During a routine prison work detail, convict Piper is chained to Dodge, a cyberhacker, when gunfire breaks out. Apparently, the attack is related to stolen money that the Mafia is after, and some computer files that somebody wants desperately to bury. The pair, who don't exactly enjoy each other's company, escape and must work together if they are to reach Atlanta alive. Luckily, they meet a woman who may be willing to help them.
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| Directing | Kevin Hooks | Director |
| Writing | Preston A. Whitmore II | Writer |
| Crew | Jennifer Badger | Stunts |
| Crew | Kenny Endoso | Stunts |
| Crew | Simone Boisseree | Stunts |
| Crew | Tim Trella | Stunts |
| Crew | Randi Layne | Stunts |
| Production | Frank Mancuso Jr. | Producer |
| Production | Vikki Williams | Associate Producer |
| Production | Preston A. Whitmore II | Executive Producer |
| Sound | Graeme Revell | Original Music Composer |
| Camera | Matthew F. Leonetti | Director of Photography |
| Editing | Joseph Gutowski | Editor |
| Editing | Richard Nord | Editor |
| Production | Cathy Sandrich Gelfond | Casting |
| Production | Amanda Mackey | Casting |
| Art | Charles C. Bennett | Production Design |
| Art | Charles William Breen | Art Direction |
| Art | Katie Pinholster | Set Decoration |
| Art | Mary Stacy | Set Decoration |
| Costume & Make-Up | Jennifer Bryan | Costume Design |
| Costume & Make-Up | Lynn Barber | Key Makeup Artist |
| Costume & Make-Up | Stacye P. Branche | Makeup & Hair |
| Costume & Make-Up | Philip Ivey | Key Hair Stylist |
| Costume & Make-Up | Bill 'Splat' Johnson | Special Effects Makeup Artist |
| Costume & Make-Up | Jeffrey A. Rubis | Assistant Hairstylist |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Production | Frank Bodo | Unit Production Manager |
| Directing | John Hockridge | First Assistant Director |
| Directing | Joseph J. Kontra | Second Assistant Director |
| Sound | Scott Millan | Sound Re-Recording Mixer |
| Sound | Brad Sherman | Sound Re-Recording Mixer |
| Camera | Michael P. Weinstein | Still Photographer |
| Directing | Renate Schneuer | Script Supervisor |
| Lighting | Pat Blymyer | Chief Lighting Technician |
| Camera | C. Alan Rawlins Sr. | Key Grip |
| Camera | Riko Schatke | Best Boy Grip |
| Camera | C. Ashley Sudge | Dolly Grip |
| Production | Mike Riley | Location Manager |
| Sound | Barney Cabral | ADR Supervisor |
| Sound | Mark R. La Pointe | Dialogue Editor |
| Sound | Clayton Collins | Dialogue Editor |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Craig S. Jaeger | Foley Editor |
| Sound | Philip A. Hess | Foley Editor |
| Sound | Mark Gordon | Foley Editor |
| Sound | Mark Hollingsworth | ADR Editor |
| Sound | Norto Sepulveda | ADR Editor |
| Sound | James Ashwill | Foley Mixer |
| Sound | Linda Lew | Foley Recordist |
| Sound | Dan O'Connell | Foley Artist |
| Sound | John T. Cucci | Foley Artist |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Bill Fibben | Boom Operator |
| Sound | Joshua Winget | Music Editor |
| Art | Frank Blair | Property Master |
| Art | Cheree Welsh | Art Department Coordinator |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Dennis McNeill | Color Timer |
| Crew | Tommy J. Huff | Stunts |
| Crew | Henry Kingi Jr. | Stunts |
| Crew | Troy Gilbert | Stunts |
| Crew | Glenn R. Wilder | Stunts |
| Crew | Henry Kingi | Stunts |
| Crew | Lance Gilbert | Stunt Double |
| Directing | Mic Rodgers | Second Unit Director |
| Crew | Manny Perry | Stunts |
| Crew | John C. Meier | Stunt Coordinator |
| Crew | Carol Martin Vines | Stunts |
