Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.
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Sound | Michael Small | Original Music Composer |
Writing | Tom Stoppard | Screenplay |
Editing | Steven Cohen | Editor |
Directing | Bob Rafelson | Director |
Writing | Raymond Chandler | Novel |
Writing | Robert B. Parker | Novel |
Camera | Stuart Dryburgh | Director of Photography |
Art | Mark Friedberg | Production Design |
Production | Elaine J. Huzzar | Casting |
Production | Sydney Pollack | Executive Producer |
Production | Jordan Kerner | Executive Producer |
Production | Tony Mark | Producer |
Production | William Horberg | Executive Producer |
Costume & Make-Up | David W. King | Costumer |
Production | Geoff Stier | Co-Executive Producer |
Production | Jon Avnet | Executive Producer |
Production | Johanna Ray | Casting |
Directing | Tommy Thompson | First Assistant Director |
Sound | Kevin Kubota | Utility Sound |
Lighting | James Plannette | Gaffer |
Crew | Mark S. Hoerr | Post Production Supervisor |
Sound | Tim Tuchrello | Assistant Sound Editor |
Production | Sue Jett | Production Supervisor |
Costume & Make-Up | Jene Fielder | Makeup Artist |
Production | Justin Healy | Assistant Location Manager |
Sound | Richard E. Yawn | Supervising Sound Editor |
Sound | Dustin van Baalbergen | Apprentice Sound Editor |
Sound | Dean St. John | ADR Mixer |
Sound | Wayne Artman | Sound Re-Recording Mixer |
Production | Ashley Stepp | Extras Casting |
Art | Susan A. Burig | Graphic Designer |
Art | Domenic Silvestri | Set Designer |
Art | Courtney Jackson | Assistant Property Master |
Camera | Ronald Batzdorff | Still Photographer |
Sound | Christopher O'Donnell | Boom Operator |
Camera | Jerry L. Marshall | Grip |
Lighting | Dhamarata Dhiensuwana | Key Rigging Grip |
Costume & Make-Up | Lynda Gurasich | Hair Department Head |
Art | Kristen Toscano Messina | Set Decoration |
Art | Stephen J. Readmond | Set Dresser |
Art | Easton Michael Smith | Set Designer |
Sound | Donald L. Warner Jr. | Sound Editor |
Sound | John Richards | Scoring Mixer |
Production | Linda 'Sam' Glynn | Assistant Location Manager |
Art | Patrick Lees | Leadman |
Art | Rhonda Marshall | Set Dresser |
Art | Jonathan R. Hodges | Property Master |
Sound | Glenn Hoskinson | Sound Editor |
Sound | Bruce Fortune | Sound Editor |
Crew | Simone Boisseree | Stunts |
Camera | Ted Morris | Camera Operator |
Camera | Max Neal | Second Assistant Camera |
Camera | Loren Corl | Key Grip |
Directing | Kate Lewis | Script Supervisor |
Art | Scott Plauche | Art Direction |
Production | Steve Sandoval | Production Coordinator |
Sound | Steve Mann | Sound Editor |
Sound | Gary Blufer | Sound Effects |
Crew | Gwynn Turnbull Weaver | Stunts |
Camera | Jason Poteet | Grip |
Lighting | Ivan H. Migel | Rigging Grip |
Costume & Make-Up | Alison Hirsch | Wardrobe Supervisor |
Costume & Make-Up | David Ferry | Costumer |
Sound | Brian Best | Sound Editor |
Sound | Dean St. John | Foley Mixer |
Sound | Stan Jones | Music Editor |
Sound | P.J. Bloom | Music Coordinator |
Art | Garson Yu | Title Designer |
Crew | Erik Kleven | Stunts |
Crew | Julie Wagner | Stunts |
Directing | Mark Hansson | Second Assistant Director |
Costume & Make-Up | Ruben D. Calderon | Set Costumer |
Production | Tony Gore | Post Production Coordinator |
Sound | Casey J. Crabtree | Foley Artist |
Production | Leigh French | ADR Voice Casting |
Camera | Brian W. Nordheim | First Assistant Camera |
Lighting | Willing Buckingham III | Rigging Grip |
Sound | Brian Harman | Sound Recordist |
Camera | Ed Dally | Camera Loader |
Costume & Make-Up | Lisa A. Doyle | Set Costumer |
Art | Billy Baker | Set Dresser |
Art | Michael Cutler | Set Dresser |
Sound | Anthony Milch | Sound Editor |
Sound | Grover B. Helsley | Sound Re-Recording Mixer |
Crew | Joe D. Ramsey | Special Effects Coordinator |
Crew | Todd Jensen | Special Effects Technician |
Editing | Robert LaRossa | Color Timer |
Production | Tony Mark | Unit Production Manager |
Costume & Make-Up | Melinda Eshelman | Costume Designer |
Lighting | Rick A. Benedetto | Rigging Gaffer |
Camera | Jamie Lagerhausen | Best Boy Grip |
Costume & Make-Up | Enid Arias | Key Hair Stylist |
Art | Sheri von Seeburg | Art Department Coordinator |
Sound | Mike Crabtree | Foley Artist |
Production | Mary Jane Fendler | Casting Associate |
Crew | Carl Paoli | Stunt Double |
Sound | Ed Novick | Sound Mixer |
Lighting | Michael F. Pierre | Electrician |
Costume & Make-Up | Jane Galli | Key Makeup Artist |
Editing | Paul Martinez | First Assistant Editor |
Production | Diane Ward | Assistant Production Coordinator |
Production | Lee A. Miles | Extras Casting |
Crew | Walter Scott | Stunt Coordinator |
Camera | Scott McGeo | Grip |
Sound | Kim Secrist | Foley Editor |
Art | Chris Garr | Construction Coordinator |
Art | Rob Rudas | Set Dresser |
Sound | Evyen Klean | Music Supervisor |
Camera | Andreas Crawford | Dolly Grip |
Costume & Make-Up | Felicity Bowring | Makeup Department Head |
Costume & Make-Up | Alix Friedberg | Assistant Costume Designer |
Directing | Carla Brand Breitner | Second Second Assistant Director |
Sound | Joe Bosco | ADR Recordist |
Crew | David Rowden | Stunts |
Crew | Max Kleven | Stunts |
Lighting | Rick A. Benedetto | Best Boy Electric |
Lighting | Chris L. Wielkiewicz | Electrician |
Production | Tim Hillman | Location Manager |
Sound | Zack Davis | Supervising ADR Editor |
Sound | James Bailey | Foley Artist |
Sound | Robert L. Harman | Sound Re-Recording Mixer |