A top surgeon is besotted with a beautiful woman who once rebuffed him. Unable to come to terms with life without her, he tries to convince her that they need each other. She has other ideas, but a horrific accident leaves her at his mercy.
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| Production | Carl Mazzocone | Producer |
| Directing | Jennifer Lynch | Director |
| Production | Philippe Caland | Producer |
| Camera | Bojan Bazelli | Director of Photography |
| Sound | Graeme Revell | Original Music Composer |
| Writing | Philippe Caland | Story |
| Writing | Jennifer Lynch | Screenplay |
| Camera | Frank Byers | Director of Photography |
| Production | Larry Sugar | Executive Producer |
| Production | James R. Schaeffer | Executive Producer |
| Editing | David Finfer | Editor |
| Art | Paul Huggins | Production Design |
| Production | Ferne Cassel | Casting |
| Production | Laurel Ayn Selko | Associate Producer |
| Art | Sharon Braunstein | Set Decoration |
| Production | Brigitte Caland | Associate Producer |
| Directing | Rhonda Guthrie | Second Second Assistant Director |
| Camera | Denise Bailie | Second Assistant Camera |
| Directing | Marcei A. Brown | Second Assistant Director |
| Production | Dawn Darfus | Production Accountant |
| Camera | C. Ashley Sudge | Dolly Grip |
| Sound | Bayard Carey | Sound Mixer |
| Production | David R. Kappes | Production Consultant |
| Crew | Cindy Parker | Transportation Coordinator |
| Crew | J.L. Parker | Transportation Captain |
| Production | Amy Stevens | Production Coordinator |
| Production | Sonya Lunsford | Assistant Accountant |
| Crew | J.L. Parker | Stunt Driver |
| Production | David Finfer | Post Production Coordinator |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Directing | Josh King | First Assistant Director |
| Production | Denise Kaczmarczyk | Assistant Production Coordinator |
| Lighting | Tully McCulloch | Best Boy Electric |
| Sound | Todd Toon | Sound Effects Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Martin J. Bram | Dialogue Editor |
| Sound | Dick Bernstein | Music Editor |
| Sound | Kini Kay | Sound Effects Editor |
| Costume & Make-Up | Candida Conery | Hairstylist |
| Sound | Robert Thirlwell | Sound Re-Recording Mixer |
| Sound | Tami Treadwell | Foley Recordist |
| Editing | David Bryden | Color Timer |
| Camera | Jimmy E. Jensen | First Assistant Camera |
| Directing | Gail Hunter | Script Supervisor |
| Sound | Catherine Harper | Foley Artist |
| Sound | G.W. Brown | ADR Supervisor |
| Editing | Phyllis Housen | Assistant Editor |
| Sound | Ken S. Polk | Sound Re-Recording Mixer |
| Sound | Tom Hammond | Foley Editor |
| Sound | Ossama Khuluki | Foley Artist |
| Sound | Tommy Goodwin | Foley Mixer |
| Costume & Make-Up | Nina Port | Makeup Artist |
| Lighting | Brian Gunter | Gaffer |
| Crew | Lonnie R. Smith Jr. | Stunt Coordinator |
| Art | Richard Blake Wester | Property Master |
| Sound | Robert Deschaine | ADR Mixer |
| Editing | Syd Klinge | Assistant Editor |
| Sound | Kurt Nicholas Forshager | Foley Editor |
| Camera | Ruth Leltman | Still Photographer |
| Sound | David Jobe | ADR Recordist |
