
| Sound | Becky Sullivan | ADR Supervisor |
| Sound | Julio Carmona | ADR Recordist |
| Sound | Nerses Gezalyan | Foley Mixer |
| Sound | James Moriana | Foley Artist |
| Sound | Derek Lee Bell | Sound Effects Editor |
| Sound | Paul Flinchbaugh | Assistant Sound Editor |
| Sound | Kevin Patrick Burns | Sound Re-Recording Mixer |
| Sound | Alec James | Sound Recordist |
| Sound | Geoffrey G. Rubay | Sound Effects Editor |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Sound | Nelson Stoll | Sound Recordist |
| Crew | Lincoln Kupchak | Visual Effects Editor |
| Camera | Robert M. Young | Additional Director of Photography |
| Sound | Keren Falkenstein | Sound Effects Editor |
| Sound | Damien Smith | Foley Artist |
| Sound | Todd Orr | Sound Re-Recording Mixer |
| Sound | Ron Bedrosian | ADR Mixer |
| Visual Effects | Tim Everitt | Animation Supervisor |
| Crew | Eddie Surkin | Special Effects |
| Sound | John Langford | Sound Recordist |
| Sound | William H. Angarola | Supervising Sound Editor |
| Sound | Tim Farrell | Dialogue Editor |
| Visual Effects | John P. Mesa | Visual Effects Supervisor |
| Sound | Christopher Assells | Sound Effects Editor |
| Sound | Amber Tisue | Sound Recordist |
