Just as sex, drugs, rock & roll, hippies, and Vietnam enter our consciousness, so it does for Ben Sweet, the shy, 18-year-old son of conservative businessman, Sy. Ben enters UC Berkeley in 1966 to avoid the draft, but finds himself smack in the middle of a home-grown revolution.
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Production | Stacey Rosen | Casting |
Art | Henry G. Sanders | Production Design |
Production | Larison Clark | Associate Producer |
Writing | Bobby Roth | Writer |
Camera | Steve Burns | Director of Photography |
Production | Bobby Roth | Producer |
Sound | Christopher Franke | Original Music Composer |
Directing | Bobby Roth | Director |
Production | Lon Bender | Executive Producer |
Production | Cosmas Paul Bolger Jr. | Executive Producer |
Costume & Make-Up | Naila Aladdin Sanders | Costume Designer |
Crew | Richard Rudolph | Executive Music Producer |
Editing | Emily Wallin | Editor |
Production | Jeffrey White | Producer |
Editing | Carsten Becker | Editor |
Directing | Dan Leatham | Second Assistant Director |
Production | Bradley M. Gross | Unit Production Manager |
Directing | Jennie O'Keefe Armas | Second Assistant Director |
Directing | Richard J. Levin | First Assistant Director |
Production | Tiffany Paralta | Production Supervisor |
Art | Andrew Steinberg | Art Direction |
Editing | Jesse Kane | Assistant Editor |
Crew | Paul Naylor | Stunt Coordinator |
Editing | Michael Trent | Additional Editing |
Directing | Karen Eachus | Script Supervisor |
Camera | Pamela Springsteen | Still Photographer |
Costume & Make-Up | Annette Lorant | Makeup Artist |
Art | Laura Somers | Property Master |
Production | Ellary Eddy | Extras Casting |
Costume & Make-Up | Charles 'Desi' Griffin | Set Costumer |
Editing | Mitch Marcus | Additional Editing |
Camera | Margot Coleman Martin | First Assistant Camera |
Camera | Cole Sutherland | Second Assistant Camera |
Production | James McCabe | Location Manager |
Production | Matthew Skrobalak | Casting Associate |
Crew | David St. Pierre | Stunt Coordinator |
Camera | Sketch Pasinski | First Assistant Camera |
Production | Andree Juviler | Location Manager |
Directing | Amsie Soria | Second Second Assistant Director |
Costume & Make-Up | Harold Harper | Set Costumer |
Sound | Julio Carmona | ADR Recordist |
Editing | Armen Minasian | Editorial Consultant |
Editing | Carter Reedy | Additional Editing |
Sound | Lawrence Fried | Sound Recordist |
Sound | Jose Barocio Jr. | Boom Operator |
Directing | Lori Ashfield | Second Second Assistant Director |
Art | Debra Carroll | Assistant Art Director |
Costume & Make-Up | Raqueli Dahan | Makeup Department Head |
Costume & Make-Up | Lauren Russak | Key Makeup Artist |
Art | Nicholas Neidorf | Set Dresser |
Art | Jeffrey Neidorf | Set Dresser |
Sound | Nelson Stoll | Sound Recordist |
Sound | Jeffrey Wilhoit | Foley Artist |
Sound | Paul Flinchbaugh | Assistant Sound Editor |
Sound | Derek Lee Bell | Sound Effects Editor |
Sound | Nerses Gezalyan | Foley Mixer |
Sound | Amber Tisue | Sound Recordist |
Sound | Ron Bedrosian | ADR Mixer |
Sound | Alec James | Sound Recordist |
Sound | Geoffrey G. Rubay | Sound Effects Editor |
Sound | James Moriana | Foley Artist |
Camera | Robert M. Young | Additional Director of Photography |
Sound | Keren Falkenstein | Sound Effects Editor |
Sound | Damien Smith | Foley Artist |
Sound | Todd Orr | Sound Re-Recording Mixer |
Sound | Becky Sullivan | ADR Supervisor |
Sound | Tim Farrell | Dialogue Editor |
Crew | Lincoln Kupchak | Visual Effects Editor |
Crew | Eddie Surkin | Special Effects |
Sound | William H. Angarola | Supervising Sound Editor |
Visual Effects | John P. Mesa | Visual Effects Supervisor |
Sound | Christopher Assells | Sound Effects Editor |
Sound | Kevin Patrick Burns | Sound Re-Recording Mixer |
Sound | John Langford | Sound Recordist |
Visual Effects | Tim Everitt | Animation Supervisor |